|
| Don Kurt | .... | executive producer / co-executive producer / ... (88 episodes, 1994-1999) |
| Peter R. McIntosh | .... | producer / co-executive producer (88 episodes, 1994-1999) |
| Dick Wolf | .... | executive producer (88 episodes, 1994-1999) |
| Arthur W. Forney | .... | supervising producer / producer (77 episodes, 1994-1999) |
| Andre Harrell | .... | co-executive producer / executive producer (76 episodes, 1994-1997) |
| Reggie Rock Bythewood | .... | producer / co-producer / ... (75 episodes, 1994-1997) |
| Christopher Cooke | .... | associate producer / co-producer (75 episodes, 1994-1997) |
| Jody Milano Vanderputten | .... | co-producer / producer / ... (64 episodes, 1994-1999) |
| Lyah Beth LeFlore | .... | associate producer (51 episodes, 1994-1996) |
| Larry Moskowitz | .... | producer / supervising producer (50 episodes, 1995-1997) |
| Steven Smith | .... | co-executive producer / executive producer (50 episodes, 1995-1997) |
| Mark McGann | .... | co-producer / associate producer (37 episodes, 1996-1999) |
| Kevin Arkadie | .... | producer (26 episodes, 1994-1995) |
| Robert Ward | .... | supervising producer (18 episodes, 1994-1995) |
| Brad Kern | .... | executive producer (13 episodes, 1998-1999) |
| Joe Lazarov | .... | co-producer (13 episodes, 1998-1999) |
| Kim Newton | .... | co-producer (13 episodes, 1998-1999) |
| Edward Tivnan | .... | supervising producer (13 episodes, 1998-1999) |
| Natalie Chaidez | .... | co-producer (11 episodes, 1997) |
| Lisa Tygett | .... | associate producer (9 episodes, 1998-1999) |
| |
|
| Peter R. McIntosh | .... | second unit director / director: teaser/montage (40 episodes, 1994-1998) |
| Don Kurt | .... | second unit director / director: teaser/montage (37 episodes, 1994-1999) |
| Michael Samson | .... | first assistant director (24 episodes, 1994-1996) |
| Mark McGann | .... | second unit director / first assistant director (21 episodes, 1994-1999) |
| Randy N. Barbee | .... | first assistant director / second unit director (20 episodes, 1995-1998) |
| Joe Burns | .... | first assistant director (15 episodes, 1996-1998) |
| Marc Garland | .... | second assistant director (13 episodes, 1995-1996) |
| Evan Labb | .... | second assistant director (13 episodes, 1996-1999) |
| Robert C. Albertell | .... | second assistant director (13 episodes, 1996-1997) |
| Robert E. Warren | .... | first assistant director (12 episodes, 1994-1997) |
| Jeffrey T. Bernstein | .... | second assistant director (11 episodes, 1996-1997) |
| Matthew T. Weiner | .... | second assistant director (9 episodes, 1994-1995) |
| Peter Soldo | .... | second second assistant director (9 episodes, 1998-1999) |
| Paul Byrne Prenderville | .... | second second assistant director (8 episodes, 1994) |
| Julie A. Bloom | .... | second assistant director (6 episodes, 1994) |
| William Jennings | .... | first assistant director / second assistant director (6 episodes, 1995-1996) |
| Roni Wheeler | .... | second assistant director (6 episodes, 1995) |
| Danielle Rigby | .... | second assistant director (5 episodes, 1995) |
| Allen Coulter | .... | second unit director / director: teaser/montage (5 episodes, 1996) |
| T. Sean Ferguson | .... | second assistant director (3 episodes, 1998) |
| John E. Gallagher | .... | first assistant director (3 episodes, 1998) |
| Michelle L. Keiser | .... | second assistant director (3 episodes, 1998) |
| Stephen Lee Davis | .... | second assistant director (2 episodes, 1995) |
| Sam Hoffman | .... | second assistant director (2 episodes, 1995) |
| David Mueller | .... | second unit director (2 episodes, 1995) |
| Peter Gathings Bunche | .... | second unit director (2 episodes, 1996) |
|
| Roger M. Bobb | .... | dga trainee (unknown episodes) |
