| Photos (See all 12 | slideshow) |
| Dennis Haysbert | ... | Clay Arlington | |
| Mel Harris | ... | Dr. Renee Descartes | |
| Sab Shimono | ... | Dr. Max Shinoda | |
| Dina Merrill | ... | Alice Jameson | |
| Michael Harris | ... | Vincent Towers | |
| David Graf | ... | Lt. Weismann | |
| Fran Ryan | ... | Mrs. Lucerne | |
| John Ingle | ... | Sidney Callahan | |
| Sanford Gibbons | ... | Dr. Fuller (as Sandy Gibbons) | |
| Mark DeMichele | ... | Detective Joe | |
| Sandra Ellis Lafferty | ... | Nurse Stevens (as Sandra Lafferty) | |
| Capri Darling | ... | Soprano | |
| Carol Kiernan | ... | Ticket Agent | |
| Laura Groppe | ... | Sportswoman | |
| Mel Coleman | ... | Sportsman | |
| Lon Carli | ... | Man with Camera | |
| Ann Van Wey | ... | Mrs. Lucerne's Nurse | |
| Sam Smiley | ... | Doctor #1 | |
| Seth Siegel | ... | Doctor #2 | |
| Vincent Barbi | ... | Arthur Towers | |
| Mark Siegel | ... | Emergency Room Doctor (as Mark Siegel D.O.) | |
| Jack Rubens | ... | Captain Sparks (voice) |
Directed by | |||
| Scott McGehee | |||
| David Siegel | |||
Writing credits | ||
| Scott McGehee | (written by) and | |
| David Siegel | (written by) | |
Produced by | |||
| Alison Brantley | .... | co-producer | |
| Buddy Enright | .... | co-producer | |
| Buddy Enright | .... | line producer | |
| Laura Groppe | .... | associate producer | |
| Eileen Jones | .... | associate producer | |
| Scott McGehee | .... | producer | |
| Michèle Pétin | .... | executive producer (as Michèle Halberstadt) | |
| David Siegel | .... | producer | |
| Steven Soderbergh | .... | executive producer | |
Original Music by | |||
| Cary Berger | |||
Cinematography by | |||
| Greg Gardiner | (director of photography) | ||
Film Editing by | |||
| Lauren Zuckerman | |||
Casting by | |||
| Sally Dennison | |||
| Patrick Rush | |||
Production Design by | |||
| Kelly McGehee | |||
Art Direction by | |||
| Steven James Rice | |||
Set Decoration by | |||
| Nancy Wenz | (as Nanci Wenz) | ||
Costume Design by | |||
| Mette Hansen | |||
Makeup Department | |||
| Lynn E. Champagne | .... | hair stylist | |
| Lynn E. Champagne | .... | makeup artist | |
| Katherine James | .... | hair stylist (as Kathrine James) | |
| Katherine James | .... | makeup artist (as Kathrine James) | |
Production Management | |||
| Buddy Enright | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Athena Alexander | .... | second second assistant director | |
| Laura Groppe | .... | first assistant director | |
| Linda Lea | .... | additional second assistant director | |
| Carol O'Neil | .... | second assistant director | |
Art Department | |||
| Meg Aeby | .... | on-set dresser | |
| Daniel Goldfield | .... | assistant art director | |
| Janet S. Havranek | .... | assistant props | |
| Marc McKeown | .... | art department intern | |
| David Peck | .... | construction coordinator | |
| Marco Steinberg | .... | painter | |
| Lynne Watenpaugh | .... | art department assistant | |
| Luella White | .... | art department production assistant | |
| Neal W. Zoromski | .... | property master | |
Sound Department | |||
| Ron Bartlett | .... | sound re-recording mixer | |
| Matthew C. Beville | .... | sound transfer | |
| Tom Caton | .... | boom operator (as Hucklberry Caton) | |
| David Chornow | .... | sound mixer | |
| Julia Evershade | .... | adr editor | |
| Rick Freeman | .... | sound editor | |
| Alberto García | .... | additional sound editor (as Alberto Garcia) | |
| David Gertz | .... | foley mixer (as Dave Gertz) | |
| Ellen Heuer | .... | foley artist | |
| Doc Kane | .... | adr mixer | |
| Mark A. Mangini | .... | sound designer (as Mark Mangini) | |
| Dave Moreno | .... | sound transfer | |
| Geoffrey G. Rubay | .... | sound editor (as Geoffrey Rubay) | |
| Steve F.B. Smith | .... | consultant: Dolby | |
| David A. Whittaker | .... | sound editor (as Dave Whittaker) | |
Special Effects by | |||
| Dave Ayres | .... | special effects makeup (as David Ayres) | |
Stunts | |||
| J.D. Heilprin | .... | driving double: Mr. Harris | |
Camera and Electrical Department | |||
| Robert Amses | .... | first assistant camera: second unit | |
| Willie Boden | .... | gaffer (as Bill Boden) | |
| Linda Enger | .... | still photographer | |
| Robert Fitzgerald | .... | camera operator: second unit | |
| Mike Flaningam | .... | best boy dolly grip (as Michael Flaningan) | |
| Steve Gero | .... | gaffer (as Steven Gero) | |
| James T. Gordon | .... | key grip | |
| Max Jones | .... | electrician (as Max O. Jones) | |
| Alex Klabukov | .... | grip | |
| Amy La Licata | .... | additional second assistant camera | |
| Chris Lewis | .... | electrician | |
| Kyle T. MacDowell | .... | best boy electric | |
| Richard Maxey | .... | grip | |
| David C. Negrin | .... | second assistant camera (as Dave Negrin) | |
| Carol O'Neil | .... | additional still photographer | |
| Butch Pierson | .... | first assistant camera | |
| David L. Starkey | .... | generator operator | |
| Phoebe Sudrow | .... | additional still photographer | |
| Rick Yost | .... | electrician (as Rik Yost) | |
