Gabriella, a Colombian immigrant, is obsessed with understanding violent crime. The current string of murders by "The Blue Blood Killer" of affluent Miami socialites provides her with ... See full summary »
In Detroit, Clarence Worley goes to the movie theater alone on the day of his birthday to watch some movies. The gorgeous Alabama Whitman accidentally drops her popcorn on Clarence and they watch the movie together. Then they eat pieces of pie and they have one night stand, so Clarence eats more pie of another kind. In the morning, Alabama confesses that she is a call-girl hired to spend the night with him, but she has fallen in love with him. In the morning they get married and Clarence goes to the club where she worked to bring her some clothes. However, her pimp Drexl Spivey and his partner beat up Clarence and he reacts by killing them both. Clarence asks for Alabama's suitcase with her clothes and the other girls mistakenly give another one with cocaine. When Clarence discovers the mistake, he decides to travel with Alabama to the house of his friend, the aspiring actor Dick Ritchie, to sell the drug and travel to Mexico. He visits his father Clifford Worley and gives his address... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Early versions of the script set the mood with a couple of quotes after the title page. The first: "His films are a desperate cry from the heart of a grotesque fast food culture." -French critics on the films of Roger Corman. The second: "... Beyond all the naiveté and stupidity, beyond the vulgarity inherent in the amount of money involved, beyond all this, a certain grandeur had rooted itself into the scheme, and I could still spy a reckless and artistic splendor to the way we had carried it out." -Clifford Irving on the Howard Hughes hoax. See more »
When Alabama enters the theater where Clarence is watching The Streetfighter, you hear dialog that takes place in the first scene of that movie. Once she sits down and lights a cigarette it cuts to the screen and the movie is at the climax. See more »
In Jailhouse Rock he was everything rockabilly's about. I mean, he is rockabilly. Mean, surly, nasty, rude. In that movie he couldn't give a fuck about nothing except rockin' and rollin', living fast, dying young and leaving a good-looking corpse.
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True Romance has everything necessary to create art on celluloid. From the writing expertise of Quentin Tarantino to Tony Scott's brilliant directing to its cast of gifted actors, the movie is all that one would hope for.
Beginning in Detroit and ending in Mexico, a loner that never really made his mark on the world meets a call girl who falls as deeply in love with him as he does with her. Filled with drugs, gangsters, Hollywood and of course romance, the movie's story becomes only stronger as the movie goes on.
With exceptional performances by Dennis Hopper and Christopher Walken (the scene they share is without equal), Gary Oldman and Christian Slater, the action and violence only help to develop the plot and accentuate it's intricacies. Its superb ending has since been imitated - by Tony Scott's own Enemy of the State for one - but never as cleverly.
A must see for any movie lover.
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