19-year-old Argentina Martin has a nearly fatal drug overdose. After that his mother sends him to Madrid, where his film director father (also called Martin) lives with his new much younger lover Alicia and gay actor friend Dante.
Juan Diego Botto,
In 1840's Buenos Aires, Argentina, a beautiful young socialite named Camila falls in love with Ladislao, a Jesuit priest. After several failed attempts at fighting his own feelings, he ... See full summary »
A judge falls from the roof of the Federal Courthouse. A woman is murdered. Between them and the three sons of the judge there is a connection that will be investigated by a woman judge who... See full summary »
Bear has never gotten over the separation from his wife and daughter after having been convicted for armed robbery and homicide and sent to prison. Now he is out, to finally get his cut of ... See full summary »
The film is seen through the eyes of a ten-year-old boy, Harry (Matías del Pozo), who does not know that Argentina's 1976 coup d'état is impacting his life. After witnessing the "... See full summary »
This films tells the true story of seven teenagers who agitated for reduced student bus fares under two different regimes in Argentina, with tragic results. At first succeeding under the ... See full summary »
Alejo García Pintos,
A road movie that begins when a man tries to rob a bank and the bank's clerk, a yuppie, pretends the thief has kidnapped him to help him run away. While they're running away, they meet a ... See full summary »
Piñeiro's Opera Prima and first commercial success
Director Marcelo Piñeiro's first movie tells the not so truthful story of "Tango", which is the pseudonym used by one of Argentina's earliest rock artists, credited to be the first to sing and compose rock in Spanish. Fernan Miras and Cecilia Dopazo, two relatively unknown actors at the time, jumped to fame in Argentina as a result of this film. The chemistry between them was amazing -which was not surprising since they became lovers during the filming of the movie. Even though none of Tango's real songs are included (Piñeiro was not given the rights), the soundtrack is a good mix of contemporary and recycled Argentinian rock songs. With a careful post-production done in London, it marked also the end of Argentinian movies sounding really bad and being even hard to understand. The movie is not so much the life of the singer as it is of a metaphoric legend. That of the artist that would not sell himself, and would remain truth to his love and beliefs. While situated in the past, with its talk of corruption, opression and false appearances, the movie stroke a chord in Argentina in 1993, making it the most successful movie of the year in that country.
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