Jamie King (Jamie Foxx) is an aspiring actor from Terrell, Texas, who has come to Los Angeles to pursue a career in entertainment. To support himself, he works in his family's hotel, the ... See full summary »
Roc Emerson, a city garbage collector, balances the pressures of work with the everyday crises of family life in an effort to do what he thinks is best for his wife and kids. Most of the ... See full summary »
Charles S. Dutton,
An observable, fast-talking party man Darnell Wright, gets his punishment when one of his conquests takes it personally and comes back for revenge in this 'Fatal Attraction'-esque comic ... See full summary »
Lisette and husband Chino face marital difficulties. She is fed up with the kids, while he has job troubles. His mother Rosaria hates Lisette and the neighborhood tramp has designs on Chino... See full summary »
Eddie Torres and 'J.C.' Williams are two detectives of the 4th precinct of New York City. In their job they fight against the worst of the society infiltrated like the bandits who try to stop. Their honesty and good making shocks against the lawless world of the criminals and the lawyers who serve to the own criminals. In their work they have the help of their boss, Lt. Virginia Cooper, a hard character woman who knows the streets like no one that she cares that their agents don't use illegal ways in their cases, at the same time that she watches other couple of good agents, Tommy McNamara and Nina Moreno, who often times they work with Torres and Williams. All together try to clean the streets of the criminal plague that invade the city. Written by
This was one of those unique shows that should have acquired more praise. While white-dominated cop shows seem to be the norm, this show broke new ground with a diverse cast and minority related issues. Sadly, the whiteness of Hollywood was far too much to overcome in regards to the shelf life of this show. Malik Yoba and Michael DeLorenzo were especially excellent in this series, demonstrating their talent as they were constantly torn between race, culture and the police force. I especially felt the opening montages to the show provided quite a trademark within the series, using no words and only the pulsating beats of contemporary hip-hop and R&B artists to tell the story in a neo-silent film fashion. Whenever I can catch this show at 1 a.m. (and this is only on the weekends), I am rarely disappointed.
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