Weronika lives in Poland. Véronique lives in Paris. They don't know each other. Weronika gets a place in a music school, works hard, but collapses and dies on her first performance. At this... See full summary »
A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his ... See full summary »
The first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. 'Blue' is the story of Julie who loses her husband, an acclaimed composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew, free of personal commitments, belongings, grief or love. She intends to numb herself by withdrawing from the world and living completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heal Julie and draws her back to the land of the living. Written by
For the shot where Julie scrapes her hand along a stone wall, Juliette Binoche was originally supposed to wear a prosthetic to protect her hand, but it looked too obvious on camera. Binoche felt the scene was important enough that she actually dragged her unprotected hand along the wall, drawing real blood. See more »
When Oliver tells Julie he will not incorporate her changes into the musical score, a boom mic is visible briefly as Julie puts down the phone. See more »
Carefully directed, with attention to both detail and colour, the film is amazing on a visual scope, but it is also powerful on an emotional scope with a number of very intense and moving scenes. It is a story of coping with grief, with characters fleshed out through facial expressions rather than words and actions, and Binoche is a fine choice for the lead. The intriguing music score and fade-to-black editing provide the film with an interesting sensation, in particular alongside the cinematography and lighting, used cleverly to keep things in and out of focus. Kieslowski also plays with sound in an interesting manner, and it is hard to flaw the film on anything. We are told nothing of the background of our protagonist, the supporting characters at times appear haphazardly thrown around, and yes, there is a lot of meandering and not much story, but this surely depicts the state of mind of the protagonist. Really, it is hard to say anything against this film, as it is so well made and moving that it is really just fine viewing. The first entry in a trilogy of films, it was followed in 1994 by 'Trois Couleurs: Blanc'.
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