A group of teen-age runaways try to survive in the streets of Los Angeles. Drugs, prostitution, violence and bureaucratic indifference all pose threats to the kids, who nevertheless prefer ... See full summary »
Laura San Giacomo
New Yorkers Ouisa and Flan Kittredge are upper class private art dealers, pretentious but compassionate. Their prized possession is a double sided Kandinsky, one side that represents control, the other side chaos. They relay a story to their friends and acquaintances that over time becomes legendary. It is their encounter with a young black man who they had never met or heard of but who comes stumbling upon their front door one evening as they are courting an important investor, Geoffrey Miller, who could make them wealthy beyond what they could have dreamed. That black man is Paul Poitier, who has just arrived in the city, was just mugged outside their building and is sporting a minor knife wound to the abdomen. He is a friend of the Kittredge's children, who are attending Harvard, but more importantly is the son of actor/director Sidney Poitier. Tomorrow, Paul is meeting up with his father who is in town directing a movie of "Cats". Beyond the attraction of talking Paul into getting... Written by
Paul's position when talking about the huskey statue changes between shots. See more »
Is anything gone?
How can I look, I'm shaking!
I want to know if anything's gone!
We could have been killed! Oh, my God! The Kandinsky!
It's gone, oh my God! Call the police!
Oh, no, there it is. Oh! The silver Victorian inkwell!
[...] See more »
Every once and awhile, seemingly always at the oddest of times, I finally sit down to watch one of those films that everyone's heard of, but no one has seen. And every once and awhile I find a film that stirs my passion for storytelling.
Six Degrees of Separation will most likely never be understood, as the themes and allusions are often colored and complex. Even this writer doesn't begin to fully understand everything Guare is trying to say. It is however, quite disappointing, that in all of the internet chatter Google may churn out, the themes of homosexuality are ignored as if they have absolutely no bearing on the story. They are as vital a part of the story as is Louisa's breakdown scene, and Flan's realization that he does actually love Paul.
So, when you're at the video store, bored with the drivel Hollywood pukes out these days, pick this film up. Pay close attention to the cracks that begin to form in the characters, and run your fingers along those cracks to the end, and you may find yourself caught up in a story with a star shaped meaning. But be careful, it is the type of story that may have you looking inside yourself and who you're connected to.
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