| Sabine Azéma | ... | Celia Teasdale / Sylvie Bell / Irene Pridworthy / Rowena Coombes / Josephine Hamilton | |
| Pierre Arditi | ... | Toby Teasdale / Miles Coombes / Lionel Hepplewick / Joe Hepplewick | |
| rest of cast listed alphabetically: | |||
| Peter Hudson | ... | Narrator | |
Directed by | |||
| Alain Resnais | |||
Writing credits(in alphabetical order) | ||
| Alan Ayckbourn | play "Intimate Exchanges" | |
| Jean-Pierre Bacri | writer | |
| Anne Dutter | translation | |
| Georges Dutter | translation | |
| Agnès Jaoui | writer | |
Produced by | |||
| Bruno Pésery | .... | executive producer | |
| Michel Seydoux | .... | associate producer | |
Original Music by | |||
| John Pattison | |||
Cinematography by | |||
| Renato Berta | |||
Film Editing by | |||
| Albert Jurgenson | |||
Production Design by | |||
| Jacques Saulnier | |||
Costume Design by | |||
| Jackie Budin | |||
Makeup Department | |||
| Jacky Reynal | .... | hair stylist (as Jackie Reynal) | |
| Jacky Reynal | .... | makeup artist (as Jackie Reynal) | |
| Patrick Villain | .... | hair stylist | |
| Patrick Villain | .... | makeup artist | |
Production Management | |||
| Pascal Ralite | .... | unit manager | |
| Dominique Toussaint | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Daniel Deleforges | .... | assistant director | |
| Bruno Resnais | .... | second assistant director | |
| Olivier Trémolet | .... | assistant director | |
Art Department | |||
| Roger Conil | .... | chief set construction | |
| Marc Pinquier | .... | prop man | |
Sound Department | |||
| Bernard Bats | .... | sound | |
| Pierre-Yves Bruneel | .... | sound assistant | |
| Gérard Lamps | .... | sound re-recording mixer | |
Special Effects by | |||
| Philippe Hubin | .... | special effects | |
Visual Effects by | |||
| Frederic Moreau | .... | optical effects supervisor | |
Costume and Wardrobe Department | |||
| Marie-Christine Budelberger | .... | seamstress | |
| Ann Dunsford | .... | wardrobe mistress (as Anne Varenne) | |
Editorial Department | |||
| Jean-Pierre Bernard | .... | associate editor | |
| Hélène Sicard | .... | associate editor | |
Music Department | |||
| Paul Baleman | .... | musical director | |
| Paul Baleman | .... | orchestrator | |
Other crew | |||
| Sylvette Baudrot | .... | script supervisor | |
| Marine Delattre | .... | production assistant | |
| Floc'h | .... | drawing | |
| Christophe Lebreton | .... | production administrator | |
| Françoise Marion | .... | production secretary | |
| Béatrice Mauduit | .... | production assistant | |
| Jacques Quinternet | .... | location unit manager | |
| Anne Serrié | .... | production administrator | |
Thanks | |||
| Laurence Picollec | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Anyone who have seen this movie? | Stereolith |
| DVD release in Germany? | wallander78 |
|
|
|
|
|
| Same Old Song | Les liaisons dangereuses | Look at Me | For Ever Mozart | 8 Women |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
Though I don't like Alain Resnais' films (boooooring!), this(these) one(s) is(are) quite (an) exception(s)...The reasons are: the ever witty actors (Popular Sabine Azema and Pierre Arditi), the talented writers (Jean-Pierre Bacri and wife Agnes Jaoui)-very good actors too in other films-, the realistic sets (all shot in studio but with done-on-purpose "studio-like", strange and beautiful), the atmosphere and dialogs (sooo British and likable to my opinion). Though the plot is not that much important (stories and destinies of different characters in a small English village), the interesting points are: 2 separate movies with the same beginning until Sabine Azema (Mrs Tinsdale)decides to smoke a cig' (1st movie) or not (2nd movie), actually just a bait that will change the destinies of the characters though. In both movies you have a wonderful tour de force from start to end, as the 2 actors (only 2 all the time!) play ALL the characters in different disguises (more than 10)going in and out of the screen alternatively without any flaw. I never got bored, the acting is always good and keeping.
I wonder how English-speaking audiences appreciated this unusual French actor's challenge "a la britannic" (hope the 2 movies were just subtitled and not dubbed or you miss everything) and am curious to read further comments from them here in the future.