Micky is a tough, loudmouth but lovable 12 year old who lives with his younger brother and sister at his grandmother's house. One day, a meteorite lands in his backyard and the kids believe... See full summary »
Charlie, a poet, hasn't had much luck with women, but then he meets Harriet, the girl of his dreams.. or is it his nightmares. Charlie begins to suspect that Harriet is Ms X, a woman who marries then kills her husbands. Written by
Nancy Travis was drawn to her character's "qualities of danger and compassion mixed with humour [which] make her an intriguing character". See more »
When Charlie is offered the "health shake" and retreats into the closet, a man wearing a red ball cap can be seen crouching in the lower left hand corner of the screen. See more »
Excuse me, miss? There seems to be a mistake. I believe I ordered the *large* cappuccino. *Hello!* Look at the size of this thing.
It's practically a bowl.
It's like Campbell's Cup-O'-ccino!
[laughing at his Campbell's joke and wiping his tears]
Oh, My sides. Please. Aidez-moi.
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"So I Married an Axe Murderer" is a delightfully offbeat, inventive comedy I can see again and again, and laugh every time.
Mike Myers, in a dual role as the neurotic but romantic Charlie McKenzie and Charlie's cantankerous father, gives the best performance I've seen from him so far (I've yet to see the "Austin Powers" movies but I didn't especially care for "Wayne's World," maybe because I couldn't stand Dana Carvey or his character). Nancy Travis is quite good as Harriet, the seemingly perfect girlfriend who's got a secret. The supporting cast also does excellent work, especially Anthony LaPaglia as Charlie's policeman buddy Tony.
What makes this movie truly special isn't the principal story line -- the romance-mystery-suspense -- but the many wonderful bits of inspired lunacy/hilarity along the way. Among them: every scene involving the hero's cantankerous dad; Harriet's sister Rose persuading Charlie to stay for breakfast; Phil Hartman's cameo as a very intense tour guide at Alcatraz (this scene gets butchered when the movie is edited for TV, even non-premium cable; make sure you see the uncut version!); Charles Grodin as the surly driver of a vehicle commandeered by a cop; an episode involving a guy who works on the obituary page of a newspaper; the side-splitting scenes between Tony and his precinct captain (a very funny Alan Arkin). There are many such moments throughout the film, turning up in the most unexpected places. The dialogue is witty, and the humor is completely unpredictable and fresh.
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