| Photos (See all 72 | slideshow) | Videos (see all 4) |
| Tom Hanks | ... | Sam Baldwin | |
| Ross Malinger | ... | Jonah Baldwin | |
| Rita Wilson | ... | Suzy | |
| Victor Garber | ... | Greg | |
| Tom Riis Farrell | ... | Rob | |
| Carey Lowell | ... | Maggie Baldwin | |
| Meg Ryan | ... | Annie Reed | |
| Bill Pullman | ... | Walter | |
| Le Clanché du Rand | ... | Barbara Reed | |
| Kevin O'Morrison | ... | Cliff Reed | |
| David Hyde Pierce | ... | Dennis Reed | |
| Valerie Wright | ... | Betsy Reed | |
| Frances Conroy | ... | Irene Reed | |
| Tom Tammi | ... | Harold Reed | |
| Calvin Trillin | ... | Uncle Milton | |
| Caroline Aaron | ... | Dr. Marcia Fieldstone | |
| Linda Wallem | ... | Loretta | |
| LaTanya Richardson | ... | Harriet | |
| Rosie O'Donnell | ... | Becky | |
| Tom McGowan | ... | Keith | |
| Steve Mellor | ... | Wyatt (as Stephen Mellor) | |
| Marguerite Schertle | ... | Baltimore Waitress | |
| Dana Ivey | ... | Claire | |
| Brian McConnachie | ... | Bob | |
| Rob Reiner | ... | Jay | |
| Gaby Hoffmann | ... | Jessica | |
| Matt Smith | ... | Mailman | |
| Amanda Maher | ... | Clarise | |
| Barbara Garrick | ... | Victoria | |
| Victor Morris | ... | Seattle Maitre D' | |
| Philip Mihalski | ... | Seattle Waiter | |
| Donald J. Lee Jr. | ... | Seattle Detective | |
| Mary A. Kelly | ... | Nervous Woman on Airplane | |
| Diane Sokolow | ... | Tiffany Saleswoman | |
| Hannah Cox | ... | Jessica's Mother | |
| Rich Hawkins | ... | Jessica's Father | |
| Tamara Plank | ... | Stewardess (as Tamera Plank) | |
| Michael Badalucco | ... | New York Taxi Dispatcher (as Mike Badalucco) | |
| Jeff Mazzola | ... | New York Taxi Dispatcher | |
| Philip Levy | ... | Taxi Driver | |
| Julie Janney | ... | Cynthia | |
| Tony Zazula | ... | Maitre D' | |
| John Boylan | ... | Elevator Man | |
| Robert Livingston | ... | Elevator Man | |
| Butch Stevenson | ... | Valet | |
| Sidney Armus | ... | Information Booth Man | |
| rest of cast listed alphabetically: | |||
| Philip Anagnos | ... | Car Driver (uncredited) | |
| Jason Bortz | ... | Baltimore Mail Clerk (uncredited) | |
| Chris Byrne | ... | (uncredited) | |
| Scott Duthie | ... | Tourist (uncredited) | |
| Robert Minkoff | ... | Bit (uncredited) | |
| Nick Taylor | ... | Bartender (uncredited) | |
Directed by | |||
| Nora Ephron | |||
Writing credits(WGA) | ||
| Jeff Arch | (story) | |
| Nora Ephron | (screenplay) and | |
| David S. Ward | (screenplay) and | |
| Jeff Arch | (screenplay) | |
Original Music by | |||
| Marc Shaiman | |||
Cinematography by | |||
| Sven Nykvist | (director of photography) | ||
Film Editing by | |||
| Robert M. Reitano | (as Robert Reitano) | ||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Jeffrey Townsend | |||
Set Decoration by | |||
| Clay A. Griffith | (as Clay Griffith) | ||
Costume Design by | |||
| Judy L. Ruskin | (as Judy Ruskin) | ||
Makeup Department | |||
| Colleen Callaghan | .... | key hair stylist | |
| Leonard Engelman | .... | makeup artist: Meg Ryan | |
| Sharon Ilson | .... | key makeup artist | |
Production Management | |||
| Patrick Crowley | .... | unit production manager | |
| Paul A. Levin | .... | post-production supervisor | |
| Jane Raab | .... | production supervisor: New York | |
Second Unit Director or Assistant Director | |||
| Donald J. Lee Jr. | .... | second assistant director | |
| Maggie Murphy | .... | second second assistant director | |
| James W. Skotchdopole | .... | first assistant director | |
Sound Department | |||
| Bob Balzarini | .... | cable person: New York | |
| Louis Bertini | .... | sound editor | |
| Stan Bochner | .... | sound editor | |
| Kay Colvin | .... | cable person | |
| Lee Dichter | .... | sound re-recording mixer | |
| Dan Edelstein | .... | assistant sound editor | |
| Harriet Fidlow | .... | adr editor (as Harriet Fidlow Winn) | |
| Kirk Francis | .... | production sound mixer | |
| Larry Hoff | .... | stand-by sound: New York | |
| Kenton Jakub | .... | assistant adr editor | |
| Richard King | .... | assistant sound editor | |
| Michael Kirchberger | .... | supervising sound editor | |
| Dan Korintus | .... | sound editor | |
| Eytan Mirsky | .... | assistant sound editor | |
| James H. Nau | .... | assistant adr editor (as Jim Nau) | |
| Bitty O'Sullivan-Smith | .... | sound editor (as Bitty O'Sullivan Smith) | |
| Warren Shaw | .... | apprentice sound editor | |
| Mychal Smith | .... | boom operator | |
| Paul P. Soucek | .... | assistant sound editor (as Paul Soucek) | |
| Ira Spiegel | .... | sound editor | |
| David Wahnon | .... | assistant sound editor | |
| Ferenc Lukacs | .... | additional sound (uncredited) | |
| Tony Martinez | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Bob Riggs | .... | special effects coordinator (as Robert M. Riggs) | |
| Ray Brown | .... | special effects foreman (uncredited) | |
| Casey Pritchett | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Randall Balsmeyer | .... | visual effects producer | |
| Mimi Everett | .... | visual effects producer | |
| Rick Fichter | .... | visual effects supervisor: New York | |
| Daniel Leung | .... | digital artist (uncredited) | |
Stunts | |||
| Bruce Paul Barbour | .... | stunts (as Bruce Barbour) | |
| Dick Hancock | .... | stunts | |
