The plot couldn't be simpler or its attack on capital punishment (and the act of killing in general) more direct - a senseless, violent, almost botched murder is followed by a cold, ... See full summary »
It's 1982: Poland is under martial law, and Solidarity is banned. Ulla, a translator working on Orwell, suddenly loses her husband, Antek, an attorney. She is possessed by her grief, and ... See full summary »
The first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. 'Blue' is the story of Julie who loses her husband, an acclaimed composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew, free of personal commitments, belongings, grief or love. She intends to numb herself by withdrawing from the world and living completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heal Julie and draws her back to the land of the living. Written by
At one point, we see Julie carrying a box which, as a close-up shows, has prominently written across it the word "blanco", Spanish for white; in the next shot we are looking at her from behind, and she pauses in the street as a man in blue passes her on her left and a woman in red passes her on her right. This is a subtle reference to the structure of the Three Colours trilogy - blue, white, red, in that order, mirroring the French flag. In another scene, children in red and white bathing suits run out and jump in the blue swimming pool. See more »
When Oliver tells Julie he will not incorporate her changes into the musical score, a boom mic is visible briefly as Julie puts down the phone. See more »
I appreciate what you did for me. But you see, I'm like any other woman. I sweat. I cough. I've cavities.
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The final credit says in French, "We thank Alfa Romeo who allowed the scene of the accident to the Alfa 164 whose dynamics are of course purely imaginary." See more »
'Blue,' 'White' and 'Red' represent the apotheosis of European art cinema just at the moment when its very existence seemed most uncertain
"Three Colors Blue" is the first part of Polish director Krzysztof Kieslowski's Three Colors trilogy "Blue" is set in France, "White" in Poland and "Red" in Switzerland, but all production was based in France Not only are the colors of the trilogy those of the French national flag; the original intention was meditation on the ideals of the French Revolution: freedom, equality and fraternity This suggests a political dimension to the work But though like most Polish filmmakers Kieslowski had his difficulties with the Polish Communist system, its collapse by the early 1990s meant that he was not only free to work where he pleased, but liberated from the necessity for his films to engage directly in the political process
In "Three Colors Blue" Juliette Binoche plays a woman whose husband and daughter are killed in a car crash Overcome by melancholy, she progressively withdraws from life, depriving herself of possessions and refusing relationships, a state of mind conveyed in part by the director's subtle use of color blue But eventually she is able to accept the attentions of a lover and even to offer friendship to another woman who is pregnant with her husband's child Finally, she completes the piece of music which her husband has been commissioned to write
The result is a work that has less in common with the Polish 'Cinema of moral concern' of the late 1970s than with the tradition of the mainstream European art cinema, in its concerns with alienation and the loss of feeling, countered by the transcendent power of love
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