A drama about the working relationship between Assistant DA Tess Kaufman, a prosecutor sensitive to the rights of the accused, and hard-charging, gruff Detective Dicky Cobb, an old-fashioned cop with a "bust-the-perps" attitude.
Television medical drama in soap-opera style. Surgeons Jeffrey Geiger and Aaron Shutte battle valiantly for their patients, often coming into conflict with the hospital administration, run by Dr. Phillip Watters. Their cases are usually ethically complex, highly sensationalistic, and very melodramatic. Meanwhile, Jeffrey and Aaron, who are best friends, commiserate about the shambles their tumultuous personal lives have become.... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Premiered on a Thursday in the US, the same night as ER (1994). "Hope" was trounced in the ratings and moved to another night. Actors Noah Wyle and Peter Berg appeared on each others shows in an uncredited or voice-over roles. In one storyline, "Hope" did a commercial that looked exactly like the opening credits to "ER." See more »
Dr. Billy Kronk:
[there has been a shooting at a video store and Billy is about to go in to do surgery on a victim. He's putting on a flack jacket. Dr Grad does not want him to go inside]
Look! It's bullet proof!
Dr. Diane Grad:
Stay with me and I'll buy you one for your birthday.
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Chicago Hope is a typical David E. Kelley production, relishing the extreme and the bizarre in favour of the more traditional themes and occurences found in similar shows such as ER. I started watching around the time Christine Lahti and co. joined the show, and found it to be moderately enjoyable, sweetened by the on-screen chemistry between characters and the light touch of humour ever present in each show. However, of late, Chicago Hope has fallen into the trap of believing "out with the old and with the new" will not be a complete and total disaster.
Entirely replacing the cast except for two characters and bringing back the most annoying one of all, Dr Geiger, was an horrendous mistake. Chicago Hope is a drama, it's not a soap opera - you can't just replace the whole cast and expect things to carry on as normal. The strong scripts may still be there but the whole basis of a good television show is the characters themselves, not the actual script itself. Obviously good writing is necessary but the way in which the actors materialise it is the most important element. Given this, replacing the entire cast with a bunch of people the audience doesn't have a clue about was not a wise move. If you reach a point where the cast doesn't want to be involved any more, then that is the time to call it quits so at least the audience is left with fond memories of the show in its glory days, as opposed to the situation now where it will die a slow death, fading into oblivion with poor ratings and disheartened fans.
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