This is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the ... See full summary »
In Buenos Aires, the twenty and something year old Jewish-Argentinean Ariel Makaroff has left the University of Architecture and spends his time wandering through the downtown gallery where... See full summary »
Bear has never gotten over the separation from his wife and daughter after having been convicted for armed robbery and homicide and sent to prison. Now he is out, to finally get his cut of ... See full summary »
At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time ... See full summary »
A story about love deception, the return of the past, a tragedy, or even the violence contained in an everyday detail, appear themselves to push them towards the abyss, into the undeniable pleasure of losing control.
Toledo, 25 years old, future architect, suffers from an acute jealousy. He cannot concentrate on his job nor on his studies, being continuously mindful of his girlfriend and concubine Ana's... See full summary »
A couple of friends work for a taxi driver to rob his passengers, but they feel like they're getting ripped off. They decide to plan their own robberies, but they are amateurs and things ... See full summary »
Piñeiro's Opera Prima and first commercial success
Director Marcelo Piñeiro's first movie tells the not so truthful story of "Tango", which is the pseudonym used by one of Argentina's earliest rock artists, credited to be the first to sing and compose rock in Spanish. Fernan Miras and Cecilia Dopazo, two relatively unknown actors at the time, jumped to fame in Argentina as a result of this film. The chemistry between them was amazing -which was not surprising since they became lovers during the filming of the movie. Even though none of Tango's real songs are included (Piñeiro was not given the rights), the soundtrack is a good mix of contemporary and recycled Argentinian rock songs. With a careful post-production done in London, it marked also the end of Argentinian movies sounding really bad and being even hard to understand. The movie is not so much the life of the singer as it is of a metaphoric legend. That of the artist that would not sell himself, and would remain truth to his love and beliefs. While situated in the past, with its talk of corruption, opression and false appearances, the movie stroke a chord in Argentina in 1993, making it the most successful movie of the year in that country.
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