When Suzanne Stein has a genetic analysis done on her unborn child, she discovers that although she has a healthy baby, the child will most likely be born gay, like her brother, David. She ... See full summary »
Bobby McLoughlin is the adopted child of Harold and Mary Hohne. He's a problem child, so when he is accused of a murder he didn't commit, he is soon recognized guilty. After a moment of ... See full summary »
After the death of his strictly religious parents, forlorn young Darkly gets lost in the woods. A truck driver, Jude, rescues the exhausted man, who has only a bible for comfort. He brings ... See full summary »
Connie Doyle is eighteen and pregnant when her boyfriend kicks her out. She accidentally ends up on a train where she meets Hugh Winterbourne and his wife Patricia who is pregnant. The ... See full summary »
Jonathan Younger, a slick, cool and flashy owner of a self-storage business loves two things the most. His job - and female customers. His hardworking common-looking wife and business partner Penny does not approve of this at all and even fantasizes about killing him. One day, after flirting with a pretty customer, Jonathan hits a huge Wurlitzer organ (musical instrument) which releases a thundering sound that terrifies unsuspecting Penny and she instantly dies from a heart attack. Jonathan and his son Winston must now run their business together. Winston wants things to work, but series of quirky and annoying customers brings him to the edge of sanity. Meanwhile, Jonathan starts seeing Penny's ghost, but the more he sees her, the hotter and younger she looks. She is also as flirtatious as ever, so he falls in love with her all over again. Will Winston manage to save their business or will he completely lose it? Is Jonathan really seeing Penny or is he losing his mind completely?
U.S.-German co-production about the stylish owner of an ramshackle storage facility in Los Angeles and his eccentric staff and clientele. Director and co-writer Percy Adlon, who also served as associate producer, could have used some extra help here; everything has been scaled so broadly (beginning the overacting German woman in the first scene) that one immediately begins to seek some natural light relief or a conversation that holds a modicum of truth. As the devil-may-care owner in love with Los Angeles and the ladies, Donald Sutherland (dressed like an old-time silver fox) has a few nice bits but certainly not enough; it simply isn't there in the writing. There's nothing wrong with character portraits or in putting the emphasis on people over plot, but first the writers needed to come up with some fascinating individuals for their scenario. This one doesn't have them. * from ****
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