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Complete, Cast awaiting verification
Rip Torn | ... |
Noel Lord
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Tantoo Cardinal | ... |
Bangor
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Bill Raymond | ... |
Wayne Quinn
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Mark Margolis | ... |
New York Money
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Michael J. Fox | ... |
Clayton Farnsworth
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George Woodard | ... |
Mitchell
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Yusef Bulos | ... |
Armand
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John Griesemer | ... |
Henry Coville
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Jeri Lynn Cohen | ... |
Madame Bessie
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Treat Williams | ... |
Champ's Manager
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Amy Wright | ... |
Loose Woman
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Rusty De Wees | ... |
The Champ
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Dennis Mientka | ... |
Sheriff LaFontaine
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John Rothman | ... |
The Lawyer
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Sam Lloyd Sr. | ... |
The Judge
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Burt Porter | ... |
Musician
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Tony Washburn | ... |
Musician
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Rest of cast listed alphabetically: | |||
Alexis Guarneri | ... |
Church Boy (uncredited)
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Calvin Longe | ... |
Loading Dock Worker (uncredited)
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Directed by
Jay Craven |
Written by
Howard Frank Mosher | ... | (novel) |
Don Bredes | ... | (writer) & |
Jay Craven | ... | (writer) |
Produced by
Glenn Aveni | ... | executive producer |
Jay Craven | ... | producer |
Alan Davis | ... | associate producer |
John Fusco | ... | associate producer |
Susan Kouguell | ... | associate producer |
Lauren Moye | ... | co-producer |
Bess O'Brien | ... | producer |
Bernd Schaefers | ... | co-producer |
Michael Thomas | ... | line producer |
Mark Yellen | ... | co-producer |
Music by
The Horse Flies | ||
Ben Wittman |
Cinematography by
Paul Ryan |
Editing by
Barbara Tulliver |
Editorial Department
Dave Pultz | ... | color timer (as David Pultz) |
Maura E. Shea | ... | assistant editor |
Casting By
Jay Craven | ||
Bess O'Brien |
Production Design by
David Wasco |
Art Direction by
Charles Collum |
Set Decoration by
Sandy Reynolds-Wasco |
Costume Design by
Stephanie Kerley | ||
Stephanie Kerley Schwartz |
Makeup Department
Stephen Carter-Hicks | ... | hair stylist / makeup artist |
Meredith Soupios | ... | hair stylist / makeup artist |
Production Management
Blair Breard | ... | unit manager |
Second Unit Director or Assistant Director
Jim LaClair | ... | second assistant director |
Betsy Pritchett Peterson | ... | second second assistant director |
Mark Yellen | ... | first assistant director |
Art Department
Lisa De Alva | ... | property mistress |
Edward J. Protiva | ... | leadman |
Jim Reynolds | ... | props |
Michael Sheehan | ... | storyboard artist |
Sound Department
Louis Bertini | ... | sound editor |
Pam DeMetruis-Thomas | ... | supervising sound editor (as Pam DeMetruis) |
Lois Hoover | ... | foley editor (as Lois Bellucci Hoover) |
Michael Jordan | ... | additional sound re-recordist |
Judy Karp | ... | sound mixer |
Bruce Kitzmeyer | ... | sound editor |
John Marshall | ... | additional sound editor / sound editor |
Branka Mrkic | ... | sound editor |
Jaime Reyes | ... | boom operator |
Reilly Steele | ... | re-recording mixer |
Brian Vancho | ... | foley artist |
Special Effects by
Bob Rickner | ... | special effects |
Stunts
Charles Croughwell | ... | stunt double: Michael J. Fox |
Peter Hock | ... | stunt coordinator / stunts |
Camera and Electrical Department
Howard Davidson | ... | grip |
Jim Denny | ... | gaffer |
Chris Lombardi | ... | director of photography: second unit |
Joseph Mehling | ... | still photographer |
Tod Modisett | ... | second assistant camera |
Peter Nelson | ... | additional photographer |
Paul Nickason | ... | key grip |
Linda Phillips | ... | best boy |
Theo Pingarelli | ... | first assistant camera |
Adrian Truini | ... | second electric |
Costume and Wardrobe Department
Valerie Manahan Campbell | ... | wardrobe supervisor (as Valerie Manahan) |
Kathy Oberlin | ... | costume constructor |
Location Management
Patrick Clow | ... | assistant location manager |
Carla Neary | ... | location manager |
Music Department
David Carbonara | ... | music editor |
Jeff Claus | ... | co-composer: full score |
Script and Continuity Department
Susan Kouguell | ... | script consultant |
Barbara Tuss | ... | script supervisor |
Transportation Department
William B. Knox | ... | transportation coordinator |
Additional Crew
Kati Johnston | ... | production auditor |
Philippe Martinez | ... | studio executive |
Michele McDonough | ... | production coordinator |
Sam Miller | ... | wrangler: Lippitt Morgan stallion Rohan Legolas |
Lauren Moye | ... | publicist |
Sean Nightengale | ... | stand-in |
Bill Raymond | ... | additional dialogue |
Richard Rionda Del Castro | ... | studio executive |
Ricki Stern | ... | second unit coordinator |
Production Companies
Distributors
- Ardustry Home Entertainment
- Caledonia Pictures (1994) (United States)
- Entertainment in Video (1994) (United Kingdom) (VHS)
- Odessa Home Vídeo (Brazil) (VHS)
- Simitar Entertainment (1997) (United States) (DVD)
- Ulysse Entertainment (1993) (World-wide)
- Unapix Entertainment Productions (2000) (United States) (DVD)
Special Effects
Other Companies
- J.G. Films (negative cutting)
- Sound One Corporation (post-production sound)
- The Effects House (titles)
- The Hit Factory (music recorded at)
Storyline
Plot Summary |
In 1927, in Kingdom County, Vermont, a large dam is to be built, however, Noel Lord, a logger and cedar-oil harvester, won't give up his lifetime lease on land that will be flooded. The dam company increases its offer of cash, but Noel refuses. He asks for a trade: a stand of pines for his lease. The company rejects that deal, but offers to make Noel a Ranger in a new park. Noel, meanwhile, talks with his Indian mate, the spirited Bangor, about their moving to Oregon and buying a saw mill. She wants him to take the company's money, but he's pig-headed. Is Noel headed for confrontation with the company and the law, or can Bangor prevail to affect a truce?
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