In Detroit, Clarence Worley goes to the movie theater alone on the day of his birthday to watch some movies. The gorgeous Alabama Whitman accidentally drops her popcorn on Clarence and they watch the movie together. Then they eat pieces of pie and they have one night stand, so Clarence eats more pie of another kind. In the morning, Alabama confesses that she is a call-girl hired to spend the night with him, but she has fallen in love with him. In the morning they get married and Clarence goes to the club where she worked to bring her some clothes. However, her pimp Drexl Spivey and his partner beat up Clarence and he reacts by killing them both. Clarence asks for Alabama's suitcase with her clothes and the other girls mistakenly give another one with cocaine. When Clarence discovers the mistake, he decides to travel with Alabama to the house of his friend, the aspiring actor Dick Ritchie, to sell the drug and travel to Mexico. He visits his father Clifford Worley and gives his address... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The genesis of True Romance began with a 50 page script by Roger Avary titles The Open Road. Avary described the plot as being about "an odd couple relationship between an uptight business man and an out-of-control hitch-hiker who travel into a Hellish mid-Western town together." When he had trouble finishing it, he asked his friend and fellow Video Archives clerk, Quentin Tarantino, to give it a shot. After several weeks, Quentin handed him over 500 hand-written pages of, what Roger Avary described as "the Bible of pop culture." Roger typed and edited the behemoth, working with Quentin on further story ideas. According to a Film Threat article from 1994, the final script was a combination of True Romance and Natural Born Killers (1994). Reportedly, it followed Quentin's original NBK script until after the prison riot. After escaping, Mickey and Mallory decide to find and kill the screenwriter who wrote the glitzy Hollywood movie about their exploits. The writer goes on the run, and True Romance was the movie he writes while trying to evade the two psychotic killers. It was told in trademark Tarantino chapter fashion, out of chronological order. When it became obvious that the miniseries-length script would never sell, they split the two stories into separate movies. See more »
Reflected in Lee's sunglasses while driving and talking to Elliot on cellular phone. See more »
In Jailhouse Rock he was everything rockabilly's about. I mean, he is rockabilly. Mean, surly, nasty, rude. In that movie he couldn't give a fuck about nothing except rockin' and rollin', living fast, dying young and leaving a good-looking corpse.
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I've seen Reservoir Dogs, I've seen Pulp Fiction & I've seen Jackie Brown, but for me this is Tarantino's best crime caper. Completely engrossing from start to finish, the story of the two lovers who are on the run is not entirely believable, but seriously enjoyable. You get your fill of guns, sex, style and pop-culture, and the usual array of celebrity cameos in a film that seems a whole lot more 'close'. Whereas Pulp Fiction felt like one long trailer, with every line razor-sharp and a load of hip music that made the film go so quickly, True Romance offers you the chance to savour every moment, as the film moves at a (slightly) slower pace. Enjoy the blazing finale, and just wonder how it might have turned out if Tarantino had got his hands on the camera...
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