7.6/10
1,433
10 user 9 critic

Smoking/No Smoking (1993)

In Yorkshire, Toby Teasdale is the alcoholic director of a school and married with two children with Celia Teasdale that is very unhappy. They have a maid, Sylvie Bell, and a guardian and ... See full summary »

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11 wins & 7 nominations. See more awards »
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Cast

Complete credited cast:
...
Celia Teasdale / Sylvie Bell / Irene Pridworthy / Rowena Coombes / Josephine Hamilton
...
Toby Teasdale / Miles Coombes / Lionel Hepplewick / Joe Hepplewick
Rest of cast listed alphabetically:
...
Narrator
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Storyline

In Yorkshire, Toby Teasdale is the alcoholic director of a school and married with two children with Celia Teasdale that is very unhappy. They have a maid, Sylvie Bell, and a guardian and handyman, Lionel Hepplewick, at school. Toby's best friend is Miles Coombes, who is married with three children with the easy Rowena Coombes. Along the years, simple attitudes might have changed their lives. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Genres:

Comedy

Certificate:

See all certifications »
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Details

Country:

| |

Language:

Release Date:

15 December 1993 (France)  »

Also Known As:

Fumar/Não Fumar  »

Box Office

Gross:

$57,033 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(2 parts)

Sound Mix:

|

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

There are actually 8 versions of the play "Intimate Exchanges", but the director cut two of the possible outcomes in order to streamline the process. Also, the material in them was thought to be 'too British' for easy translation. See more »

Connections

Featured in Empreintes: Pierre Arditi, un acteur au présent (2012) See more »

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User Reviews

anything goes... depending on who says what
5 July 2004 | by (London, England) – See all my reviews

These two gems have are an experimental, laid-back affair: instead of upping the ante visually, they have chosen to embark the viewer into a labyrinth of a plot, peppered with unforgettable dialogues served by nine characters, all played by two actors. Add to this the fact that this is also meant to be an anthropological view of that most bizarre people -the rural British- and you have a pair of truly unique and endearing movies, cinematic twins if you will.

Smoking and No Smoking end up being a double-treat: one of the most mordantly funny British comedy in years and possibly the best French films of their decade. The fact that Ayckbourn's spirit still flows with manic glee, filtered by Jaoui and Bacri's masterful adaptation, is a sizable feat when you know that French and British humors are generally deemed totally incompatible.

But despite the great texts, the unique sets (intentionally "theatrical"), the perfect, low-key costumes and the impeccable direction and editing, the real showstoppers are Sabine Azema and Pierre Arditi's with their multiple performances. Each and every one of their characters is played memorably, making for far more than an extended acting stunt on their part: you actually feel for and connect with each and every one of their incarnations, forgetting completely that they are played by the same actors, you are drawn into their characters' sometime painful, sometime painfully funny dilemmas (which all get resolved since all the possibilities are shown).

This is a UFO to me: a hilarious, touching comedy with absolutely no flaws (even though some have said the running times were a little self-indulging), an experimental film that "works" and never feels forced, a triumph of acting... I suppose some will find it overbearing, but actors, directors and screenwriters alike should make this one of their necessary (albeit hard-to-come-by) viewings because if you're caught by the magic on screen, you won't be turning back. Although the films can be seen in any order, i would recommend you start with No Smoking as it offers a more supple introduction to the films' "method" and characters and also because Smoking is probably the better of the two and thus, you've got a dramatic crescendo going for yourself.

For people who don't necessarily like French cinema or who don't understand the British: watch these,they're the kind of movie miracles that belong to everyone. They are that great.


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