A psychopathic rapist, who attacks women that wear red, runs a home for children with learning difficulties, and rapes a girl there who he sees wearing a red dress, leading to a revenge plot by the girl's social worker.
A mad scientist transfers his mind to a wicked robot, which then embarks on a program of kidnaping, rape and murder, during which a female detective is killed. To fight the robot, the ... See full summary »
A seasoned cop and his rookie partner are a pair of mismatched partners in this Hong Kong action-comedy in the style of 'Lethal Weapon'. The wacky twosome are up in arms as they try to solve the murder of a heroin trafficker.
An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
A man (Fatty) returns home to find his wife with another man. He goes to a bar and begins to drink, waking up the next day to find that he owes a mafioso money for killing his wife. Not wanting to pay the money, he enlists a malitia organization only to find the leader a psychopath who seeks revenge on his brother, who the mafioso tortured. The psycho blames Fatty, and kills his mother and young daughter. Fatty must kill the psycho to survive. Written by
Curt Sackett <firstname.lastname@example.org>
This Billy Tang vehicle is relentlessly grim and relentlessly entertaining. I love that.
Fatty (Kent Chang) accidentally orders a hit on his wife and creates a huge debt for himself that must be repaid. Since Fatty can not repay it, others repay it instead -- with their lives.
Watching a fat guy stress and sweat and fall in a blubbering heap is a highly entertaining experience that must be seen to be believed. The torching of a little girl by super-villain Simon Yam (in a superbly over-the-top performance) pushes the boundaries of on-screen depictions and the gloriously violent finale, where Fatty becomes an unstoppable monster, really delivers the chills.
Danny Lee makes an appearance as -- what else? -- a cop, but he's as useful as pockets on a singlet and never manages to put so much as a dent in the gory proceedings.
Director Tang was on a roll with this, RED TO KILL and DR. LAMB.
This is mostly an action pic, but it also falls into the horror category simply because it doesn't know when to quit being grotesque. Love that, too.
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