This brief revival of the 1960s cop thriller continued the adventures of Amos Burke, a senior Los Angeles police officer and millionaire. By now, Burke was a widower with a son, Peter, who ... See full summary »
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Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los ... See full summary »
Efrem Zimbalist Jr.,
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Molly is the former secretary of a murdered private detective. Gina, a budding actress, witnessed the shooting which also killed her boyfriend. Together, they set out to bring the culprits ... See full summary »
Natasha Gregson Wagner,
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D. David Morin,
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This brief revival of the 1960s cop thriller continued the adventures of Amos Burke, a senior Los Angeles police officer and millionaire. By now, Burke was a widower with a son, Peter, who was a detective under his command. The revival continued many of the hallmarks of the old show: glamorous backgrounds, convoluted plots and big-name guest stars. Written by
Marg Baskin <email@example.com>
I love detective stories. I saw them all: Murder She Wrote, Diagnosis Murder, even the short-lived Blacke's magic. The revived Burke's Law would have been a welcome addition, if not for the derivative style. It's the same plot device over and over again, a murder, one suspect leading Burke and Son to another suspect, then finally calling all suspects in one room and Burke eliminating the non-murderers before naming the real one. Even Agatha Christie knew how to manipulate the storyline so it wouldn't be the same story as the last one. Sadly, the new Burke's Law was just trying to be the next Murder She Wrote without the variety. It feels like it's trapped in the 1930's, like those cozy murders in an English cottage.
The only positive thing: it's in color!
9 of 14 people found this review helpful.
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