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Three Colors: Blue (1993)
"Trois couleurs: Bleu" (original title)

R  |   |  Drama, Music, Mystery  |  8 September 1993 (France)
8.0
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Ratings: 8.0/10 from 54,514 users  
Reviews: 158 user | 85 critic

A woman struggles to find a way to live her life after the death of her husband and child.

Writers:

(scenario), (scenario), 3 more credits »
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Nominated for 3 Golden Globes. Another 21 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Benoît Régent ...
Olivier (as Benoit Regent)
Florence Pernel ...
Sandrine
...
Lucille (as Charlotte Very)
Hélène Vincent ...
La journaliste (as Helene Vincent)
Philippe Volter ...
L'agent immobilier
Claude Duneton ...
Le médecin
Hugues Quester ...
Patrice (Mari de Julie)
...
La mère
Florence Vignon ...
La copiste
Daniel Martin ...
Le voisin du dessous
Jacek Ostaszewski ...
Le flutiste
Catherine Therouenne ...
La voisine
Yann Trégouët ...
Antoine (as Yann Tregouet)
Alain Ollivier ...
L'avocat
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Storyline

The first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. 'Blue' is the story of Julie who loses her husband, an acclaimed composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew, free of personal commitments, belongings, grief or love. She intends to numb herself by withdrawing from the world and living completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heal Julie and draws her back to the land of the living. Written by Anonymous

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for some sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

| |

Release Date:

8 September 1993 (France)  »

Also Known As:

Three Colors: Blue  »

Box Office

Gross:

SEK 6,807,316 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

At one point, we see Julie carrying a box which, as a close-up shows, has prominently written across it the word "blanco", Spanish for white; in the next shot we are looking at her from behind, and she pauses in the street as a man in blue passes her on her left and a woman in red passes her on her right. This is a subtle reference to the structure of the Three Colours trilogy - blue, white, red, in that order, mirroring the French flag. In another scene, children in red and white bathing suits run out and jump in the blue swimming pool. See more »

Goofs

When Oliver tells Julie he will not incorporate her changes into the musical score, a boom mic is visible briefly as Julie puts down the phone. See more »

Quotes

Julie Vignon: Now I have only one thing left to do: nothing. I don't want any belongings, any memories. No friends, no love. Those are all traps.
See more »

Crazy Credits

The final credit says in French, "We thank Alfa Romeo who allowed the scene of the accident to the Alfa 164 whose dynamics are of course purely imaginary." See more »

Connections

Referenced in Community: Heroic Origins (2013) See more »

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User Reviews

 
Impressive
29 April 2004 | by (Los Angeles) – See all my reviews

Often times when viewing an intelligent film like this I have to really contemplate what the implications the film maker making mean to me. This film was no exception. Kieslowski, with his background in non-fiction film making, is applying the french political value of liberty to a personal situation. He is, in essence, studying the human condition through fiction. The meaning of "liberty" takes on a very different meaning for Julie in this film. She tries to gain liberty from her memories and her emotions only to find that it is an impossible task. This is not a film to casually throw on after supper. This film requires a commitment by the audience to really consider Kieslowski's implications, for he is telling us (throughout this trilogy) what he thinks makes a "good" person. The score is beautiful and has a character of its own in the plot. A must see for true film lovers but perhaps a little too much for someone expecting a casual encounter.


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Other movies with a similar combination of sound and images baube3
If this is not the greatest marriage of image + music tell me what is? filmfancritic
Rank the 3 films magnoitall
Juliette Binoche vs Naomi Watts rosannamejias
Should I see Red and White if I didn't like Blue? siabrawinfreyer
HELP! Something about the ending confuses me... ibsogreat
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