| Karen Sundt | .... | electrician (uncredited) | |
Editorial Department | |||
| Paul Argyropoulis | .... | editing intern | |
| Angela Barton | .... | first assistant editor | |
| Daniel Click | .... | second assistant editor | |
| Tiffany Dang | .... | editing intern | |
| Matvey Shatz | .... | color timer | |
Music Department | |||
| Cary Berger | .... | musician | |
| Barklie K. Griggs | .... | music coordinator | |
| Kathleen Hood | .... | musician | |
| Adam Maffei | .... | music coordinator | |
| Jim McGrath | .... | musician | |
| Jennifer Richardson | .... | music supervisor | |
| Dana Sano | .... | music supervisor | |
| Steve Shepherd | .... | music engineer | |
Other crew | |||
| Debby Boehm | .... | animal handler | |
| Tim Bowen | .... | location manager | |
| Lory Cook | .... | caterer | |
| Shannon Finch | .... | production assistant | |
| Terra Fonce | .... | assistant production coordinator | |
| Gina Garcia | .... | stand-in (as Gina Ryan) | |
| Christopher Greene | .... | caterer | |
| Raymond Gross | .... | legal services (as Ray Gross) | |
| Jim Harsha | .... | production assistant | |
| Rick Hiles | .... | production intern | |
| Richard F. Hoyt | .... | stand-in | |
| Tom Jensen | .... | stand-in | |
| Eileen Jones | .... | assistant location manager | |
| Craig Kokish | .... | production intern | |
| Lydia Lipatan-Sarmiento | .... | production accountant (as Lydia Sarmiento) | |
| Catherine Lorens | .... | title designer | |
| Hilary Momberger | .... | script supervisor | |
| Charles 'Fig' Newton | .... | stand-in | |
| Kris Nielsen | .... | production coordinator | |
| Josh Oliver | .... | production assistant | |
| Stacy Phipps | .... | craft service | |
| Jennifer P. Reed | .... | production assistant | |
| Sarah Sciotto | .... | production assistant | |
| Dean Steele | .... | production assistant | |
| Andrew Reid | .... | assistant production coordinator (uncredited) | |
Thanks | |||
| Clark Aganon | .... | special thanks | |
| Bud Alpert | .... | special thanks (as Dr. Bud Alpert M.D. F.A.C.S.) | |
| Maria Asaro | .... | special thanks | |
| Richard Becker | .... | special thanks (as Rich Becker) | |
| Nancy Cannon | .... | special thanks | |
| Helen Caskey | .... | special thanks | |
| Sally Cohen | .... | special thanks | |
| Jacqueline Crabe | .... | special thanks | |
| Kayte Delreal | .... | special thanks | |
| Cathy 'Sam' Duncan | .... | special thanks | |
| Luanne Dunham | .... | special thanks | |
| P. David Ebersole | .... | special thanks | |
| Felipe Gutterriez | .... | special thanks | |
| Diane Gutterud | .... | special thanks | |
| Robert Hawk | .... | special thanks (as Bob Hawk) | |
| Todd Hughes | .... | special thanks | |
| Mel Jaffee | .... | special thanks | |
| Raya Jaffee | .... | special thanks | |
| Mark Johnson | .... | special thanks | |
| Kenneth Kassover | .... | special thanks | |
| George Kerish | .... | special thanks | |
| Andrew Korris | .... | special thanks | |
| Leslie A. Leitner | .... | special thanks (as Leslie Leitner) | |
| William Lineweaver | .... | special thanks (as William Lineweaver M.D.) | |
| Richard Marconi | .... | special thanks | |
| James Marovich | .... | special thanks | |
| Bill McGehee | .... | special thanks | |
| Marge McGehee | .... | special thanks | |
| Joanne Moreland | .... | special thanks | |
| Drew Myers | .... | special thanks | |
| Karen Nakai | .... | special thanks | |
| David Northfield | .... | special thanks | |
| David Oodson | .... | special thanks | |
| Kim Quade | .... | special thanks | |
| Mary Scheer | .... | special thanks | |
| John Schliesser | .... | special thanks | |
| Barry Shapiro | .... | special thanks | |
| Barry Shapiro | .... | special thanks | |
| Susan Shapiro | .... | special thanks | |
| Blossom Siegel | .... | dedicatee | |
| Fred Siegel | .... | special thanks | |
| Seth Siegel | .... | special thanks | |
| Tina Siegel | .... | special thanks | |
| Helene Siegel-Kassover | .... | special thanks | |
| Sam Sutton | .... | special thanks | |
| Russ Upton | .... | special thanks | |
| Ann Van Wey | .... | special thanks | |
| Tad Van Wey | .... | special thanks | |
| Aron Warner | .... | special thanks | |
| Stan Wyatt | .... | special thanks | |
| Jeff Zischke | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
The first time I watched "Suture", in 1994, it ripped through me like some kind of high speed extra-terrestrial spacecraft, and I found myself asking, "What was that?" A year later I watched it again and the whole thing began to make sense. This film is unapologetically bizarre, mysterious, and aesthetically engaging -- almost everything I desire in a film. It is more like a piece of music, becoming more enjoyable with each viewing. One reason for the films superb milage is that it can be enjoyed on so many different levels. It is both a mirror image of contemporary society and a message from some alternative universe. The Surrealists made the point that the transcendent is found in the mundane, and "Suture" wallows in the mundane. Must be seen more than once.