The War Room (1993) 7.4
A documentary of the Bill Clinton 1992 presidential campaign and the organization who ran it. |
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| Watch Trailer 0Share... |
The War Room (1993) 7.4
A documentary of the Bill Clinton 1992 presidential campaign and the organization who ran it. |
|
| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| James Carville | ... |
Himself
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| George Stephanopoulos | ... |
Himself
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Heather Beckel | ... |
Herself
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Paul Begala | ... |
Himself
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Bob Boorstin | ... |
Himself
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Michael Donnilon | ... |
Himself
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Jeff Eller | ... |
Himself
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Stanley Greenberg | ... |
Himself
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Mandy Grunwald | ... |
Herself
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Harold Ickes | ... |
Himself
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Mickey Kantor | ... |
Himself
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Mary Matalin | ... |
Herself
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Mitchell Schwartz | ... |
Himself
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Dave Anderson | ... |
Himself
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Collier Andress | ... |
Himself
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A behind-the-scenes documentary about the Clinton for President campaign, focusing on the adventures of spin doctors James Carville and George Stephanopoulos. Bill Clinton himself is almost never seen. Written by Tim Horrigan <horrigan@hanover-crrel.army.mil>
The War Room does a good job of extolling the skills of James Carville and George Stephanopolous. Clearly, their work had much to do with Clinton's victory. A little known fact about the film is that the actual campaign manager, David Wilhelm, refused to participate in it. He didn't like the idea of a camera crew roaming the headquarters and recording conversations that he felt should have been private. Clinton overruled him, of course. As a result, the documentary skews history a bit. The nuts and bolts of running a campaign are ignored while the craft of spin doctoring is glorified. In a visual medium, that's not altogether surprising, and it may even have been unavoidable. But the misrepresentation -- or rather, the selective representation -- has had the unintended consequence of contributing to public cynicism about political campaigns, which now appear to be all about the spin, the framing -- the very things that make voters feel like they're being manipulated. Perhaps a stronger emphasis on the heavy lifting of door-to-door canvassing, phone banking, meetings with interest groups, outreach to local officials, event set-up, and the like, would have given a more complete picture. Then again, those aren't exactly telegenic activities, and documentary filmmakers may have been hard-pressed to incorporate them even if Wilhelm had cooperated. But the troublesome implications remain, and are worth considering.