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I won't lie to you-this movie is a CHICK FLICK! Though I never saw it with a guy, it is definitely a chick flick. That said, it's a high-end chick flick, which probably a few guys might enjoy, unless they happen to be the exploding helicopter type^^; This movie feels more like a modern day adaptation of the classic romance "An Affair To Remember," and it keeps referencing it too (In fact, the Cary Grant classic is very integral to the plot). Tom Hanks and Meg Ryan have great chemistry together, and they both do what they're good at-Tom Hanks portraying the Everyman, and Meg Ryan being cute and innocent. I have to disagree with an earlier comment that this film is unfair to guys-the way the characters are portrayed, I'd have to say that in the reverse situation, I'd still feel the same way. Meg Ryan does not have the "evil woman" syndrome that popped up in later 90's chick flicks (The most notorious of which was "My Best Friend's Wedding"). She is very believable and actually does care about the feelings of her fiance. What I particularly liked is that the fiance was not portrayed as someone who Meg would do well to leave. Most movies fall into this trap-Someone is about to marry someone who is horrible and find that someone else is better, the viewer supposedly not feeling bad because the fiance was a jerk anyway. Tom Hanks really shines here as someone who has lost the most important person in his life and is trying to rebuild again. He always has a knack for easily slipping into the roles he's given and making them really convincing. He does not fail here-you feel for him especially during the sequences where he starts remembering his late wife. The movie's plot starts to stretch plausibility at the end, but not to the point where it destroys the entire film. The ending scene in particular is handled very carefully. You could have had a big, romantic, tear-jerking moment. Instead, the movie takes a more simplistic approach, and it succeeds-it feels much more natural than the alternative. Overall, if you're in for a feel good romance, you should see this. If you happen to be female, this is DEFINITELY worth watching.
Regardless of how cyberspace has seemingly diminished it's size, the world
is still an awfully big place, and it's impossible for any one person to
occupy more than a minuscule portion of it at any given time. So it's
imperative that individuals find that special niche for themselves, that
little piece of the world that becomes their own, where they can live and
love and engage in the pursuit of happiness. And once that `perfect' world
is created, it's devastating when something upsets the balance, as in the
case of this film, the death of a spouse. When the love of a lifetime is
abruptly taken away, how does one recover? Can one recover? How do you go
on when your heart has been removed? All valid questions that are explored
and addressed in Nora Ephron's touching and romantic `Sleepless In Seattle,'
starring Meg Ryan and Tom Hanks. The film begins on a somber note, with the
funeral of Maggie Baldwin (Carey Lowell), respectively the wife and mother
of Sam Baldwin (Hanks) and his son, Jonah (Ross Malinger). Maggie was the
love of Sam's life, and inconsolable after her passing, he decides the best
thing for himself and his son is to move to another city and try for a fresh
start. So they head west as far as possible, to Seattle, where Sam remains
unable to emerge from the funk of his loss.
Christmas and New Year's is especially tough on Sam and Jonah, and around
this time Jonah happens to tune into a late night talk show featuring Dr.
Marcia Fieldstone (Caroline Aaron), whose job is to help her listeners with
their problems. Jonah calls her and tells their story, then takes the phone
to his dad in the next room, and in deference to his son, Sam consents to
talk about his situation on National radio. In the Baltimore area, writer
Annie Reed (Ryan) is listening, and touched by the sincerity in Sam's voice,
she cajoles an assignment that subsequently takes her to Seattle, where she
attempts to hook up with Sam, a man she knows only as a needful, disembodied
voice from the radio.
So begins a romantic odyssey that probably could only happen in the movies, but it makes no difference because in Ephron's capable hands, this story works, and it works beautifully. There's a line in the movie, in fact, that kind of sums it all up: Becky (played by Rosie O'Donnell) says something to the effect to Annie that, `You don't want love, you want `movie' love. And maybe that's why this movie is so endearing and enduring; it's about the kind of love you find in a perfect world, the kind of love everybody wants and needs (though few will admit it, even to themselves) but rarely finds, and Ephron knows exactly how to make it connect with her audience. It has to do with understanding basic human needs and knowing how to translate it all into a cinematic art form that will effectively reach those who see it. And Nora Ephron does it as well-- or possibly better-- than any director before or since, and as she proved later with `You've Got Mail,' this film was no fluke; she knows her stuff, and she knows how to deliver it. It's intentionally and shamelessly sentimental, but rather than maudlin, Ephron hits just the right emotional tone, and it's perfect, from the romance to the humor she injects at just the right moment to offset the drama, to the music-- using just the right song at just the right time-- that does so much to enhance the story.
Having a great cast, of course, certainly helped her in her endeavor, beginning with Tom Hanks who, with his portrayal of Sam, demonstrates once again what a consummate actor he is. Few actors can step into any given genre of film and create a character that is so complete and believable every time out the way Hanks can. Some of his characters may share some traits and have similarities, but he manages to make each one unique, which is quite a feat. When you can watch Hanks and forget that you're watching `Hanks,' you know he's accomplished something. As an actor he is remarkably giving, and so undaunted when it comes to using and exposing what he has inside. And his ability to circumvent any natural inhibitions makes him great at what he does, and it's what makes a character like Sam so memorable.
