A judge falls from the roof of the Federal Courthouse. A woman is murdered. Between them and the three sons of the judge there is a connection that will be investigated by a woman judge who... See full summary »
Bear has never gotten over the separation from his wife and daughter after having been convicted for armed robbery and homicide and sent to prison. Now he is out, to finally get his cut of ... See full summary »
Mariano Is a psychologist who must fulfill community service after losing a lawsuit by a traffic accident. He is forced to provide therapeutic support to Alfredo, a policeman depressed over... See full summary »
A road movie that begins when a man tries to rob a bank and the bank's clerk, a yuppie, pretends the thief has kidnapped him to help him run away. While they're running away, they meet a ... See full summary »
This films tells the true story of seven teenagers who agitated for reduced student bus fares under two different regimes in Argentina, with tragic results. At first succeeding under the ... See full summary »
Alejo García Pintos,
The film is seen through the eyes of a ten-year-old boy, Harry (Matías del Pozo), who does not know that Argentina's 1976 coup d'état is impacting his life. After witnessing the "... See full summary »
A couple of friends work for a taxi driver to rob his passengers, but they feel like they're getting ripped off. They decide to plan their own robberies, but they are amateurs and things ... See full summary »
Piñeiro's Opera Prima and first commercial success
Director Marcelo Piñeiro's first movie tells the not so truthful story of "Tango", which is the pseudonym used by one of Argentina's earliest rock artists, credited to be the first to sing and compose rock in Spanish. Fernan Miras and Cecilia Dopazo, two relatively unknown actors at the time, jumped to fame in Argentina as a result of this film. The chemistry between them was amazing -which was not surprising since they became lovers during the filming of the movie. Even though none of Tango's real songs are included (Piñeiro was not given the rights), the soundtrack is a good mix of contemporary and recycled Argentinian rock songs. With a careful post-production done in London, it marked also the end of Argentinian movies sounding really bad and being even hard to understand. The movie is not so much the life of the singer as it is of a metaphoric legend. That of the artist that would not sell himself, and would remain truth to his love and beliefs. While situated in the past, with its talk of corruption, opression and false appearances, the movie stroke a chord in Argentina in 1993, making it the most successful movie of the year in that country.
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