IMDb > Smoking/No Smoking (1993)

Smoking/No Smoking (1993) More at IMDbPro »


Overview

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7.4/10   1,182 votes »
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Director:
Writers:
Contact:
View company contact information for Smoking/No Smoking on IMDbPro.
Release Date:
15 December 1993 (France) See more »
Genre:
Plot:
Awards:
11 wins & 7 nominations See more »
User Reviews:
the best Resnais See more (8 total) »

Cast

  (in credits order) (verified as complete)

Sabine Azéma ... Celia Teasdale / Sylvie Bell / Irene Pridworthy / Rowena Coombes / Josephine Hamilton

Pierre Arditi ... Toby Teasdale / Miles Coombes / Lionel Hepplewick / Joe Hepplewick
rest of cast listed alphabetically:

Peter Hudson ... Narrator

Directed by
Alain Resnais 
 
Writing credits
(in alphabetical order)
Alan Ayckbourn  play "Intimate Exchanges"
Jean-Pierre Bacri  writer
Anne Dutter  translation
Georges Dutter  translation
Agnès Jaoui  writer

Produced by
Bruno Pésery .... executive producer
Michel Seydoux .... associate producer
 
Original Music by
John Pattison 
 
Cinematography by
Renato Berta 
 
Film Editing by
Albert Jurgenson 
 
Production Design by
Jacques Saulnier 
 
Costume Design by
Jackie Budin 
 
Makeup Department
Jacky Reynal .... hair stylist (as Jackie Reynal)
Jacky Reynal .... makeup artist (as Jackie Reynal)
Patrick Villain .... hair stylist
Patrick Villain .... makeup artist
 
Production Management
Pascal Ralite .... unit manager
Dominique Toussaint .... production manager
 
Second Unit Director or Assistant Director
Daniel Deleforges .... assistant director
Bruno Resnais .... second assistant director
Olivier Trémolet .... assistant director
 
Art Department
Roger Conil .... chief set construction
Marc Pinquier .... prop man
 
Sound Department
Bernard Bats .... sound
Pierre-Yves Bruneel .... sound assistant
Gérard Lamps .... sound re-recording mixer
 
Special Effects by
Philippe Hubin .... special effects
 
Visual Effects by
Frederic Moreau .... optical effects supervisor
 
Camera and Electrical Department
André Bouladoux .... key grip
Jeanne Delaporte .... still photographer
Eric Finoelst .... electrician
Franck Fiquet .... electrician
Eric Gies .... electrician
Jean-Pierre Lacroix .... gaffer
Alexandre Monnier .... second assistant camera
Jean-Paul Toraille .... assistant camera
 
Costume and Wardrobe Department
Marie-Christine Budelberger .... seamstress
Ann Dunsford .... wardrobe mistress (as Anne Varenne)
 
Editorial Department
Jean-Pierre Bernard .... associate editor
Hélène Sicard .... associate editor
 
Music Department
Paul Baleman .... musical director
Paul Baleman .... orchestrator
 
Other crew
Sylvette Baudrot .... script supervisor
Marine Delattre .... production assistant
Floc'h .... drawing
Christophe Lebreton .... production administrator
Françoise Marion .... production secretary
Béatrice Mauduit .... production assistant
Jacques Quinternet .... location unit manager
Anne Serrié .... production administrator
 
Thanks
Laurence Picollec .... special thanks
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
298 min (2 parts)
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Trivia:
The two stars of these films also starred in the film version of Alan Ayckbourn's Private Fears in Public Places (2006), also directed by Alain Resnais. Resnais and Sabine Azéma are husband and wife.See more »

FAQ

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12 out of 17 people found the following review useful.
the best Resnais, 21 December 2004
Author: Emiliano Dante from Italy

This is one of the most intelligent and elegant movies ever made. And, still, it's funny and somehow happy. Of course, if you don't like minimalism and a playful conception, you will not love it. But you have to see it. Growing old, Alain Resnais becomes younger and fresher. It's far younger than all the Tarantinos. He's more free. Free from the author's giant ego, free from the film-industry mechanics, free from the boredom of 90% of "high" french movies, free from the film-language, free from everything but its own structure. Great actors, great conception. The only limit is that it's too new and too theatrical for the normal viewer. It requires a watcher with the same kind of freedom. Sorry for my broken English. However, You have to see it, really.

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