Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. Young marries Dr. Carlo Paiva, who she is not attracted to, but is her father's friend. They move to ... See full summary »
Story of the 1974 coup that overthrew the right-wing Portuguese dictatorship--which continued the fascist policies of long-time dictator Antonio Salazar--and of two young army captains who were involved in it.
Maria de Medeiros
Maria de Medeiros,
Joaquim de Almeida
How happy and proud they are those two ladies back in their Tras-os-Montes region! Thanks to them, their bright nephew can study medicine in Lisbon and may already have become a physician. ... See full summary »
Manoel is aging film director who travels with the film crew through Portugal in search of the origins of Afonso, a famous French actor whose father emigrated from Portugal to France and in... See full summary »
A well-bred, lovely, spiritual, sad young woman marries an attentive physician who loves her. She feels affection but no love. Soon after, without design, she falls in love with Pedro ... See full summary »
Manoel de Oliveira
Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. Young marries Dr. Carlo Paiva, who she is not attracted to, but is her father's friend. They move to the Valley of Abraham. Carlo loves her, but decides to sleep in a separate room, to avoid waking Ema when he has to return late at night. With time she begins to feel unhappy about her marriage so, with all the freedom she has, she takes a lover. Written by
Michel Rudoy <email@example.com>
Well the resemblance of the plot with the Flaubert's novel is very superficial after all. This is much more than a story of bourgeois adultery. It's the story of an intelligent and sensitive young woman brought up in the frame of the society of mid-20th century northern Portugal in an atmosphere of bigotry and social stagnation who marries a man she does not love and whose life has no way out. The plot develops itself in old rural mansions under the eyes of a silent witness, the deaf-and-dumb servant Ritinha who sees everything and understands everything without speaking or intervening by any means but forming with Ema the main character, a strong union of love and mutual understanding. The visual images develop themselves in a slow poetic movement which is Oliveira's favourite. The scenery however, is beautifully located in the Portuguese river Douro one of the most beautiful rivers in the world.
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