Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. Young marries Dr. Carlo Paiva, who she is not attracted to, but is her father's friend. They move to ... See full summary »
João de Deus is the manager of an ice-cream shop owned by an ex-prostitute, Paraíso dos Gelados (Ice-Cream Paradise). Through a unmoved desire of perfection, he seeks, through cleansing and... See full summary »
João César Monteiro
João César Monteiro,
Manuela de Freitas
Story of the 1974 coup that overthrew the right-wing Portuguese dictatorship--which continued the fascist policies of long-time dictator Antonio Salazar--and of two young army captains who were involved in it.
Maria de Medeiros
Maria de Medeiros,
Joaquim de Almeida
Four versions of the same story, first in the perspective of a theatre play, second in the perspective of a silent film, third in the perspective of a film of the 50s and finally in a biblical philosophical perspective.
Manoel de Oliveira
Luís Miguel Cintra,
Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. Young marries Dr. Carlo Paiva, who she is not attracted to, but is her father's friend. They move to the Valley of Abraham. Carlo loves her, but decides to sleep in a separate room, to avoid waking Ema when he has to return late at night. With time she begins to feel unhappy about her marriage so, with all the freedom she has, she takes a lover. Written by
Michel Rudoy <firstname.lastname@example.org>
I thought it was Rio Paiva. Definitely not Ribeira Grande. But then I discovered the beauty of Douro connection with Paiva. First of all, this is not a movie. There are no: high budget, jet set, studio tricks, special effects; neither any interest on that subject/form of film-making. Which is good, because it identifies Portuguese history (time and space) trough still images, giving some approach to Portuguese society and its complexity in terms of traditional behavior. This is a good film to fall asleep and then watch it sleeping. The process in which the narrative is constructed is very similar to other great Oliveira's masterpieces. As a film that you can watch sleeping, I do not pretend to make my statement as cynical as some would guess. But, instead of that, I pretend to clearly point this movie as one of the most potential surreal films I've ever watched. The plot makes it own sense if you really want to get involve in its own poetry. This is not a star system production, fortunately. Therefore, "watch it, then argue into the night".
2 of 7 people found this review helpful.
Was this review helpful to you?