Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time.... See full summary »
After his wife Maggie passes away, Sam Baldwin and his 8-year-old son Jonah relocate from Chicago to Seattle to escape the grief associated with Maggie's death. Eighteen months later Sam is still grieving and can't sleep. Although Jonah misses his mother, he wants his father to get a new wife despite Sam having not even contemplated dating again. On Christmas Eve, Sam (on Jonah's initiative) ends up pouring his heart out on a national radio talk show about his magical and perfect marriage to Maggie, and how much he still misses her. Among the many women who hear Sam's story and fall in love with him solely because of it is Annie Reed, a Baltimore-based newspaper writer. Annie's infatuation with Sam's story and by association Sam himself is despite being already engaged. But Annie's relationship with her straight-laced fiancé Walter is unlike her dream love life in the movie An Affair to Remember (1957). She even writes to Sam proposing they meet atop the Empire State Building on ... Written by
I wonder if anyone else got tired of watching young kids portrayed on screen as smarter than adults? Frankly, I got sick of it watching thousands of movies in the '90s. This movie had a prime example of that idiotic thinking. Note: an obnoxious young kid who talks and acts like he knows more than his father is NOT cute. It's stupid; it's annoying and it's wrong and it's another anti-family message that Hollywood loved to promote during this era. The message: don't respect your parents. You know more than them. Stephen Spielberg was a big proponent of this kind of thinking in many of his early films.
Combine that with the always-annoying Meg Ryan, who has yet to make a good movie, and you have an extremely overrated film in "Sleepless In Seattle. I was not shocked to find out Nora Ephron was a big contributor to this movie, directing it and helping to write the screenplay. This is the same ultra-liberal/secular writer who followed up this film with garbage like "Mixed Nuts," "Michael" and "You've Got Mail."
The characters in this film, beginning with Ryan's "Annie Reed," are simply too unrealistic. Also, it's not recommended you fall in love with someone just by hearing their voice. It might help to get to know the person, in person, for quite some time before making a commitment. No wonder people in Hollywood over the ages can't get marriage right!
Overall, a truly sappy movie filled with stupid messages and ridiculously overrated. It's junk.
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