Ally McBeal and Billy Thomas were going steady throughout their childhoods. Ally even followed Billy to Harvard law school despite having no interest in law. But when Billy chose to pursue ... See full summary »
A free spirited yoga instructor finds true love in a conservative lawyer and they got married on the first date. Though they are polar opposites; her need of stability is fulfilled with him, his need of optimism is fulfilled with her.
Michael Crichton has created a medical drama that chronicles life and death in a Chicago hospital emergency room. Each episode tells the tale of another day in the ER, from the exciting to the mundane, and the joyous to the heart-rending. Frenetic pacing, interwoven plot lines, and emotional rollercoastering is used to attempt to accurately depict the stressful environment found there. This show even portrays the plight of medical students in their quest to become physicians. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
From the first introduction of Dr. Kerry Weaver (Laura Innes), the character walked with a limp and used a cane. The reason behind Weaver's disability went unexplained for many years (even to Innes--in an Ability Magazine interview, she said that the writers "wanted to keep it open, and not have it be something that was an issue"). Not until season 11 did the show reveal that Weaver's condition was congenital hip dysplasia. But in 2006, not long before Innes left the show, the showrunners decided to have Weaver undergo surgery that would eliminate the limp and the need for the crutch. This was because Laura Innes had started to experience some real-life medical problems from her decade of playing Weaver with a limp. Innes told a reporter, "My real back was getting screwed up. I got a bone density test and the bottom of my spine is starting to curve on one side from 10 years of raising my hip. . . . I've just started going to the chiropractor. I don't need an operation." See more »
The illuminated letters of Exit signs seen in the hospital are green in color. Both red and green colors are legal, but individual states enact the building code laws which specify what color sign can be used. Chicago requires that all exit signs be red in letter color. The interior hospital scenes are filmed in LA. See more »
[In the OR]
Dr. Robert Romano:
Will somebody turn down the damn heat. Feels like a hundred in here.
The thermostat is set at 68 degrees.
Dr. Peter Benton:
Maybe you're coming down with the flu.
Dr. Robert Romano:
It's NOT the flu.
Maybe you're going through "The Change."
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Wanna See What Made this Show Great? Buy the 1st Season DVD
ER in its present, 2003 form is a schizophrenic mess. For every one intelligent, caring episode comes four or five exercises in downbeat, melodramatic soap opera which sap all the energy out of the show's still-present technical mastery. This four-disc set is a welcome flashback to the show's humble beginnings, when it wasn't supposed to be the most heart-pounding show on television, and succeeded on will, not on hype.
The central characters in the first season are Chief Resident Dr. Mark Greene (Anthony Edwards), ER Residents Susan Lewis (Sherry Stringfield) and pediatrician Doug Ross (George Clooney), Head Nurse Carol Hathaway (Julianna Marguiles), Surgical Resident Dr. Peter Benton (Eriq la Salle) and his protégé, third-year med student John Carter (Noah Wyle, the only actor to remain on the show through the entire run). They brought a fresh edge to the oft-repeated world of medical drama, helped greatly by the first television show, in my estimation, to ever put actual intelligence into the presentation. On ER, the cameras move, the people move, the consistent hustle and bustle of an actual environment is palpable, and not simply a setpiece. It's interesting to note that although the show was never broadcast in widescreen until 2001, in the middle of it's seventh season, these first episodes are all presented in the wider format. At first it might seem like hubris, but most of them fit the frame very well, with shots composed and staged for the wider picture - it's not `cinematic' just for its own sake.
Standout episodes from the season include the exposition-heavy `Pilot' which still found time for drama; `Blizzard' which was a tour-de-force of film, editing, and cutting edge medical realism; `Hit & Run' & `Sleepless in Chicago' which dealt with the heavy burden of juggling personal & professional medical care, as well as Carter's development as a doctor; and `Love's Labor Lost', an absolute masterpiece from every angle: drama, directing, scripting, staging, scoring, every cosmic tumbler clicked into place for this episode centered around Greene's tragic triumph in the case of a pregnancy gone bad.
The show took a few (deserved) knocks for being shamelessly convenient in its storylines and ignoring the realities of daily hospital structure in favor of sensationalism. This is exaggerated a little, but still a valid point; rarely an episode goes by without something in the line of an unexpected pregnancy, a suicide attempt, a violent skirmish between doctor and patient, or (in one outrageous case) a 12-year old gang member brining his Glock into a trauma room to try and finish another 12-year old off. Still, the show displayed remarkable resilience in almost always rising to become greater than the sum of its parts. Naturally, that ability has waned and virtually disappeared, but these episodes are no less enjoyable as a result of that.
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