| Rosalind Allen | ... | Holly Lambert | |
| Ami Dolenz | ... | Dee Dee Davenport | |
| Seth Green | ... | Tyler Burns | |
| Virginya Keehne | ... | Melissa Danson | |
| Ray Oriel | ... | Rome Hernandez | |
| Alfonso Ribeiro | ... | Darrel 'Panic' Lumley | |
| Peter Scolari | ... | Charles Danson | |
| Dina Dayrit | ... | Kelly Mishimoto | |
| Michael Medeiros | ... | Jerry | |
| Barry Lynch | ... | Sir | |
| Clint Howard | ... | Jarvis Tanner | |
| Rance Howard | ... | Sheriff Parker | |
| Timothy Landfield | ... | Mr. Burns | |
| Judy Jean Berns | ... | Dr. Kates | |
| J.D. Stone | ... | Young Tyler | |
| rest of cast listed alphabetically: | |||
| Colin Dean Feucaloro | ... | Hitchhiker | |
Directed by | |||
| Tony Randel | |||
Writing credits(in alphabetical order) | ||
| Brent V. Friedman | written by | |
Produced by | |||
| Jack F. Murphy | .... | producer | |
| Gary Schmoeller | .... | line producer | |
| Brian Yuzna | .... | executive producer | |
Original Music by | |||
| Daniel Licht | |||
| Christopher L. Stone | |||
Cinematography by | |||
| Steve Grass | |||
Film Editing by | |||
| Leslie Rosenthal | |||
Casting by | |||
| Alan Berman | |||
| Vicki Huff | |||
| Robin Monroe | |||
Production Design by | |||
| Anthony Tremblay | |||
Set Decoration by | |||
| Greg Bartkus | |||
Costume Design by | |||
| Kathryn Shemanek | |||
Makeup Department | |||
| Karrie Aubuchon | .... | special makeup effects crew: second unit, K.N.B. EFX Group | |
| Jeri Baker | .... | hair stylist | |
| Jeri Baker | .... | makeup artist | |
| Howard Berger | .... | special makeup effects supervisor: second unit, K.N.B. EFX Group | |
| Shauna Giesbrecht | .... | assistant makeup artist: pickups | |
| Garrett Immel | .... | special makeup effects crew: second unit, K.N.B. EFX Group | |
| Silvina Knight | .... | makeup department head: re-shoots (as Silvi Labrador) | |
| Robert Kurtzman | .... | special makeup effects supervisor: second unit, K.N.B. EFX Group | |
| Susan Mallon | .... | special makeup effects crew: second unit, K.N.B. EFX Group | |
| Michael John McCracken | .... | makeup supervisor | |
| Gregory Nicotero | .... | special makeup effects supervisor: second unit, K.N.B. EFX Group | |
| Wayne Toth | .... | special makeup effects crew: second unit, K.N.B. EFX Group | |
| Julie M. Woods | .... | hair stylist | |
| Julie M. Woods | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Ed Licht | .... | first assistant director | |
Art Department | |||
| Chris Brewster | .... | leadman | |
| Charles Righetti | .... | art director: second unit | |
| Michele Spadaro | .... | set decorator: additional photography | |
Sound Department | |||
| David Bondelevitch | .... | foley mixer | |
| David Bondelevitch | .... | sound mixer | |
| Ken Dufva | .... | foley artist | |
| Jeremy Hoenack | .... | sound re-recording mixer | |
| Jeremy Hoenack | .... | supervising sound editor | |
| Michael Payne | .... | sound editor | |
| Melissa Sherwood Hofmann | .... | sound re-recording mixer | |
| Matt Temple | .... | sound designer | |
Special Effects by | |||
| Doug Beswick | .... | special effects supervisor: Doug Beswick Productions | |
| Vicky Beswick | .... | administrator: Doug Beswick Productions | |
| Yancy Calzada | .... | stop-motion animation | |
| Larry Fioritto | .... | mechanical effects and pyrotechnics: second unit | |
| Grady Holder | .... | lab technician: Doug Beswick Productions | |
| Grady Holder | .... | moldmaker: Doug Beswick Productions | |
| Kevin Labate | .... | assistant mechanical and pyrotechnics | |
| Stephen Lebed | .... | special effects mechanical: Doug Beswick Productions | |
| Paula Matei | .... | key painter: Doug Beswick Productions | |
| Dan Platt | .... | effects makeup: Doug Beswick Productions | |
| Matt Singer | .... | fabricator: Doug Beswick Productions | |
| Scott Stoddard | .... | sculptor: Doug Beswick Productions | |
| Ken Tarallo | .... | special effects mechanical and pyrotechnics | |
| Ken Tarallo | .... | special effects supervisor | |
| George Wong | .... | special effects mechanical: Doug Beswick Productions | |
Visual Effects by | |||
| Heather Davis Baker | .... | title designer: Perpetual Motion Pictures (as Heather Davis) | |
| Omei Eaglerider | .... | model builder: miniature unit | |
| Ans Ellis | .... | model builder: miniature unit | |
| John V. Fante | .... | director of photography: miniature unit | |
| Robert Habros | .... | optical supervisor: Perpetual Motion Pictures | |
| Nancy Ann Jones | .... | model builder: miniature unit | |
| Bruce Lau | .... | head model builder: miniature unit | |
| Michael Muscal | .... | visual effects director: miniature unit | |
| January Nordman | .... | animator: Perpetual Motion Pictures | |
| Lee Scott | .... | visual effects coordinator: miniature unit | |
Stunts | |||
| Scott Doyle | .... | stunts | |
| David Hugghins | .... | stunts | |
| Tony Hugghins | .... | stunts | |
| Millie Novak | .... | stunts | |
| Brad Overturf | .... | stunts | |
| Gary Paul | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Todd Appleman | .... | gaffer | |
| Ron Bahara | .... | first assistant camera | |
| Jacques Haitkin | .... | director of photography: additional photography | |
Transportation Department | |||
| Scott Doyle | .... | transportation | |
Other crew | |||
| Ynze Bijl | .... | production assistant | |
| John Douglas | .... | assistant to producer | |
| David Halver | .... | making-of documentary | |
| Dan Platt | .... | special make-up effects | |
| James Bradford Sivils | .... | script supervisor | |
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| Go | Class of Nuke 'Em High | The Fly II | Humboldt County | Black Circle Boys |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
The first twenty odd minutes of this film follow genre conventions of the old school with slavish determination as we are introduced to a gaggle of teen dumbasses; we even get the usual encounter with a slavering backwoods redneck to presage the trouble ahead. In one of the most blatant examples of space saving exposition on film Scolari (as "Charles Danson") psychologically profiles each cast member to a dictaphone so we don't have to waste time with character development. For the heads this is like a table being set; unfortunately "Ticks" fails to deliver. Brian Yuzna's presence in the producer's chair infuses the movie with the anticipated hint of 50s B nostalgia but it is not enough: the summer camp setting and the casting suggest an adapted slasher movie but the reality is inevitably closer to a cut rate "Arachnophobia". Further problems include appalling lighting, with the camera frequently pointed directly at the sun and the cabin scenes ropily arc lit, Alfonso Ribeiro (that's right, Carlton from Fresh Prince of Bel Air) essaying the street kid who rocks fingerless leather gloves as well as tucking his elasticated cuffs behind the tongues of his hi tops, and an ending so stultifyingly predictable as to elicit groans and thrown popcorn from all still watching. Shame, because the tick effects aren't half bad, Clint Howard is present, Barry Lynch is "good value" of a sort, and there are a couple of decent gore scenes. How good did you expect a film about dope mutated ticks to be?