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Waga jinsei saiaku no toki (1993)

Maiku Hama is a private detective working in Yokohama. Hama comes to the aid of a Taiwanese waiter named Yang and agrees to track down his missing brother. Through a series of ... See full summary »


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Cast overview, first billed only:
Maiku Hama
Shirô Sano ...
Masaru Kanno
Kiyotaka Nanbara ...
Hai-Ping Yang ...
Yang Hai Tin
Te-Chien Hou ...
De Jian (as Hou De Jian)
Akaji Maro ...
Lt. Nakayama
Haruko Wanibuchi ...
Lily Hama
Kaho Minami ...
Mika Ohmine ...
Akane Hama
Housei Kondo ...
Masako Miyaji ...
Kenji Anan ...
Zen Kajihara ...
Iwasaki (as Zen Kajiwara)


Maiku Hama is a private detective working in Yokohama. Hama comes to the aid of a Taiwanese waiter named Yang and agrees to track down his missing brother. Through a series of double-crosses Hama gets embroiled in a gang war and a revenge plot between the two brothers. Written by Todd K. Bowman <tkbowman@aol.com>

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Plot Keywords:

private detective | See All (1) »


Drama | Thriller







Release Date:

5 March 1994 (Japan)  »

Also Known As:

Najstraszniejszy czas w moim zyciu  »

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Aspect Ratio:

2.35 : 1
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Followed by Harukana jidai no kaidan o (1995) See more »

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User Reviews

Amazingly random....and too much so.
19 March 2011 | by (Bradenton, Florida) – See all my reviews

If you did an experiment and had three or four different authors write a film--each writing a portion and then piecing them together--this is what "Waga Jinsei No Toki" ("The Most Terrible Time in My Life") looks like. And, I would add, it's as if the different authors really didn't read each others work before they began writing and only had a a very general idea what the film was about in the first place. It's a shame, really, as PARTS of the film are very good...and other parts really don't seem to fit.

The first portion of the film had a lot of promise--and I was thrilled to watch. A guy named 'Miku Hama' (in other words, a Japanese bastardization of 'Mike Hammer'--the Mickey Spillane character) is a Japanese private eye whose office is above a movie theater. To get to see Mike, they make you pay admission to the theater. And, Mike drives a cool little Nash Metropolitan--one of the quirkiest cars ever made. So, naturally I assumed it was a comedy--a comedy with film noir overtones (with its retro black & white cinematography and look). Even when Mike meets and tries to help a Taiwanese man, the film, though dark, seemed like a comedy. In a nod, perhaps to "Chinatown", Mike's finger is sliced off trying to help the guy.

Unfortunately, Mike eventually became more of a secondary character and his new Chinese friend became more the subject of the film. And, the friend's desire to track down his long-lost brother took a very, very dark turn. Instead of comedy, the film became quite bloody and a bit nihilistic. A bit like film noir, perhaps, but with a much more negative and nasty edge.

I'd say that for the most part, watching this movie was a very frustrating experience. Parts were wonderful but the overall film didn't add up to a likable whole. Surprisingly, the film spawned a pair of sequels--one of which is shown, in part, at the end of this film. Also, the old-time Japanese noir actor Jô Shishido (who had facial implants to make himself look more like a chipmunk) makes a totally random appearance in the film--and it seemed like they had no idea what to do with him. It's a shame, really, as Shishido's films appear to have strongly influenced these film makers and I wanted to see more of him.

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