| Anura Idupuganti | .... | dga trainee (unknown episodes) |
| Keith J. Knight | .... | assistant director (unknown episodes) |
| Michael Reichman | .... | dga trainee (unknown episodes) |
| |
|
| Nancy Gilliar | .... | stand-by set dresser (89 episodes, 1994-1999) |
| Gerard H. Pineo | .... | leadman / set dresser (88 episodes, 1994-1999) |
| Glen Pangione | .... | construction coordinator (44 episodes, 1994-1998) |
| Bruno Robotti | .... | scenic charge (36 episodes, 1994-1996) |
| Ron Stone | .... | property master (35 episodes, 1994-1998) |
| Kenneth Stopsky | .... | construction coordinator (29 episodes, 1994-1996) |
| Thomas Yacuk | .... | head construction grip / construction coordinator (29 episodes, 1995-1998) |
| Gary Aharoni | .... | assistant property / assistant props (26 episodes, 1995-1996) |
| Philip Saccio | .... | property master (26 episodes, 1995-1996) |
| Steven Gamiello | .... | assistant property / property master (26 episodes, 1996-1999) |
| William F. Reynolds | .... | property master (25 episodes, 1994-1995) |
| James J. Archer | .... | assistant property / assistant props (24 episodes, 1994-1995) |
| Michael Zansky | .... | scenic charge (18 episodes, 1994-1997) |
| Timothy Tranzillo | .... | scenic charge (15 episodes, 1995-1997) |
| Kevin C. Reidy | .... | head construction grip (15 episodes, 1996-1999) |
| Greg Sullivan | .... | scenic charge (13 episodes, 1998-1999) |
| Charles Reidy | .... | head construction grip (12 episodes, 1996) |
| James Capello | .... | construction coordinator (11 episodes, 1998-1999) |
| Karen Cusick | .... | art department coordinator (10 episodes, 1998-1999) |
| Joseph Timothy Conway | .... | assistant property (8 episodes, 1997) |
| Evilio Peret | .... | scenic charge (3 episodes, 1995) |
| Cassandra Saulter | .... | scenic charge (3 episodes, 1995) |
| Tom Gilligan | .... | head construction grip (3 episodes, 1996) |
| Greco | .... | assistant property (3 episodes, 1996) |
| Sean O'Brien | .... | head construction grip (2 episodes, 1996) |
| |
|
| Kevin Spears | .... | supervising sound editor (88 episodes, 1994-1999) |
| Bill Daly | .... | sound mixer (49 episodes, 1996-1999) |
| Paul Koronkiewicz | .... | boom operator (49 episodes, 1996-1999) |
| George Leong | .... | boom (21 episodes, 1994-1995) |
| William Sarokin | .... | sound mixer (21 episodes, 1994-1995) |
| Robb Navrides | .... | sound editor (16 episodes, 1994-1998) |
| Edward Gleason | .... | sound mixer (9 episodes, 1995-1996) |
| Andy Dawson | .... | sound editor (5 episodes, 1994-1995) |
| Neil Bleifield | .... | boom operator (5 episodes, 1995-1996) |
| Thomas Brandau | .... | sound mixer (4 episodes, 1994) |
| Felix Andrew | .... | boom / boom operator (4 episodes, 1995) |
| Tom Nelson | .... | sound mixer (4 episodes, 1995) |
| Daniel Rosenblum | .... | boom (3 episodes, 1995) |
| Jerome R. Vitucci | .... | boom (2 episodes, 1994) |
|
| Norval D. Crutcher III | .... | dialogue editor (unknown episodes) |
| Mark DeSimone | .... | adr mixer (unknown episodes) |
| Michael Gollom | .... | sound editor (unknown episodes) |
| Mark Kamps | .... | assistant sound editor (unknown episodes) |
| Peter Reale | .... | sound re-recording mixer (unknown episodes) |
| John O. Robinson III | .... | sound effects editor (unknown episodes) |
| Harry E. Snodgrass | .... | sound editor (unknown episodes) |
| |
|
| Dana Altomare | .... | assistant camera / assistant cameraman (88 episodes, 1994-1999) |
| Jessica Burstein | .... | still photographer (81 episodes, 1994-1999) |
| Robert McGavin | .... | gaffer / best boy (76 episodes, 1995-1999) |
| Paul Volo | .... | key grip / dolly grip (72 episodes, 1994-1999) |
| Joseph Sciretta | .... | best boy electric (50 episodes, 1995-1997) |
