Ellen senses a kindred spirit in herself when she meets an openly gay woman, named Susan, through Richard, an old boyfriend of hers, who enlightens Ellen to her own sexual identity. Confused by this ...
After a discussion with her therapist, Ellen decides to tell the truth about her true repressed sexual orientation to her friends by inviting them over to her apartment to break the news so she can ...
A struggling, middle-aged actress attempts to make a career in Hollywood, all while surrounded by her hard-drinking best friend Maryann, her two ex-husbands, Ira and Jeff, and her two daughters, headstrong Zoey and agreeable Rachel.
Hot-tempered journalist Maya Gallo got herself fired from yet another job when she made an anchorwoman cry on the air with some gag copy on the teleprompter. Unable to find a job anywhere ... See full summary »
Laura San Giacomo,
The smart, sassy actress/comedienne's third solo HBO special features material taped in front of a live audience at NYC's Beacon Theater. In this show, Ellen makes her triumphant return to ... See full summary »
Caroline Duffy is a successful cartoonist living in Manhattan whose comic strip "Caroline in the City" has become a huge hit. The strip is based on her own life, and the people in it - her ... See full summary »
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Ellen Morgan is a neurotic, 30-something, bookstore employee who tries to get by life in dealing with her various friends who include the outgoing redhead Paige, insecure photographer Adam, her unsure-of-himself cousin Spence, coffee shop guy Joe Farrell, the critical and obnoxious Audrey, and most challenging of all, Ellen also has to contend being around her annoying and overbearing parents Lois and Harold. Written by
While Portia de Rossi Degeneres was a guest on The Oprah Winfrey Show (1986) in 2010, Oprah told Portia that when Oprah played the therapist on the "coming out" episode of Ellen (1994), Oprah got more hate mail about that minor appearance than she had ever gotten during her entire previous career as a talk-show host and actress. See more »
Stray dogs, hungry people. Come on people, the solution is obvious.
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a highlight of television comedy -- until the final season
During most of its run, "Ellen" was set in a book store owned by the title character, and it was one of the funniest situation comedies to be produced for U.S. television. It had a variety of regular characters, each a well developed mix of comedy stereotype traits and realistic individual traits. The varied cast provided lots of opportunities for comedy plot twists.
Ellen's personal gift was humorously portraying the moments of mild embarrassment everyone experiences -- much of comedy is based on embarrassment, after all. But Ellen didn't stop with mild embarrassment. Instead of keeping quiet and hoping no one would notice her blunders, or hoping they'd forget, she tried to talk her way out of them. Of course, she was hopelessly inept at talking herself out of an embarrassing situation, and escalated each mild blush scene into a personal disaster for her, and hilarious comedy for viewers.
The show, to me, most resembled the old Lucille Ball comedies. But I had a hard time identifying with Lucy's setting in the distant past, which exists only in black and white television and the nostalgia-clouded memories of people older than I am. Ellen, by contrast, was set in a familiar approximation of the modern world, which is funnier to me because it's a world I understand.
In its final season, the show changed its focus from comedy to civil rights. It started out almost as funny as before, but the civil rights message quickly crowded out the comedy. I applaud her political message, but by neglecting the comedy Ellen DeGeneres effectively cancelled her own show, and any chance she had of using it as a political soapbox. I and others watched the show because it was funny, and in the final season in the hopes that it would become funny again. I didn't want to watch her pitch a civil rights message I had accepted years earlier.
Perhaps it's difficult to deliver a message, while still entertaining, but it can be done. Most "Home Improvement" episodes contain a family moral of some sort, but never at the expense of the humor. Giving a choice between presenting a moral and making people laugh, "Home Improvement" went for the laugh, although it didn't go for the laughs to the point of presenting (for lack of a better term) an anti-moral. Given the same choice, "Ellen" usually chose the civil rights moral instead, and the comedy lost. It's possible to make a comedy with a gay star and lead character, and deliver Ellen's civil rights position, but comedy has to come first for the show to succeed.
One exception to the badness of the final season was the farewell episode. It set aside the efforts to deliver a civil rights message, and tried to be funny again. It demonstrated that Ellen had not lost her comedic gift, but had instead set it aside in favor of her political interests.
A now-moot question to ABC: Why were there viewer discretion notices before the show? It had less adult content (sexual or other) than almost any other shows then on television. The only shows of that time period I knew of with less adult content were "Simpsons", "King of the Hill", and "Home Improvement". Occasional scenes of women kissing women don't need a viewer discretion warning. Or if they do, almost all of ABC's surviving series need even stronger warnings.
While ABC deserves mockery for its stupid viewer discretion warnings, it deserves no blame for cancelling the show -- it had become a low-rated, unfunny comedy, for which Ellen DeGeneres deserves most of the blame. Still, before the final season, "Ellen" was comedy genius.
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