Carly Norris is a book editor living in New York City who moves into the Sliver apartment building. In the apartment building, Carly meets two of her new neighbors, author Jack Lansford who...
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Novelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Michael Glass to evaluate her. Though, like Detective Nick Curran before him, Glass is entranced by Tramell and lured into a seductive game.
Upon taking a new job, young lawyer Rick Hayes is assigned to the clemency case of Cindy Liggett, a woman convicted of first degree murder and sentenced to death. As Hayes investigates the ... See full summary »
Carly Norris is a book editor living in New York City who moves into the Sliver apartment building. In the apartment building, Carly meets two of her new neighbors, author Jack Lansford who writes thriller novels and Zeke Hawkins, the handsome owner of the apartment building. Carly finds that some of the women living in the apartment building have been murdered and the police suspect that there is a serial killer in the apartment building. Carly has a passionate and seductive love affair with Zeke, unaware Zeke has secretly wired the apartment building with hidden cameras and he has been watching the lives of each tenant living in the apartment building including Carly. Carly begins to suspect Zeke or Jack may be the serial killer responsible for the murders in the apartment building and she may be the killer's next victim. Written by
Ira Levin was reluctant to sell the rights to his book. He had only been pleased with the movie adaptation of Rosemary's Baby (1968) out of all the attempts to film his novels. When producer Robert Evans, who had produced Rosemary's Baby, got wind of this, he sent Levin a copy of Roman Polanski's autobiography, with all the mentions of Evans' salvaging the film highlighted. The ploy worked and Levin sold the rights to Evans for $250,000. See more »
When crossing the street, a cab stops, honks, and driver says "why are you walking here?" as a nod to "Midnight Cowboy." See more »
"Sliver" was not nearly as bad as most reviewers have suggested, in my opinion. It may be true that Joe Eszterhas rehashes his basic formula one more time here - "Is the person with whom the hero/heroine gets sexually involved a murdered or an innocent victim, framed by someone else?" - but it's a formula that works, that grabs your attention instinctively. The plot is flimsy, yet inherently interesting. Maybe this thriller would've been tighter if the gratuitously protracted (and not very erotic) sex scenes had been trimmed down in length, but Baldwin is magnetic in his role and Sharon Stone, great to look at as always, also gives a decent performance; they both overshadow Tom Berenger who doesn't make even the slightest impression. (**)
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