Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: ... See full summary »
Portugal 1938. Pereira is the editor of the culture section of the Lisboa, an unaffiliated evening paper. There is civil war in Spain and the fascists are in power in Portugal, but he ... See full summary »
Joaquim de Almeida,
Take a walk into the weird world of filmmaker Raul Ruiz as he takes us to Paris for a twisted ride. A man which shares four names and four personalities (which is the real one?) is the link... See full summary »
Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the ... See full summary »
Three actresses prepare to go on the road in a theater production of Lysistrata, Aristophanes' classic comic play about women and war. As they re-assess and deal with the problems in their ... See full summary »
A time and place described through the life of Onofre Bouvila, this film is based on a famous novel exposing the 20 or so year time frame which transformed Barcelona, starting in the late ... See full summary »
I have only seen 3 Bertrand Blier movies, but this one is easily my favorite of the 3. BUFFET FROID, starring Gerard Depardieu, was the first I saw -- and the fact that it was basically plot less and full of absurdist humor made it instantly a favored flick. I more recently saw Blier's Oscar-winning GET OUT YOUR HANDKERCHIEFS but thought it was a little too conventional and strained next to the more flat-out freewheeling BUFFET. About 15 years after that pair of movies comes this one, which marries the sensibilities of the other two perfectly. Like HANDKERCHIEFS, it actually has a story, but like BUFFET, it doesn't bother with real-world logic, good taste, or linear chronology in telling that story. SOLEIL is sort of a movie about coming-of-age in the projects, sort of a movie about sexual psychology, and sort of a cut-and-pasted collage of unusual moments. The magical thing is that the damn thing winds up more moving than it probably would have if it was a straightforward tearjerker about hard living. Of course, Blier can't be credited completely for this, as his actors are wonderful, especially Anouk Grinberg as Victorine, our perpetually childish heroine, and Marcello Mastroianni as her charming perpetually drunk papa. An under-seen gem.
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