| Billy Bob Thornton | ... | Karl Childers | |
| Molly Ringwald | ... | Teresa Tatum | |
| J.T. Walsh | ... | Charles Bushman | |
| Jefferson Mays | ... | Gerry Woolridge | |
| Suzanne Cryer | ... | Frances | |
| Abby Abernathy | |||
| Brent Briscoe | |||
| Otto Coelho | (as Otto Coecho) | ||
| Abe Dalool | |||
| Ron Livingston | |||
| Aaron Wheeler | |||
| Bill Boll | |||
| Chester Dent | |||
| Bill Sprague | |||
| Joey Bilow | |||
| Mark Gimbrere | |||
| Michael Beugg | (as Michael D. Beugg) | ||
| Linda Beugg | |||
| Trevor A. Tarr | |||
| Mike Herman | |||
| Glennon Schneider | |||
| Kevin Hell | |||
| Doug Hart | (as Rod Beaumont) | ||
| Carlos Sanchez | |||
| Anthony Guneratne | |||
| Nikywa Prevost | |||
| Beth Ruggiero | |||
| Rosalie Barron | |||
| Dewitte Briggs | |||
| Jude Barron | |||
| Kevin Hudnell | |||
| Mark Sellors | |||
| Lincoln Schlei | |||
| Joel Milner | |||
| Brent J. Williams |
Directed by | |||
| George Hickenlooper | |||
Writing credits(in alphabetical order) | ||
| Billy Bob Thornton | ||
Produced by | |||
| Michael Beugg | .... | co-producer | |
| Kevin Hell | .... | executive producer | |
| Mike Herman | .... | executive producer | |
| George Hickenlooper | .... | producer | |
| Kevin Hudnell | .... | producer | |
| Adam Lindemann | .... | producer | |
| Bradford L. Schlei | .... | executive producer (as Brad Schlei) | |
Original Music by | |||
| Bill Boll | |||
Cinematography by | |||
| Kent L. Wakeford | (as Kent Wakeford) | ||
Film Editing by | |||
| Henny Bouwmeester | |||
| George Hickenlooper | |||
Art Direction by | |||
| Deborah Smith | |||
Costume Design by | |||
| Matthew Jacobsen | |||
Makeup Department | |||
| Hila Amrani | .... | assistant hair stylist | |
| Hila Amrani | .... | assistant makeup artist | |
| Elena Arroy | .... | hair stylist | |
| Elena Arroy | .... | makeup artist | |
Production Management | |||
| Glennon Schneider | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Juanita Dias Costa | .... | second assistant director | |
| Jeffrey A. Fisher | .... | first assistant director | |
Art Department | |||
| Gregory Arnett | .... | assistant art director | |
| Arnd Stockhausen | .... | property master | |
Sound Department | |||
| Mike Gitman | .... | sound mixer | |
| Yehuda Maayan | .... | boom operator (as Juda Maayan) | |
| Peter V. Meiselmann | .... | production sound mixer | |
| Peter V. Meiselmann | .... | sound designer | |
| Gary Shepherd | .... | sound editor | |
Camera and Electrical Department | |||
| John Enbom | .... | camera loader | |
| Steve Goedde | .... | set photographer | |
| Stuart Hanna | .... | grip | |
| Ralph Harwin | .... | electrician | |
| Ralph Harwin | .... | grip | |
| Evan A. Nesbitt | .... | first assistant camera | |
| Maggie Robison | .... | electrician | |
| Jim Sanfilippo | .... | gaffer | |
| Jamie Sterra | .... | second assistant camera | |
| George Steward | .... | best boy grip | |
| John A. Strubbe | .... | key grip (as John Strubbe) | |
| Eric Trageser | .... | first assistant camera | |
Editorial Department | |||
| Juanita Dias Costa | .... | editorial department | |
| W.M. Grimes | .... | editorial department | |
| Douglas O. Hart | .... | editorial department | |
| Howard Lavick | .... | editorial consultant | |
| Ray Morfino | .... | color timer | |
Other crew | |||
| Frank Buckner | .... | assistant to director | |
| Mark Gimbrere | .... | production assistant | |
| Linda Kwan | .... | script supervisor | |
| Margaret Stevens | .... | production coordinator | |
| Tracy Young | .... | caterer | |
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| Party Monster | Shock Corridor | Sling Blade | Freeway | Hush |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb USA section |
Pretty much everything has been said by previous reviewers here. It is probably pertinent to add that but for the success of this little independent number, the full length SLING BLADE most probably would never have gotten made three years later.
Obviously a labor of love for creator Billy Bob Thornton. He presents a markedly different Karl Childers here. As retardedly backward but infinitely more menacing. It was probably on reflection that the character was made more "marketable" and sympathetic the second time around. Both films are such an absorbing focus on what is essentially a simple man turned (by dint of social expectation) feral by circumstances totally outside his control. The villain of the piece of course was Karl's father, played in a marvellous one-off cameo by Robert Duvall in the feature-length film.
In SOME FOLKS CALL IT A SLING BLADE, the reporter is played by Molly Ringwald. Many seem not to have approved of her interpretation of the part, preferring the cutesy high-school reporter in the 1996 release. I thought she handled it well, after all she was dealing with a quite different "Karl Childers.'
Either way, this makes for a fascinating back-up to SLING BLADE. If anything, it adds to one's understanding of the man himself.