19-year-old Argentina Martin has a nearly fatal drug overdose. After that his mother sends him to Madrid, where his film director father (also called Martin) lives with his new much younger... See full summary »
Juan Diego Botto,
In 1840's Buenos Aires, Argentina, a beautiful young socialite named Camila falls in love with Ladislao, a Jesuit priest. After several failed attempts at fighting his own feelings, he ... See full summary »
A judge falls from the roof of the Federal Courthouse. A woman is murdered. Between them and the three sons of the judge there is a connection that will be investigated by a woman judge who... See full summary »
A Spanish writer finds an old coffer with photographs of an Argentine man who fought and died in the Spanish Civil War, and of a woman. Her quest for answers brings Vera to the Argentine ... See full summary »
In Buenos Aires, the twenty and something year old Jewish-Argentinean Ariel Makaroff has left the University of Architecture and spends his time wandering through the downtown gallery where... See full summary »
Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a... See full summary »
A road movie that begins when a man tries to rob a bank and the bank's clerk, a yuppie, pretends the thief has kidnapped him to help him run away. While they're running away, they meet a ... See full summary »
Piñeiro's Opera Prima and first commercial success
Director Marcelo Piñeiro's first movie tells the not so truthful story of "Tango", which is the pseudonym used by one of Argentina's earliest rock artists, credited to be the first to sing and compose rock in Spanish. Fernan Miras and Cecilia Dopazo, two relatively unknown actors at the time, jumped to fame in Argentina as a result of this film. The chemistry between them was amazing -which was not surprising since they became lovers during the filming of the movie. Even though none of Tango's real songs are included (Piñeiro was not given the rights), the soundtrack is a good mix of contemporary and recycled Argentinian rock songs. With a careful post-production done in London, it marked also the end of Argentinian movies sounding really bad and being even hard to understand. The movie is not so much the life of the singer as it is of a metaphoric legend. That of the artist that would not sell himself, and would remain truth to his love and beliefs. While situated in the past, with its talk of corruption, opression and false appearances, the movie stroke a chord in Argentina in 1993, making it the most successful movie of the year in that country.
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