8 out of 9 people found the following review useful:
When The West Was Huckleberry., 22 May 2008
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Author:
dunmore_ego from Los Angeles, California
*** This review may contain spoilers ***
The *Pulp Fiction* of westerns, with its vivid dialog and firestorm set
pieces.
Also, Kurt Russell and Val Kilmer together in one film and that's a
big YUM for the ladies. Russell's and Kilmer's opening scenes establish
them as powerhouse masculines, something which this film veritably
bleeds with, yet these two tower over every other dusty gunslinger and
scenery-chomping henchman.
Russell is Wyatt Earp. We meet him alighting a train and whipping a
wrangler across the face with his own whip for beating Earp's horse,
growling in a rasp that would make The Clint proud, "Hurts, don't it?"
Kilmer is Doc Holliday. Drawing his guns like proverbial greased
lightning in a card game gone sour, then knifing his antagonist and
exiting stage right with a fistful of cash and a hard, sexy woman,
Kilmer has only begun to amaze us
as he takes his character a mighty
step further, endowing his Holliday with a pseudo-continental accent of
his own nefarious design and an educated panache that we doubt anyone
on the frontier could have seriously exhibited WITHOUT being a
lightning gun (i.e. he'd be killed in a hot second for being such a
dandy). To this day he has never commanded a role so deliciously
elitist.
Yes, *Tombstone* is yet another Gunfight at the O.K. Corral but
related in such a way that this fact is peripheral to the characters at
the heart of the tale.
Directed by George P. Cosmatos, written by Kevin Jarre, *Tombstone*
presents a vision of the frontier as half brutal reality, half
snakeskin Hollywood, all guilty pleasure. Ten times more entertaining
than that OTHER *Wyatt Earp* - poor Kevin Costner's epic, drawn-out,
tedious June 1994 release, coming in a weary second to this film in
release date and pure animal fun.
The Earp brothers, Wyatt (Russell), Virgil (Sam Elliott) and Morgan
(Bill Paxton), with their three blond wives in tow, arrive in
Tombstone, eager to settle in and seek their fortune. Wyatt especially
wants to leave behind his bloody rep as a "Kansas lawdog." The frontier
has other ideas, crawling as it is with The Cowboys rowdy, red-sashed
troublemaking gunhands who "rule" the vicinity like mobsters; led by
Curly Bill (Powers Boothe) and his sidekick, Johnny Ringo (Michael
Biehn), the "deadliest pistolier since Wild Bill."
As the trailer said, "Justice
is coming to Tombstone."
Setting themselves up, unwillingly at first, as keepers of the peace,
the Earp brothers' fate inexorably leads to the gunfight at the
you-know-where, due to The Cowboys refusing to disarm while within town
limits, the Earps sensing anarchy in the air and attempting to simply
disarm them where they had congregated behind the O.K. Corral.
Because this movie piles on so many entertaining vignettes, the O.K. is
the least of our climaxes
from Wyatt driving out the Faro dealer
(Billy Bob Thornton): "Go ahead, skin it! Skin that smoke wagon and see
what happens!"
to the tasty, intelligent, Latin exchange between Holliday and Ringo
(you can see the full translation in the 'memorable quotes' link):
"Eventus stultorum magister." "In pace requiescat";
this movie roars like a stallion on steel hooves, in a hail of
Peacemaker gunfire and very real handlebar moustachios.
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