In the title sequence, Alan Cumming [Sebastien Flyte] does an incorrect dance move. Whereas the rest of the stewards leap with their arms up, Cumming performs a move which is a throwback to his days in Cabaret in London's West End - a Nazi salute with two fingers of his other hand forming a 'moustache'. See more »
Scotia, Air Scotia, You're the airline that's for me. Scotia, Air Scotia, I'm very pleased to be With Scotia, Air Scotia, For you we'll do or die. Dinna fass yersel', dae it awfully well, We're yours, aye, in the sky.
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The High Life is one of the most singular sitcoms produced in the nineties thanks to its verbal dexterity and the brilliant partnership between Forbes Masson and Alan Cumming. In fairness, the six episodes was probably the limit for what is essentially a two dimensional plot concept (the attempts to leave the confines of an aeroplane coming with mixed success), but it survives on the wit and clever dialogue created by its two stars.
For most people this will have been their first experience of the now (relatively) famous Alan Cumming but it is clear even here that he is a master at the character comedy roles that have been the backbone of his career in Hollywood. The less well known Forbes Masson (the only other time I've ever seen him is playing Stan Laurel in the "Waxworld" episode of Red Dwarf) also plays well in this tailor-made role in an elegantly self-deprecatory fashion. Check out the pilot episode (available on the DVD) and you'll find his character to be much less pathetic and more masculine; it's just not as funny.
Of course, I can hardly comment on The High Life without mentioning the theme song. Accompanied by a dance routine that any golden age musical would be proud of, the song itself is possibly the most fitting theme song I've ever heard, summing up the spirit and character of the show in a neat thirty seconds.
Well worth an investment in the DVD as I doubt this will ever be repeated on television.
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