An engineer in charge of the production line of a factory in Moscow is sent to a small town to try to specify the distributor the new dimensions of a mechanic part they need. But in this ... See full summary »
A music student is expeled from school because he loves jazz, a kind of music that represents the US capitalism. He hires two street musicians to form a dixie band, and goes from one city ... See full summary »
A former aristocrat Ippolit Vorobyaninov leads a miserable life in Soviet Russia. His mother-in-law reveals a secret to him - she hid family diamonds in one of the twelve chairs they once ... See full summary »
The 1975 film by Georgi Daneliya "Afonya" was an unexpected commercial hit in USSR. The main character Borshev A.N. is a locksmith who spends his free time, as well as working hours, ... See full summary »
Upon Prince Myshkin's return to St. Petersburg from an asylum in Switzerland, he becomes beguiled by the lovely young Aglaya, daughter of a wealthy father. But his deepest emotion is for ... See full summary »
Victor Sluzhkin signs on as a teacher of geography in a secondary school in his native Perm (in the Urals) and gets lost in a haze of hard vodka, desperate love for a nymphet-like student ... See full summary »
A young romantic loves step dance but there is only one person who knows this forgotten art. Beglov was a step dance super star back in 50s but as step became unpopular he lost everything. ... See full summary »
A dance troupe from the autonomous region of Abkhazia in western Georgia perform for Stalin, Lavrentiy Beria, Abkhaz leader Nestor Lakoba, and other high-ranking party officials in the Black Sea coastal town of Gagra.
delightfully absurd chronicle of 18th-c countess's misadventures in present-day Moscow
Time travel is often amusing and is at the core of Russia's most popular comedy "Ivan Vasilyevich Changes Profession"(1973). "Sny" or "Dreams" is masterful comedy director Karen Shakhnazarov's riff on the same theme. In "Sny", a beautiful countess finds herself in present day Moscow, which continually horrifies and astonishes her.
Amalia Mordvinova is gorgeous in the lead role.
As ever Shakhnazarov's adroit sense of the absurd delights. Unfortunately, some of the humour demands an understanding of the cultural context of modern and Soviet Russia -- but many American comedies are equally self-referential.
And frankly, Russian absurdity is a lot funnier than anything that Tarantino or his boorish friends and loutish imitators could ever dream up.
Occasionally production values disappoint -- signs of the times, 1993 wasn't a good year in Russia. Shakhnazarov's "Kurier" is perhaps a more accessible, more evenly brilliant film.
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