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Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
Based on the Starkweather-Fugate killing spree of the 1958, in which a fifteen-year-old girl and her twenty-five-year-old boyfriend slaughtered her entire family and several others in the Dakota badlands.
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's much-younger wife, all the while becoming dangerously obsessed with her.
Director:
Alfred Hitchcock
Stars:
James Stewart,
Kim Novak,
Barbara Bel Geddes
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
Four London working class stiffs pool their money to put one in a high stakes card game, but things go wrong and they end up owing half a million pounds and having one week to come up with the cash.
Clarence and Alabama are newlyweds who acquire an unexpected wedding present. Unknown to the blissfully happy couple, ruthless gangsters are on their tail, determined to reclaim their lost property Written by
Rob Hartill
Gary Oldman stated in an interview that he would like to do a film on Drexl Spivey, his character in the film. See more »
Goofs
When Alabama enters the theater where Clarence is watching The Streetfighter, you hear dialog that takes place in the first scene of that movie. Once she sits down and lights a cigarette it cuts to the screen and the movie is at the climax. See more »
Quotes
[first lines]
Clarence Worley:
In Jailhouse Rock he was everything rockabilly's about. I mean, he is rockabilly. Mean, surly, nasty, rude. In that movie he couldn't give a fuck about nothing except rockin' and rollin', living fast, dying young and leaving a good-looking corpse.
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I've seen Reservoir Dogs, I've seen Pulp Fiction & I've seen Jackie Brown, but for me this is Tarantino's best crime caper. Completely engrossing from start to finish, the story of the two lovers who are on the run is not entirely believable, but seriously enjoyable. You get your fill of guns, sex, style and pop-culture, and the usual array of celebrity cameos in a film that seems a whole lot more 'close'. Whereas Pulp Fiction felt like one long trailer, with every line razor-sharp and a load of hip music that made the film go so quickly, True Romance offers you the chance to savour every moment, as the film moves at a (slightly) slower pace. Enjoy the blazing finale, and just wonder how it might have turned out if Tarantino had got his hands on the camera...
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I've seen Reservoir Dogs, I've seen Pulp Fiction & I've seen Jackie Brown, but for me this is Tarantino's best crime caper. Completely engrossing from start to finish, the story of the two lovers who are on the run is not entirely believable, but seriously enjoyable. You get your fill of guns, sex, style and pop-culture, and the usual array of celebrity cameos in a film that seems a whole lot more 'close'. Whereas Pulp Fiction felt like one long trailer, with every line razor-sharp and a load of hip music that made the film go so quickly, True Romance offers you the chance to savour every moment, as the film moves at a (slightly) slower pace. Enjoy the blazing finale, and just wonder how it might have turned out if Tarantino had got his hands on the camera...