Meg Ryan, as well, is an accomplished actor who can play drama as well as comedy (check out her performance in `When A Man Loves A Woman'), but she really sparkles in romantic comedies like this one, and she is absolutely perfect for the role of Annie (just as she was for her role in `You've Got Mail'). She makes Annie a very real person, and through her we can empathize with Sam's situation, as she enables and allows the audience to experience what she is feeling right along with her. Ryan, through her character, makes that emotional involvement possible, and it's one of the strengths of the film. And like Hanks with Sam, Ryan makes Annie a character you're going to remember.
The exemplary supporting cast includes Bill Pullman (Walter), Rita Wilson (Suzy), Victor Gerber (Greg), Tom Riis Farrell (Rob), David Hyde Pierce (Dennis), Dana Ivey (Claire), Gaby Hoffman (Jessica) and Rob Reiner (Jay). Essentially a poignant and heart-felt treatise by Nora Ephron on life and love, `Sleepless In Seattle' is a film that offers a multitude of rewards if you are simply willing to reach out and open yourself up to it. All you have to do is let it in. Do it, and you'll be glad you did, guaranteed. It's the magic of the movies. I rate this one 10/10.
Annie Reed (Meg Ryan) hears, on a late night talk show, about a young
boy Jonah Baldwin (Ross Malinger) and his dad Sam (Tom Hanks) missing
their dead mother/spouse. Immediately Annie feels a connection with Sam
thinking he might be her soul mate. Problem is she's engaged to Walter
(Bill Pullman). Should she track down Sam and see...or stay with sweet,
dependable, dull, safe Walter? What do you think?
The plot is ridiculous but damned if it doesn't work! The film is chock full of sweet, romantic songs and images. It all leads up to an admittedly howler of an ending on top of the Empire State Building--it was so over the top that, while they were shooting it, director Nora Ephron was muttering under her breath "Can we get away with this?"! Well...they did! I've got to admit I actually was getting a little misty-eyed at that point. You really don't realize how silly the movie is while watching it. The actors and the sweet, romantic tone of the film really pull you in.
Hanks and Ryan were perfectly cast as the leads. They're both very good actors and excellent comedians. Unfortunately, this movie was such a huge hit that Ryan was type cast as a sweet, romantic woman. She's only now getting rid of that image. Pullman is bad in his role but it is NOT his fault. He doesn't have anything to work with--his character isn't even given a last name! He's just there as a plot contrivance. Rosie O'Donnell, however, provides excellent support as Ryans' boss. Also Rob Reiner, Rita Wilson (Hanks' real life wife) and Victor Garber shine in small roles. Also Malinger is very good as Hanks' son. The only thing that bothered me was the constant references to the old Hollywood weepie "An Affair to Remember". I HATE that film! If you hate romantic comedies avoid this at all costs. But if you're a romantic, like me, you'll love it! A definite 10!
Two great bits (among many):
An exchange between Hanks and a date on Hanks' son (who's being obnoxious): "He's only 8." "He's very good at it."
And a hysterical discussion between Hanks, Wilson and Garber about "Affair..." and "The Dirty Dozen"!
*** This review may contain spoilers ***
Another lovely film from Nora Ephron in the tradition of "Love Affair" and "An Affair to Remember," with Hanks and Ryan, charming as ever, playing two people who fall in love, even though they don't meet until the final scene of the film. And what a wonderful scene it is! Romantic fantasy, yes...but an excellent film regardless.
*** This review may contain spoilers ***
I see a lot of comments about romance... so a woman falls in love with
someone she heard on the radio saying he missed his dead wife and
decides to stalk him. And he sees her and she finds her pretty. That's
I mean don't get me wrong, I liked how the movie started, but Annie doesn't prove herself in any way. she has a fiancée that loves her and who has some unconvincing quirks that make him the one that must be dumped. i mean the guy does nothing wrong. Annie gets the idea that the guy isn't good for her indirectly from her mother... and what does she do ? She decides to break up and go meet a guy on a roof. and the fiancée accepts like a good little puppet, because if there were any heartbreak from his part, the movie would have went down the tube. the movie is hanging on only a thread of optimism.
Of course, us, the viewers know that Sam isn't a bad guy and that he deserves a decent relationship. Sam is sane, tries a normal way to see if he can have a relationship. I like him. But if you cut out all of his scenes Annie just seems kinda nuts. You can't see her relationship falling apart. She just falls for Sam. And that stupid movie every woman in the movie is crying about... so what ? Because somehow they finally met in a similar manner makes it lovely ? Not really, no.
A movie for romantics? Sure. Just to remember that your girlfriend who seems very much in love with you will dump your carefree, no complicated past, caring, compassionate self for a guy with emotional baggage, with a kid, who she only met. But he has a nicer name than you.
The acting didn't impress me. I actually had hopes for this movie. Shame. It gets a one because if it's a romantic movie it's crap.
