Ellen senses a kindred spirit in herself when she meets an openly gay woman, named Susan, through Richard, an old boyfriend of hers, who enlightens Ellen to her own sexual identity. Confused by this ...
A single and lonely woman finds the seemingly perfect man to date, but soon regrets it when his deranged and possessive other personality emerges and worst still, she cannot convince anyone else of his Jekyll/Hyde true nature.
The smart, sassy actress/comedienne's third solo HBO special features material taped in front of a live audience at NYC's Beacon Theater. In this show, Ellen makes her triumphant return to ... See full summary »
Drew is an assistant director of personnel in a Cleveland department store and he has been stuck there for ten years. Other than fighting with co-worker Mimi, his hobbies include drinking ... See full summary »
Hot-tempered journalist Maya Gallo got herself fired from yet another job when she made an anchorwoman cry on the air with some gag copy on the teleprompter. Unable to find a job anywhere ... See full summary »
Laura San Giacomo,
Ellen Morgan is a neurotic, 30-something, bookstore employee who tries to get by life in dealing with her various friends whom include the outgoing redhead Paige, insecure photographer Adam, her unsure-of-himself cousin Spence, coffee shop guy Joe Farrell, the critical and obnoxious Audrey, and most challenging of all, Ellen also has to contend being around her annoying and overbearing parents Lois and Harold. Written by
The show underwent major changes between the first and third seasons. Though it was always fairly highly rated, test audiences responded more strongly to supporting characters than they did to the main cast. Most of the main cast was dropped in the second season (except Arye Gross) and the character of Audrey, who had previously only been in one episode, became a regular, as did Joe. See more »
Ellen, Ellen, where are you?
[walks out of a coat closet]
Here, I was in the closet.
It's big isn't it?
Yeah, but I wouldn't want to spend a lot of time in there, entertaining or anything.
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Ellen DeGeneres' "Ellen" showcased the versatility of one of the best comedians of the 90s. She exhibited the physical comedy of a modern day Lucille Ball, dry wit descended from Jack Benny, and jabbing one-liners like Rose Marie and Morey Amsterdam were whispering in her ears.
The supporting cast (especially Piven and Fisher) and guest stars played well off DeGeneres. When the writers finally got a handle on the cast the writing was priceless. They weren't afraid to drop in wry insights among the "jokes."
"Ellen" was a groundbreaking sitcom, and like most pioneering shows, it wasn't supported by a fearful network. It's unfortunate that Ellen's sexuality became the focus of the press and the show. Maybe if the show wasn't constantly trying to break free of network restrictions and fear the writers and actors could have taken "Ellen" into a strong finish. Instead it petered out. Nevertheless, catch any episodes you can on cable.
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