| Barbara Anne Klein | .... | stunts (as Barbara Klein) | |
| Conrad E. Palmisano | .... | stunt coordinator (as Conrad Palmisano) | |
| Conrad E. Palmisano | .... | stunts (as Conrad Palmisano) | |
| Rick Seaman | .... | stunts | |
Animation Department | |||
| Kenneth Littleton | .... | animation director (uncredited) | |
| Lawrence Littleton | .... | animation director (uncredited) | |
Casting Department | |||
| Eve Battaglia | .... | casting assistant | |
| Amy Caton-Ford | .... | extras casting | |
| Judie Fixler | .... | extras casting: New York | |
| Aleen Keshishian | .... | casting assistant | |
| Laura Rosenthal | .... | casting associate | |
| Jodi Rothfield | .... | casting: Seattle | |
| Katie Ryan | .... | casting: Seattle | |
| Tina Kerr | .... | extras casting assistant (uncredited) | |
| Mark A. Ridge | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Kimberly Adams-Galligan | .... | assistant costume designer (as Kimberly Adams) | |
| Linda M. Boyland | .... | costumer: Baltimore (as Linda Boyland) | |
| Paul Drost | .... | costumer: New York | |
| Kaye Nottbusch | .... | costumer: Chicago | |
| Sally Roberts | .... | costumer | |
| Heidi Shulman | .... | key costumer | |
| Marienne O'Brien | .... | costumer (uncredited) | |
Editorial Department | |||
| James Brown | .... | post-production assistant | |
| Richard Friedlander | .... | first assistant editor | |
| Agnes Grandits | .... | second assistant film editor | |
| John Helde | .... | second assistant film editor | |
| Bob Kaiser | .... | color timer | |
| John Marston | .... | apprentice film editor | |
| Betsy Mcmullin | .... | apprentice film editor (as Elizabeth McMullin) | |
| Marcos Siega | .... | post-production assistant | |
| Lauren Waldron | .... | apprentice editor (uncredited) | |
Music Department | |||
| Nicholas Meyers | .... | music editor | |
| Nicholas Meyers | .... | music supervisor | |
| Jeffrey Pollack | .... | music consultant | |
| David Rogow | .... | assistant music editor | |
| Marc Shaiman | .... | music adaptor | |
| Marc Shaiman | .... | music supervisor | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| George Doering | .... | musician (uncredited) | |
| Dennis Dreith | .... | music arranger (uncredited) | |
| Mark McKenzie | .... | orchestrator (uncredited) | |
| Nick Vidar | .... | music programmer (uncredited) | |
Transportation Department | |||
| Robert T. Chestnut | .... | transportation captain (as Robert Chestnut) | |
| Calvin Chin | .... | transportation coordinator: Chicago | |
| Michael Luckeroth | .... | driver | |
| Dennis Milliken | .... | transportation coordinator | |
| Marshall Taylor | .... | transportation captain | |
| Foard J. Wilgis | .... | transportation coordinator: Baltimore (as Foard Wilgis) | |
| Charles E. Bauer | .... | driver (uncredited) | |
Thanks | |||
| Donna James | .... | special thanks | |
| Christine Lewis | .... | special thanks | |
| Gene Moore | .... | special thanks | |
| Jay Schlossberg-Cohen | .... | special thanks | |
|
|
|
|
|
| Broken Flowers | Love Actually | Kings & Queen | Giant | Definitely, Maybe |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I won't lie to you-this movie is a CHICK FLICK! Though I never saw it with a guy, it is definitely a chick flick. That said, it's a high-end chick flick, which probably a few guys might enjoy, unless they happen to be the exploding helicopter type^^; This movie feels more like a modern day adaptation of the classic romance "An Affair To Remember," and it keeps referencing it too (In fact, the Cary Grant classic is very integral to the plot). Tom Hanks and Meg Ryan have great chemistry together, and they both do what they're good at-Tom Hanks portraying the Everyman, and Meg Ryan being cute and innocent. I have to disagree with an earlier comment that this film is unfair to guys-the way the characters are portrayed, I'd have to say that in the reverse situation, I'd still feel the same way. Meg Ryan does not have the "evil woman" syndrome that popped up in later 90's chick flicks (The most notorious of which was "My Best Friend's Wedding"). She is very believable and actually does care about the feelings of her fiance. What I particularly liked is that the fiance was not portrayed as someone who Meg would do well to leave. Most movies fall into this trap-Someone is about to marry someone who is horrible and find that someone else is better, the viewer supposedly not feeling bad because the fiance was a jerk anyway. Tom Hanks really shines here as someone who has lost the most important person in his life and is trying to rebuild again. He always has a knack for easily slipping into the roles he's given and making them really convincing. He does not fail here-you feel for him especially during the sequences where he starts remembering his late wife. The movie's plot starts to stretch plausibility at the end, but not to the point where it destroys the entire film. The ending scene in particular is handled very carefully. You could have had a big, romantic, tear-jerking moment. Instead, the movie takes a more simplistic approach, and it succeeds-it feels much more natural than the alternative. Overall, if you're in for a feel good romance, you should see this. If you happen to be female, this is DEFINITELY worth watching.