Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
In Detroit, Clarence Worley goes to the movie theater alone on the day of his birthday to watch some movies. The gorgeous Alabama Whitman accidentally drops her popcorn on Clarence and they watch the movie together. Later they go to a diner for pie, and end up having a one night stand. In the morning, Alabama confesses that she is a call-girl hired to spend the night with him, but she has fallen in love with him. In the morning they get married and Clarence goes to the club where she worked to bring her some clothes. However, her pimp Drexl Spivey and his partner beat up Clarence and he reacts by killing them both. Clarence asks for Alabama's suitcase with her clothes and the other girls mistakenly give another one with cocaine. When Clarence discovers the mistake, he decides to travel with Alabama to the house of his friend, the aspiring actor Dick Ritchie, to sell the drug and travel to Mexico. He visits his father Clifford Worley and gives his address to him. But the Sicilian Mafia... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Alabama is being beaten up by Virgil, her face is bloodied early on. But when Virgil tosses her onto a half-wall and she slides across it, the blood vanishes from her face as she hits the wall (stunt double), and then reappears in the next shot. See more »
In Jailhouse Rock he was everything rockabilly's about. I mean, he is rockabilly. Mean, surly, nasty, rude. In that movie he couldn't give a fuck about nothing except rockin' and rollin', living fast, dying young and leaving a good-looking corpse.
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I've seen Reservoir Dogs, I've seen Pulp Fiction & I've seen Jackie Brown, but for me this is Tarantino's best crime caper. Completely engrossing from start to finish, the story of the two lovers who are on the run is not entirely believable, but seriously enjoyable. You get your fill of guns, sex, style and pop-culture, and the usual array of celebrity cameos in a film that seems a whole lot more 'close'. Whereas Pulp Fiction felt like one long trailer, with every line razor-sharp and a load of hip music that made the film go so quickly, True Romance offers you the chance to savour every moment, as the film moves at a (slightly) slower pace. Enjoy the blazing finale, and just wonder how it might have turned out if Tarantino had got his hands on the camera...
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