The movies are full of alternate universes and maybes that make them a great escape. Sleepless In Seattle is a great romantic comedy. Tom Hanks and Meg Ryan star in a movie where they are hardly onscreen together and yet we feel both of their characters infatuation. It's an amazing job that director Nora Ephron does in making us care about the relationship between these two characters when their not hardly together onscreen. The movie also has great performances, from the leads and from supporting players Rosie O'Donnell and Rob Reiner, as well as a very goofy but sweet turn from Bill Pullman. This movie will make you feel good.
This is a movie with characters and performances which are appealing,
and it is an old-fashioned, feel-good love story. The film also has a
bit of sadness in its early part, thankfully not overdone. The five
lead characters and the performances by their actors (Hanks, Ryan,
Malinger, Pullman and O'Donnell) are all engaging.
The primary members of the support cast are also excellent (David Pierce, Annie's brother; Garber and Wilson as Sam's brother-in-law and sister; Reiner as his colleague/friend; young Gaby Hoffman; and Barbara Garrick as Sam's brief girlfriend).
The story, juxtaposed with the classic Grant/Kerr predecessor, could have provided an excessive gimmick, but here it worked well. And I was grateful for some things I didn't find in this flick. Although I watched the program like everyone else, I found Rob Reiner's character, acting and presence in "All in the Family" to be obnoxious and annoying, ALL THE TIME, and watched the program in spite of his presence. And I have found Rosie O'Donnell's presence to be the epitomé of ANNOYING in every respect, every time I've observed her, previously. But in this film, I enjoyed both of their performances completely. Children in movies can also be an irritating presence, but Malinger and Hoffman were delightful as son Jonah, and his little neighbor/friend. Barbara Garrick, with a supporting role here (as in "The Firm") is an appealing actress, for whom one would wish more prominent roles.
Tom Hanks is one of the foremost actors of our time, but even he can go a smidgen too far in a characterization (I thought he did so in both "Forrest Gump" and "Philadelphia"). But he certainly didn't here. Watch, enjoy, and feel good.
like this one, a 10 is all you can do. Tom is great, Meg the woman plays the woman's role like nobody else could have.....If I get tears in a movie, the movie is a m o v i e ........touching. Thank you folks who did it, the folks who wrote this wonderful story. Am I sentimental? Yess. And it feels good. Each turn of the story makes you wish, hope, and finally no violence in a movie. What a relief. If you watch this movie around x-mas, you probable get more sentimental than in a hot summer night, I don't no. It took me 12 years to get to see this movie. Heard so much and everything I heard was an understatement. Thank you Tom and Meg and specially Ross, love you.
After his wife's funeral, Sam (Tom Hanks), an architect, moves from Chicago
to Seattle with his son, Johna (Ross Malinger) so he can stay away from all
those things that remind him of his beloved wife, which he just can't bear
In Baltimore, Annie (Meg Ryan), a newspaper journalist, is engaged to Walter (Bill Pullman) and is looking forward to getting married. But when Annie's mother talks about the 'magic' that she instantly feels when Annie's father holds her hand, Annie cannot comprehend the meaning. One evening, Annie hears Johna on a national radio show, saying his dad is lonely and sad, still cannot forget his late wife and Johna thinks his dad needs a new wife to make him happy. Thousands of women across the country write to Sam, among them is Annie. Her letter in the rubbish bin is sent out by her good friend Becky (Rosie O'Donnell).
So Annie travels all the way to Seattle in hope to meet Sam, but it doesn't work out fine. However, when Johna reads the letter from Annie, he knows she's the right one and he replies on his father's behalf for meeting each other on the roof of the Empire State Building...
This is a refreshing, quite light-hearted story. It's slow but I'm sure many people would like it. It's funny that, when Sam first sees Annie, he somehow feels that he has met her before...rather funny, isn't it? Tom Hanks and Meg Ryan are great on the screen together and the flick is perfect for relaxing. With a delightful soundtrack.
I wonder if anyone else got tired of watching young kids portrayed on
screen as smarter than adults? Frankly, I got sick of it watching
thousands of movies in the '90s. This movie had a prime example of that
idiotic thinking. Note: an obnoxious young kid who talks and acts like
he knows more than his father is NOT cute. It's stupid; it's annoying
and it's wrong and it's another anti-family message that Hollywood
loved to promote during this era. The message: don't respect your
parents. You know more than them. Stephen Spielberg was a big proponent
of this kind of thinking in many of his early films.
Combine that with the always-annoying Meg Ryan, who has yet to make a good movie, and you have an extremely overrated film in "Sleepless In Seattle. I was not shocked to find out Nora Ephron was a big contributor to this movie, directing it and helping to write the screenplay. This is the same ultra-liberal/secular writer who followed up this film with garbage like "Mixed Nuts," "Michael" and "You've Got Mail."
The characters in this film, beginning with Ryan's "Annie Reed," are simply too unrealistic. Also, it's not recommended you fall in love with someone just by hearing their voice. It might help to get to know the person, in person, for quite some time before making a commitment. No wonder people in Hollywood over the ages can't get marriage right!
Overall, a truly sappy movie filled with stupid messages and ridiculously overrated. It's junk.
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