| Lea Thompson | ... | Annie Beales | |
| Kathleen Quinlan | ... | Bekka | |
| Mary Nell Santacroce | ... | Judge Camille Kelley | |
| Mary Tyler Moore | ... | Georgia Tann | |
| Brett Rice | ... | Robert Taylor | |
| Tom Nowicki | ... | Bascom Fields | |
| Jenny Krochmal | ... | Mary Wester | |
| Judson Vaughn | ... | Jasper Bell | |
| Kenny Jones | ... | Jim Wester | |
| Clarinda Ross | ... | Claudia Bell | |
| Jillian Boyd | ... | Bessie Mae | |
| Ed Grady | ... | Abe Walbauer | |
| Edith Ivey | ... | Jane Hamm | |
| Janell McLeod | ... | Postmistress | |
| Terry Beaver | ... | Mr. Phelps | |
| Martha Burgess | ... | Gert Levoe | |
| Lane Bradbury | ... | Meg Wilber | |
| Aubrey Bond | ... | Little Girl | |
| Matt Berry | ... | Ronald Wester | |
| Charles Lawlor | ... | Mr. Cather (as Chuck Lawlor) | |
| Dan Biggers | ... | Mr. Crump | |
| Peet Munro | ... | Judge Medbro | |
| Rebecca Wackler | ... | Nurse Higgins | |
| Laurie Beasley | ... | Woman at Home | |
| Wilbur Fitzgerald | ... | Reporter #1 | |
| Larry Black | ... | Reporter #2 | |
| Bert Bryant | ... | Tann's Butler |
Directed by | |||
| Eric Laneuville | |||
Writing credits(WGA) | ||
| Sharon Elizabeth Doyle | (written by) | |
Produced by | |||
| Ann Kindberg | .... | producer | |
| J. Moses | .... | executive producer | |
| Kim Moses | .... | executive producer | |
| Ian Sander | .... | executive producer | |
Original Music by | |||
| Mason Daring | |||
Cinematography by | |||
| Paul Murphy | |||
Film Editing by | |||
| Karen I. Stern | |||
Casting by | |||
| Jay Binder | |||
| Shay Griffin | |||
Production Design by | |||
| Guy Barnes | |||
Art Direction by | |||
| Chip Radaelli | |||
Costume Design by | |||
| Kirsten Everberg | |||
Makeup Department | |||
| Pat Gerhardt | .... | makeup artist | |
| Philip Ivey | .... | hair designer | |
Production Management | |||
| Ann Kindberg | .... | unit production manager | |
| Julie Kay Rogers | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Stephanie Fowler Adams | .... | second assistant director | |
| Burt Burnam | .... | first assistant director | |
Art Department | |||
| Doug Lewis | .... | property master (as Douglas C. Lewis) | |
| Brent David Mannon | .... | set dresser | |
| Ken Masi | .... | construction coordinator | |
Sound Department | |||
| Marty Church | .... | foley mixer | |
| Thierry J. Couturier | .... | sound supervisor | |
| Mary H. Ellis | .... | sound mixer | |
| Bill Fibben | .... | boom operator | |
| Jerry Trent | .... | foley artist | |
Camera and Electrical Department | |||
| Stephen Crocker | .... | grip | |
| Eddie Evans | .... | key grip | |
| Michael Fedack | .... | dolly grip | |
| Ian Forsyth | .... | electrician | |
| Dale Fowler | .... | electrician | |
| Brian Gunter | .... | gaffer | |
| Rick Tschudin | .... | first assistant camera | |
Casting Department | |||
| Diane Alexander | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Cheryl Kilbourne-Kimpton | .... | costume supervisor | |
Music Department | |||
| Sharon Smith | .... | music editor | |
Transportation Department | |||
| Ken Nevin | .... | transportation coordinator (as Ray Nevin) | |
| Roxie Scott | .... | driver | |
| Robert Van Apeldoorn | .... | transportation | |
| Susan Van Apeldoorn | .... | transportation | |
| Windi Robinson | .... | driver: van (uncredited) | |
Other crew | |||
| Deanna Collins | .... | production coordinator | |
| Penelope Gottlieb | .... | title designer | |
| Gail Hunter | .... | script supervisor | |
| Sonya Lunsford | .... | first assistant accountant | |
| Greg Ovard | .... | location manager | |
| Diane Alexander | .... | stand-in (uncredited) | |
| Larry Gilbert | .... | police security (uncredited) | |
| Recent Posts (updated daily) | User |
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| I was stolen by Georgia Tann | jmmer |
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| Full cast and crew | Company credits | News articles |
| IMDb Drama section | IMDb USA section |
*** This review may contain spoilers ***
This movie stars the lovely Lea Thompson and tells how her character, Anne Beales, uncovers a "baby farming" scandal in the rural American south in the 40s. The story is told plainly and the historical detail is done well, down to clothes and local shops in small towns. The chief villain is a Miss Tan who runs an unlicensed children's home and seems over-keen on removing children from their homes, or their "illiterate whore" mothers and selling - I mean "giving" - them to rich, needy, childless parents. Lea Thompson sets her jaw and tries to see justice done. Make sure you have a large box of tissues by your side when you watch this movie.