This brief revival of the 1960s cop thriller continued the adventures of Amos Burke, a senior Los Angeles police officer and millionaire. By now, Burke was a widower with a son, Peter, who ...
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A famous magician named Alexander is murdered while performing a trick in front of other magicians, and no one can figure out how it was accomplished. Peter and Amos realize the other magicians were ...
Amos Burke was a Los Angeles chief of detectives who was also a millionaire with a chauffeur-driven Rolls Royce, a mansion, and a high-wheeling lifestyle. The hallmarks of this series were ... See full summary »
This brief revival of the 1960s cop thriller continued the adventures of Amos Burke, a senior Los Angeles police officer and millionaire. By now, Burke was a widower with a son, Peter, who was a detective under his command. The revival continued many of the hallmarks of the old show: glamorous backgrounds, convoluted plots and big-name guest stars. Written by
Marg Baskin <email@example.com>
I love detective stories. I saw them all: Murder She Wrote, Diagnosis Murder, even the short-lived Blacke's magic. The revived Burke's Law would have been a welcome addition, if not for the derivative style. It's the same plot device over and over again, a murder, one suspect leading Burke and Son to another suspect, then finally calling all suspects in one room and Burke eliminating the non-murderers before naming the real one. Even Agatha Christie knew how to manipulate the storyline so it wouldn't be the same story as the last one. Sadly, the new Burke's Law was just trying to be the next Murder She Wrote without the variety. It feels like it's trapped in the 1930's, like those cozy murders in an English cottage.
The only positive thing: it's in color!
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