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Tout ça... pour ça! (1993)

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Cast overview, first billed only:
Marie-Sophie L. ...
Marie Lenormand
Francis Huster ...
Francis Barrucq
Fabrice Lenormand
Allessandra Barrucq
Henri Poncet
Jacques Grandin
Evelyne Bouix ...
Marilyne Grandin
Charles Gérard ...
Céline Caussimon ...
Maria Ducceschi ...
Fille du bal
Agnès Pelletier ...
Fille du bal
Mimi Young ...
Fille du bal
Christian Charmetant ...
Jacques Bonnot ...
Chauffeur du camion


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Release Date:

9 June 1993 (France)  »

Also Known As:

All That... for This?!  »

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User Reviews

All this for that
11 March 2007 | by See all my reviews

In spite of shortcomings and with hindsight, "Tout ca...pour ca!" might be Claude Lelouch's most palatable moment of all the works he left in the nineties. It would be a lie to hail it as a masterwork (you can count on the fingers of one hand the films that reach this level in the filmmaker's copious filmography) but it is filled with enough energy and humor to omit boredom.

It's a "Lelouchian" work to the core with some of the topics cherished by the filmmaker throughout his career: love affairs between men and women, chance that links some men's fate. These two themes are the backbone of the two chief plots of the film. On the first road, we follow the love to-in gs and fro-in gs of a judge (Francis Huster) and a lawyer (Fabrice Lucchini) with their wives and mistresses. Then, on a second road, Lelouch films the adventures of three immature men acted by Gérard Darmon as a taxi driver, Vincent Lindon as a waiter and Jacques Gamblin. They wound up together after a disappointing love affair for each of them and plan to earn as much money as they can to leave France with Jacques Gamblin's daughter. Their two-bit tricks and swindles will bring them to court.

Do these two plots complement themselves? There's superimposition and you have to wait until the end to see fusion maintained. Frankly, Lelouch had better discarded his judges' love stories because they are uninteresting and flimsy. It's the same drawback as "le Chat et la Souris" (1975), another honorable effort from Lelouch in which all that deal with Philipe Léotard's sentimental life was gratuitous filler. And in spite of Lelouch's virtuosity at camera, his directing seems extracted from a film of the seventies and makes his effort a little obsolete. It also could have gained with a more tightened editing.

But when the film lays the focus on the incredible adventures of the colorful threesome of men, it really gathers pace and takes off thanks to the energy conveyed by the three actors. It amounts to a beneficent change of scene fueled with humor.

All this for that? It means a little lame but enjoyable excursion from a filmmaker who persists in developing his personal ideas in films? Well yes. But if this film made of two unlikely plots charmed you, at least Lelouch won't have worked in vain.

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