| Robert Englund | ... | Marquis De Sade / Paul Chevaller | |
| Zoe Trilling | ... | Genie | |
| Alona Kimhi | ... | Sabina | |
| Juliano Mer-Khamis | ... | Mahmoud (as Juliano Mer) | |
| Chandra West | ... | Beth | |
| William Finley | ... | Dr. Matteson | |
| Irit Sheleg | ... | Fatima | |
| Niv Cohen | ... | Chuck | |
| Doron Barbi | ... | Ali | |
| David Menachem | ... | Arab Market Hustler | |
| Jonathan Cherchi | ... | Arab Market Hustler | |
| Howard Ripp | ... | Harry, Matteson's Assistant | |
| Zachi Noy | ... | Chuck's Father | |
| Ya'ackov Banai | ... | Chevalier's Servant (as Yakov Banai) | |
| Joel Drori | ... | Chevalier's Servant | |
| Uri Gavriel | ... | Yousuf | |
| Joseph Shiloach | ... | Pardy Hardy (as Yosef Shiloach) | |
| Moti Bootbool | ... | Black Taxi Driver | |
| Tamar Shamir | ... | Snake Woman | |
| Babi Neeman | ... | Gnostic Leader | |
| Daniel Matmor | ... | Priest | |
| Dimitri Phillips | ... | Duval | |
| Shmuel Omani | ... | Torturer | |
| Dov Ben | ... | Torturer's Assistant | |
| Dudi Cohen | ... | Warden | |
| Gregory Tal | ... | Warden's Assistant | |
| Adam Zilberman | ... | Prisoner | |
| Didi Lukov | ... | Prisoner | |
| Shmuel Aizer | ... | Market Vendor | |
| Fitcho Ben-Zur | ... | Blind Beggar | |
| Charlie Buzaglo | ... | Mirage Servant | |
| Atzmon Itshak | ... | Sabina's Servant | |
| Liz Fachima | ... | Gnostic Woman | |
| Amiram Gavriel | ... | Akim, Matteson's Assistant | |
| Racheli Hanig | ... | Arab Girl |
Directed by | |||
| Tobe Hooper | |||
Writing credits(in alphabetical order) | ||
| Rom Globus | ||
| Daniel Matmor | ||
Produced by | |||
| Yoram Globus | .... | executive producer | |
| Christopher Pearce | .... | executive producer | |
| Harry Alan Towers | .... | producer | |
Original Music by | |||
| Dov Seltzer | |||
Cinematography by | |||
| Amnon Salomon | |||
Film Editing by | |||
| Alain Jakubowicz | |||
Art Direction by | |||
| Yossi Peled | |||
Set Decoration by | |||
| David Varod | |||
Costume Design by | |||
| Rona Doron | |||
Makeup Department | |||
| Nancy Balwin | .... | hair stylist | |
| Maskit Korem | .... | makeup artist | |
| Louis Lazzara | .... | makeup artist: Robert Englund | |
| David B. Miller | .... | makeup effects | |
Production Management | |||
| Amitan Manelzon | .... | production manager (as Amitan Manelson) | |
Second Unit Director or Assistant Director | |||
| Assaf Amir | .... | first assistant director | |
| Avichai Henig | .... | second assistant director | |
Art Department | |||
| Zvika Aloni | .... | property master | |
Sound Department | |||
| Yann Delpuech | .... | sound effects editor | |
| Gregory King | .... | supervising sound editor | |
| Yohai Moshe | .... | sound mixer | |
| Rob Nokes | .... | assistant sound editor | |
| Daniel Pellerin | .... | sound re-recording mixer | |
| Michael Werth | .... | dialogue editor | |
Special Effects by | |||
| Bashir Abu Rabi'a | .... | special effects | |
Stunts | |||
| Koby Azarly | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Danny Ben Menahem | .... | gaffer | |
| Yoni Hamenachem | .... | still photographer | |
| Amnon Salomon | .... | camera operator | |
Music Department | |||
| Gregory King | .... | composer: additional music | |
| Rob Nokes | .... | composer: additional music | |
| David Trevis | .... | composer: additional music | |
Transportation Department | |||
| Gaby Weismann | .... | transportation captain | |
Other crew | |||
| Rita Bartlett | .... | executive consultant | |
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| The Phantom of the Opera | Citizen Toxie: The Toxic Avenger IV | Rise: Blood Hunter | Marquis de Sade | Nurse Sherri |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Canada section |
Poor Robert Englund makes another flop and to the expense of Tobe Hooper who usually makes pretty good horror movies but he failed pretty bad at this one. Englund plays the well known Marque De Sade who in the 17th century was enprisoned for his obsession of pain and the pleasure of bringing pain upon himself as well as watching others also be in pain. The story is so confusing with the flip flop from one century to another and I became confused as to what was going on and what was the purpose of this movie. All I saw was a young lady that became entrapped by a strange lesbian who desides to keep her to herself and the young lady became fascinated by this Arabian with alot of money and finds out that he's out to have her killed and then Englund steps in from one century to another claiming to be a descendent of the de Sade and tries to kill her because she reminded him of the Madam Momoselle(spelled that wrong) or whoever it was in the picture above De Sades wall. The movie was terrible, I am surprised at Hooper for hireing Englund in this film and the special effects were so fake and laughable, especially the part about the eyes. Englund tries to make a comeback from his once hit move "Nightmare on Elm St." by using these pull in and out needles to put out peoples eyes. Terrible, absolutely terrible.