| Billy Bob Thornton | ... | Karl Childers | |
| Molly Ringwald | ... | Teresa Tatum | |
| J.T. Walsh | ... | Charles Bushman | |
| Jefferson Mays | ... | Gerry Woolridge | |
| Suzanne Cryer | ... | Frances | |
| Abby Abernathy | |||
| Brent Briscoe | |||
| Otto Coelho | (as Otto Coecho) | ||
| Abe Dalool | |||
| Ron Livingston | |||
| Aaron Wheeler | |||
| Bill Boll | |||
| Chester Dent | |||
| Bill Sprague | |||
| Joey Bilow | |||
| Mark Gimbrere | |||
| Michael Beugg | (as Michael D. Beugg) | ||
| Linda Beugg | |||
| Trevor A. Tarr | |||
| Mike Herman | |||
| Glennon Schneider | |||
| Kevin Hell | |||
| Doug Hart | (as Rod Beaumont) | ||
| Carlos Sanchez | |||
| Anthony Guneratne | |||
| Nikywa Prevost | |||
| Beth Ruggiero | |||
| Rosalie Barron | |||
| Dewitte Briggs | |||
| Jude Barron | |||
| Kevin Hudnell | |||
| Mark Sellors | |||
| Lincoln Schlei | |||
| Joel Milner | |||
| Brent J. Williams |
Directed by | |||
| George Hickenlooper | |||
Writing credits(in alphabetical order) | ||
| Billy Bob Thornton | ||
Produced by | |||
| Michael Beugg | .... | co-producer | |
| Kevin Hell | .... | executive producer | |
| Mike Herman | .... | executive producer | |
| George Hickenlooper | .... | producer | |
| Kevin Hudnell | .... | producer | |
| Adam Lindemann | .... | producer | |
| Bradford L. Schlei | .... | executive producer (as Brad Schlei) | |
Original Music by | |||
| Bill Boll | |||
Cinematography by | |||
| Kent L. Wakeford | (as Kent Wakeford) | ||
Film Editing by | |||
| Henny Bouwmeester | |||
| George Hickenlooper | |||
Art Direction by | |||
| Deborah Smith | |||
Costume Design by | |||
| Matthew Jacobsen | |||
Makeup Department | |||
| Hila Amrani | .... | assistant hair stylist | |
| Hila Amrani | .... | assistant makeup artist | |
| Elena Arroy | .... | hair stylist | |
| Elena Arroy | .... | makeup artist | |
Production Management | |||
| Glennon Schneider | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Juanita Dias Costa | .... | second assistant director | |
| Jeffrey A. Fisher | .... | first assistant director | |
Art Department | |||
| Gregory Arnett | .... | assistant art director | |
| Arnd Stockhausen | .... | property master | |
Sound Department | |||
| Mike Gitman | .... | sound mixer | |
| Yehuda Maayan | .... | boom operator (as Juda Maayan) | |
| Peter V. Meiselmann | .... | production sound mixer | |
| Peter V. Meiselmann | .... | sound designer | |
| Gary Shepherd | .... | sound editor | |
Camera and Electrical Department | |||
| John Enbom | .... | camera loader | |
| Steve Goedde | .... | set photographer | |
| Stuart Hanna | .... | grip | |
| Ralph Harwin | .... | electrician | |
| Ralph Harwin | .... | grip | |
| Evan A. Nesbitt | .... | first assistant camera | |
| Maggie Robison | .... | electrician | |
| Jim Sanfilippo | .... | gaffer | |
| Jamie Sterra | .... | second assistant camera | |
| George Steward | .... | best boy grip | |
| John A. Strubbe | .... | key grip (as John Strubbe) | |
| Eric Trageser | .... | first assistant camera | |
Editorial Department | |||
| Juanita Dias Costa | .... | editorial department | |
| W.M. Grimes | .... | editorial department | |
| Douglas O. Hart | .... | editorial department | |
| Howard Lavick | .... | editorial consultant | |
| Ray Morfino | .... | color timer | |
Other crew | |||
| Frank Buckner | .... | assistant to director | |
| Mark Gimbrere | .... | production assistant | |
| Linda Kwan | .... | script supervisor | |
| Margaret Stevens | .... | production coordinator | |
| Tracy Young | .... | caterer | |
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| Party Monster | Shock Corridor | Sling Blade | Freeway | Hush |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb USA section |
Billy Bob Thornton proves himself to be great in this short independent picture about a killer who is released after 25 years in a mental home. This later was transformed into a longer version called Sling Blade which was released in 1993 to world-wide acclaim, but this is much better. Why, because technically, this is the beginning of the feature Sling Blade, and the beginning is the best part. Kudos to Thornton and director George Hickenlooper for creating a original short film that is as good as the hype. A+