When a widow's husband gets murdered in cold blood, Inspector Clouseau is back on the job leaving Maria, the widow to be the suspect. However, Clouseau struggles the overwhelming evidence as the true suspect is still out there.
A vicious serial sex killer is on the loose, and landscape gardener and shop-window outfitter Loris is the prime suspect, thanks to his unfortunate habit of getting caught in compromising ... See full summary »
Father Maurice, a priest living in a residential college for priests in Rome, is called out one day to "exorcise" the devil from someone. The devil turns out to be in the form of a ... See full summary »
A teacher (Saverio) and a schoolkeeper (Mario) get lost in the Italian countryside. They find themselves in the late 15th century, they met Leonardo da Vinci and try to teach him how to ... See full summary »
Eighth entry in the Pink Panther. It is nearly 30 years since Inspector Jacques Clouseau managed to get Maria Gambrelli off from a murder charge (events of "A Shot In The Dark".) Maria has gone on and have moved to a seaside town. Also Princess Yasmin of Lugash has come to the town for a holiday with her father. She is kidnapped and because of the strong ties between France and Lugash, Chief Inspector Dreyfus is called in to find her. He is hampered by the local police officer Jacques and is amazed when he finds that Jacques is Maria's son. He is terrified even though he and Maria are falling in love that Jacques is Clouseau's son and Jacques is showing Clouseau-ish behaviour. Both Jacques and Dreyfus set out to find the missing Princess... Written by
Lee Horton <Leeh@tcp.co.uk>
The closing credits start with the Pink Panther walking across a still of Jacques Gambrelli. Suddenly the animated Gambrelli cuts away the head of live-action Gambrelli and pops out of the hole, dropping the head on the Panther; the enraged Panther chases him into fading blackness. See more »
The visual wit and warm wrap-up that Blake Edwards' brings to one of the finest comedic series of film history (and, apart from the couple produced in the eighties, they were consistently original and inventive - and changed with each one) is sadly misunderstood and no longer appreciated by our audiences. The manner in which Edwards' uses the entire screen instead of just cutting for quick effects requires a little more patience, and can result in quite a payoff - witness the side-splitting scene with Dreyfus and colleague in hospital beds (but, of course, you need a widescreen version to see it). This movie made me laugh, and laugh, and laugh, but, as I said before, if Edwards' "The Pink Panther Strikes Again" (probably the best in the series) were released today, it wouldn't have gotten the time of day either. It's too bad, because this film, which displays a tenderness to these characters and Edwards' creation as a whole, was never allowed a chance to really be seen without generally jaded eyes.
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