Carly Norris is a book editor living in New York City who moves into the Sliver apartment building. In the apartment building, Carly meets two of her new neighbors, author Jack Lansford who...
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Novelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Michael Glass to evaluate her. Though, like Detective Nick Curran before him, Glass is entranced by Tramell and lured into a seductive game.
Carly Norris is a book editor living in New York City who moves into the Sliver apartment building. In the apartment building, Carly meets two of her new neighbors, author Jack Lansford who writes thriller novels and Zeke Hawkins, the handsome owner of the apartment building. Carly finds that some of the women living in the apartment building have been murdered and the police suspect that there is a serial killer in the apartment building. Carly has a passionate and seductive love affair with Zeke, unaware Zeke has secretly wired the apartment building with hidden cameras and he has been watching the lives of each tenant living in the apartment building including Carly. Carly begins to suspect Zeke or Jack may be the serial killer responsible for the murders in the apartment building and she may be the killer's next victim. Written by
Joe Eszterhas's original ending was incomprehensible to test audiences and an alternate ending had to be quickly devised and shot. Eszterhas cracked out five different endings in three days. See more »
When Gus and Carly are at the grocery store, Gus doesn't pay for his item. See more »
Sharon Stone is convincingly vulnerable in otherwise silly film
A New York City apartment complex is beset with strange deaths and cameras everywhere; new tenant Sharon Stone is dating the mysterious owner, but could he be the killer? Based on a flimsy novel by Ira Levin (who was slumming, but that's a different story), this unappealing film wants to be both sexy crime-thriller and murder-mystery, but it is such a mess from a writer's standpoint that, in the end, all you have left are the performances, which aren't dynamic enough to carry the thing. Sharon Stone is low-keyed, perhaps a bit self-conscious, yet this works for her tentative character. Too bad the filmmakers were so concerned with exposing the killer that they lost track of this woman and her plight. Drop all the mystery, and you might have a decent character study. *1/2 from ****
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