| George Pattison | .... | camera and steadicam operator / camera operator (47 episodes, 1996-1999) |
| John Mazzola | .... | dolly grip / best boy grip (33 episodes, 1995-1998) |
| Michael Marzovilla | .... | gaffer: second unit / best boy / ... (32 episodes, 1994-1997) |
| Kurt Rimmel | .... | key grip (25 episodes, 1994-1995) |
| Jonathan Herron | .... | camera operator (24 episodes, 1995-1996) |
| Frank Rinato | .... | assistant camera: "b" camera / first assistant camera: "b" camera (20 episodes, 1994-1997) |
| Chris Hayes | .... | camera operator (17 episodes, 1994-1995) |
| Charles Sherron | .... | dolly grip / best boy grip (15 episodes, 1995-1996) |
| Peter Fernberger | .... | director of photography: second unit (14 episodes, 1996-1997) |
| Thomas Landi | .... | best boy electric (13 episodes, 1998-1999) |
| Guido | .... | gaffer (12 episodes, 1994) |
| Dustin Smith | .... | dolly grip (10 episodes, 1995-1996) |
| Keith Marshall | .... | best boy grip (10 episodes, 1996-1997) |
| Jim McCullagh | .... | best boy (9 episodes, 1995) |
| Lance E. Phox | .... | gaffer (7 episodes, 1996) |
| Leigh Rathner | .... | camera trainee (6 episodes, 1994-1995) |
| James Edmiston | .... | company grip (5 episodes, 1994-1995) |
| John Donohue | .... | dolly grip (5 episodes, 1994) |
| Charles Quinlivan | .... | best boy grip / grip (4 episodes, 1994) |
| Michael J. Delaney | .... | gaffer (4 episodes, 1995) |
| James Grueber | .... | best boy grip (2 episodes, 1996) |
| Ed Engels Jr. | .... | best boy grip (2 episodes, 1998-1999) |
|
| Jonathan Burkhart | .... | assistant camera (unknown episodes) |
| Matt Chubet | .... | company grip (unknown episodes) |
| Scott Kincaid | .... | electrician (unknown episodes) |
| Darren Ryan | .... | 24 frame video operator (unknown episodes) |
| Igor Srubshchik | .... | 24 frame video operator (unknown episodes) |
| |
|
| Karen Blythe | .... | assistant to executive producer (70 episodes, 1994-1997) |
| Bart Wenrich | .... | location manager (54 episodes, 1994-1996) |
| David O'Shaugnessy | .... | production coordinator (44 episodes, 1996-1999) |
| William P. Nance | .... | location coordinator (43 episodes, 1994-1997) |
| Sam Rohn | .... | location scout (42 episodes, 1994-1997) |
| Michael Wiggins | .... | production accountant (42 episodes, 1995-1999) |
| Deirdre Horgan | .... | script supervisor (41 episodes, 1994-1996) |
| Natalie Chaidez | .... | executive story editor / story editor (39 episodes, 1995-1997) |
| Chester A. Sims II | .... | stand-in (29 episodes, 1994-1999) |
| Lori Keith Douglas | .... | production coordinator (26 episodes, 1995-1996) |
| Valerie Desjardins | .... | script supervisor (26 episodes, 1996-1998) |
| Judy McCreary | .... | story editor / executive story editor (24 episodes, 1996-1997) |
| Mark Kamine | .... | location manager (21 episodes, 1996-1997) |
| Jared Kurt | .... | location scout (18 episodes, 1994-1995) |
| Jeffrey Seeds | .... | production assistant (17 episodes, 1994-1995) |
| Denitria Harris-Lawrence | .... | executive story editor (13 episodes, 1998-1999) |
| Jason Minter | .... | location manager (13 episodes, 1998-1999) |
| Darin Goldberg | .... | story editor (12 episodes, 1998-1999) |
| Shelley Meals | .... | story editor (12 episodes, 1998-1999) |
| Sarah Van Wagenen | .... | production coordinator (11 episodes, 1994-1995) |
| Jon Shaw | .... | production assistant (11 episodes, 1996-1997) |
| George Camarda | .... | script supervisor (11 episodes, 1998-1999) |
| Gina Castellano | .... | assistant to producer / assistant to producers (10 episodes, 1995-1998) |
| Aeolan Kelly | .... | production assistant (7 episodes, 1995) |
| Tom Swift | .... | production assistant (6 episodes, 1996-1997) |
