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The true story of Selena Quintanilla-Perez, a Texas born tejano singer who rose from cult status to performing at the Astrodome, as well as having chart topping albums on the Latin music charts.
In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty ... See full summary »
A chronicle of John Lennon's first years, focused mainly in his adolescence and his relationship with his stern aunt Mimi, who raised him, and his absentee mother Julia, who re-entered his life at a crucial moment in his young life.
Director:
Sam Taylor-Johnson
Stars:
Aaron Taylor-Johnson,
Kristin Scott Thomas,
David Threlfall
Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, ... See full summary »
The story of Jerry Lee Lewis, arguably the greatest and certainly one of the wildest musicians of the 1950s. His arrogance, remarkable talent, and unconventional lifestyle often brought him... See full summary »
Anna Mae always had a special voice. Soon after arriving in St. Louis to live with the mother who had walked out when she was small, the now teenage Anna soon attracts the attention of pop group leader Ike Turner. She becomes the band's singer, his wife, and mother to his children - not all hers. In love with Ike and determined not to leave in the way her mother had, she finds herself the target of increasing violence from her unstable husband who can't see who is making the band such a success. Written by
Jeremy Perkins {J-26}
Vanessa Bell Calloway, who plays Jackie, the friend and former Ikette who shares Buddhism with Tina, was wary of chanting the Buddhist words because of her strong Christian faith. Director Brian Gibson allowed her to mouth the words silently during taping, and added the words with a voice double in post-production. See more »
Goofs
When Ike and Tina are fighting at the pool, Ike's lips don't move as he shouts at her. See more »
Quotes
Ike Turner, Sr.:
Now, you listen to me. I MADE you. You were nothing before you met me, and you'll be nothing without me.
See more »
Although based upon Tina Turner's co-authored autobiography "I, Tina", "What's Love Got To Do With It" plays like a condensed version of a star's memoir, half-fabricated and the other half taken from a supermarket tabloid. While the performances are spot-on, brave and intense, and the original tunes frequently sound incredible, the facts and details of Anna Mae Bullock's relationship with R&B shaker Ike Turner remain hazy and suspect. Certain set-pieces, like Tina's recording session with Phil Spector, look marvelous but serve no particular purpose (and the film lets us think Ike had no involvement in a group-project that resulted in a full album, not just a single release). Angela Bassett is undoubtedly just the perfect choice to portray the exciting Tina Turner, but what of Turner's own tumultuous personality? The movie's narrative gives all the fire and anger to husband Ike, despite Tina's burgeoning muscular arms (she didn't get those muscles from Buddhist chanting!). Also lost are the solo years between leaving Ike and finding success on the pop charts in 1984. The film hopes to wrap things up with a little unnecessary melodrama, but just fouls itself up trying to make a (tired) point about finding one's inner peace and independence. The look of the film is quite remarkable throughout, and the early sequences are entertainingly staged, but very little of the film's final third rings true or comes to close to matching what music-historians know to be accurate. **1/2 from ****
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Although based upon Tina Turner's co-authored autobiography "I, Tina", "What's Love Got To Do With It" plays like a condensed version of a star's memoir, half-fabricated and the other half taken from a supermarket tabloid. While the performances are spot-on, brave and intense, and the original tunes frequently sound incredible, the facts and details of Anna Mae Bullock's relationship with R&B shaker Ike Turner remain hazy and suspect. Certain set-pieces, like Tina's recording session with Phil Spector, look marvelous but serve no particular purpose (and the film lets us think Ike had no involvement in a group-project that resulted in a full album, not just a single release). Angela Bassett is undoubtedly just the perfect choice to portray the exciting Tina Turner, but what of Turner's own tumultuous personality? The movie's narrative gives all the fire and anger to husband Ike, despite Tina's burgeoning muscular arms (she didn't get those muscles from Buddhist chanting!). Also lost are the solo years between leaving Ike and finding success on the pop charts in 1984. The film hopes to wrap things up with a little unnecessary melodrama, but just fouls itself up trying to make a (tired) point about finding one's inner peace and independence. The look of the film is quite remarkable throughout, and the early sequences are entertainingly staged, but very little of the film's final third rings true or comes to close to matching what music-historians know to be accurate. **1/2 from ****