Ellen Carter's career is on the rocks. She hasn't written a worthy novel since her husband went missing and she was suspected by the police of murdering him. To top it all off, she has ... See full summary »

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Cast

Cast overview, first billed only:
...
Leslie Steckler
Harriet Robinson ...
Ellen Carter
Don Henderson ...
Inspector Taylor
Catherine Arton ...
Mik (as Anne Catherine Arton)
Harry Miller ...
Alan Smith
Joe Collins ...
Graham
Caroline Staunton ...
Mrs. Steckler
Mark Stevens ...
Carter's husband
Inez Thorn ...
Dezerae
Suzanne Sinclair ...
Forensics Expert
M. Sutherland ...
Inspector Forrester (as Capt. M. Sutherland)
Izobel Kerry ...
Secretary
...
Bank Manager
Gill Ashton ...
Mary
Ken Sharrock ...
Bank Teller
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Storyline

Ellen Carter's career is on the rocks. She hasn't written a worthy novel since her husband went missing and she was suspected by the police of murdering him. To top it all off, she has reason to believe that her new tenant Leslie Steckler is the serial killer responsible for a number of deaths in the region. But what she doesn't know is that, in the meantime, Steckler has discovered a little secret about her... Written by Ross Horsley <explodo@hotmail.com>

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Up Close and Personal with EVIL

Genres:

Drama | Thriller

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Details

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Release Date:

15 April 1994 (UK)  »

Also Known As:

Interview with a Serial Killer  »

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Did You Know?

Trivia

It was Harry Gregson-Williams' first feature-length film as a composer, who would later on became well-known for scoring the Shrek franchise and his frequent collaborations with Ben Affleck, and the Scott brothers (Tony & Ridley). See more »

Soundtracks

Excerpts From DON GIOVANNI
Performed by Harry Gregson-Williams, Susan McCulloch
(C) 1992 GREGSON-WILLIAMS
Music by Wolfgang Amadeus Mozart (uncredited)
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User Reviews

 
Budget thriller that does its job
22 February 2009 | by (United Kingdom) – See all my reviews

I don't think you can judge a budget thriller with the same measures as you use to judge a thriller that cost tens of millions to make.

Cut out the helicopter explosions and car smash-ups chases. Reduce the number of locations to the absolute minimum. Then see what is left of a big-budget thriller. Usually very little. But in white angel - constructed cleverly around the limited resources that were available - there is a compelling narrative that never feels slow.

Maybe I see it this way because I am a writer and can see the elegance of what the film-makers have done in this case. A compelling story and a fine central performance make this a British psychological thriller well worth watching.


3 of 3 people found this review helpful.  Was this review helpful to you?

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