| Wendy Lee Roberts | .... | script supervisor (6 episodes, 1996) |
| Courtney Henley-Anderson | .... | production assistant (5 episodes, 1998-1999) |
| Nelson Pereyra | .... | production assistant (4 episodes, 1995-1996) |
| Lynn Twentyman | .... | script supervisor (4 episodes, 1995) |
| Rob Dickerson Jr. | .... | staff set production assistant (4 episodes, 1998) |
| David Price | .... | production coordinator (3 episodes, 1997) |
| Matthew D. Panepinto | .... | production assistant (2 episodes, 1994) |
|
| Willis Baxter Johnson | .... | key production assistant: second unit (unknown episodes, 1995-1996) |
| Dawn Murphy Riley | .... | assistant to producer (unknown episodes, 1997) |
| Michael Bermingham | .... | production assistant (unknown episodes) |
| John Ian Briody | .... | production assistant (unknown episodes) |
| Todd Carroll | .... | production assistant (unknown episodes) |
| Ged Dickersin | .... | location scout (unknown episodes) |
| Aaron Douglas | .... | estimator (unknown episodes) |
| Adam Hammel | .... | production assistant (unknown episodes) |
| Beth Humphreys | .... | legal supervisor (unknown episodes) |
| Jerry Kolber | .... | production accountant (unknown episodes) |
| Steve Nuke | .... | stand-in (unknown episodes) |
| April D. Patrick | .... | production assistant (unknown episodes) |
| Grant Reid | .... | location scout (unknown episodes) |
| Robin Reid | .... | talent coordinator (unknown episodes) |
| Matthew Sirianni | .... | production assistant (unknown episodes) |
| Miranda J. Smith | .... | production assistant (unknown episodes) |
| Peter Soldo | .... | set production assistant (unknown episodes) |
| Mimi Turner | .... | location scout (unknown episodes) |
| Frank Venegas | .... | set production assistant (unknown episodes) |
| |
Dick Wolf struck gold in this 90s drama centering around the personal and professional lives of two New York cops. Realistic, gritty, clever, and so hip it was almost ahead of its own time, New York Undercover did for inner city minorities what the Cosby show did for middle class minorities in the 80s and 90s: It depicted strong non-stereotypical characters living through reality.
Guest stars, particularly musical guest stars, were the punch-line to almost every episode; the smooth buttercream frosting on the cake. And Natalie's was the perfect place to showcase all the talent. Gladys Knight, B.B. King, Notorious B.I.G.--on any given night anyone could be at Natalie's--and you sure didn't want to miss it. In fact, the way the characters flocked to Natalie's provided a fun parallel for the way we all flocked each week to the show. Smiles on our faces, ready to be entertained, wondering what was in store tonight. And who could forget Ice T's non-musical stint as the deliciously criminal Danny-Up? I never have, and probably never will, see a television villain more believable and more entertaining than this one, and the story line he brought to the show was a masterpiece.
It was hard to see the show go. Possibly even harder, though, was that last season after Detective Torres was killed off and they tried to revamp the show into something else. New characters, new focuses, a new feel. It had lost its spark, its magic. The lights were dimming, the music had stopped. It was time to go. I like to imagine the season before that as having been the last one. Watching Eddie die, seeing J.C.'s face, knowing what it all meant. Those were the characters we loved and the ones we would miss because we knew them. Dick Wolf, you did something right, and thanks for that. It WAS hard to see the show go. But it's just like leaving the club: it was a wonderful night and you're tired, but that last song is still in your head. And you can't stop singing it.