Ellen senses a kindred spirit in herself when she meets an openly gay woman, named Susan, through Richard, an old boyfriend of hers, who enlightens Ellen to her own sexual identity. Confused by this ...
After a discussion with her therapist, Ellen decides to tell the truth about her true repressed sexual orientation to her friends by inviting them over to her apartment to break the news so she can ...
A struggling, middle-aged actress attempts to make a career in Hollywood, all while surrounded by her hard-drinking best friend Maryann, her two ex-husbands, Ira and Jeff, and her two daughters, headstrong Zoey and agreeable Rachel.
Caroline Duffy is a successful cartoonist living in Manhattan whose comic strip "Caroline in the City" has become a huge hit. The strip is based on her own life, and the people in it - her ... See full summary »
A single and lonely woman finds the seemingly perfect man to date, but soon regrets it when his deranged and possessive other personality emerges and worst still, she cannot convince anyone else of his Jekyll/Hyde true nature.
Ellen Morgan is a neurotic, 30-something, bookstore employee who tries to get by life in dealing with her various friends who include the outgoing redhead Paige, insecure photographer Adam, her unsure-of-himself cousin Spence, coffee shop guy Joe Farrell, the critical and obnoxious Audrey, and most challenging of all, Ellen also has to contend being around her annoying and overbearing parents Lois and Harold. Written by
The show underwent major changes between the first and third seasons. Though it was always fairly highly rated, test audiences responded more strongly to supporting characters than they did to the main cast. Most of the main cast was dropped in the second season (except Arye Gross) and the character of Audrey, who had previously only been in one episode, became a regular, as did Joe. See more »
Ellen, Ellen, where are you?
[walks out of a coat closet]
Here, I was in the closet.
It's big isn't it?
Yeah, but I wouldn't want to spend a lot of time in there, entertaining or anything.
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Ellen DeGeneres' "Ellen" showcased the versatility of one of the best comedians of the 90s. She exhibited the physical comedy of a modern day Lucille Ball, dry wit descended from Jack Benny, and jabbing one-liners like Rose Marie and Morey Amsterdam were whispering in her ears.
The supporting cast (especially Piven and Fisher) and guest stars played well off DeGeneres. When the writers finally got a handle on the cast the writing was priceless. They weren't afraid to drop in wry insights among the "jokes."
"Ellen" was a groundbreaking sitcom, and like most pioneering shows, it wasn't supported by a fearful network. It's unfortunate that Ellen's sexuality became the focus of the press and the show. Maybe if the show wasn't constantly trying to break free of network restrictions and fear the writers and actors could have taken "Ellen" into a strong finish. Instead it petered out. Nevertheless, catch any episodes you can on cable.
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