As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
New Yorkers Ouisa and Flan Kittredge are upper class private art dealers, pretentious but compassionate. Their prized possession is a double sided Kandinsky, one side that represents control, the other side chaos. They relay a story to their friends and acquaintances that over time becomes legendary. It is their encounter with a young black man who they had never met or heard of but who comes stumbling upon their front door one evening as they are courting an important investor, Geoffrey Miller, who could make them wealthy beyond what they could have dreamed. That black man is Paul Poitier, who has just arrived in the city, was just mugged outside their building and is sporting a minor knife wound to the abdomen. He is a friend of the Kittredge's children, who are attending Harvard, but more importantly is the son of actor/director Sidney Poitier. Tomorrow, Paul is meeting up with his father who is in town directing a movie of "Cats". Beyond the attraction of talking Paul into getting... Written by
When talking about striking coal miners, Louisa puts down her wine glass twice. See more »
Is anything gone?
How can I look, I'm shaking!
I want to know if anything's gone!
We could have been killed! Oh, my God! The Kandinsky!
It's gone, oh my God! Call the police!
Oh, no, there it is. Oh! The silver Victorian inkwell!
[...] See more »
In New York, the art dealers John Flanders ('Flan') Kittredge (Donald Sutherland) and Louisa ('Ouisa') Kittredge (Stockard Channing) are ready to have a business dinner with their South African friend and client Geoffrey Miller (Ian McKellen), when a wounded young black man comes to their fancy apartment telling that he had been just robbed in Central Park and asking for help. He introduces himself as Paul (Will Smith), a friend of their son and daughter in Harvard and son of Sidney Poitier, and the couple invites him to stay with them. During they night, they find that Paul is not who he claims to be. When they investigate the life of Paul, they find the hidden truth.
The first time I saw "Six Degrees of Separation" in 1993 or 1994, I was very impressed with this movie. I liked the concept of the six degrees of separation between human beings, but mostly the acting of Will Smith, Stockard Channing and Donald Sutherland. The very difficult and long lines were brilliantly presented by this trio of excellent actors and actress, almost as if they were on the stage. Further, the name of Stockard Channing in a film for me is a synonymous of high quality. Today I have just seen this movie again, and I maybe I am more critical with the years, but I found the screenplay quite confused. For example, the relationships of parents and sons and daughters are extremely aggressive from the side of the Harvard students, and I have not understood the point in the story. The affection of Louisa ('Ouisa') Kittredge for Paul Poitier- Kittredge could be a projection of what she would like to receive from her apparently ungrateful son and daughter, but her daughter actually talks to her. Anyway, this movie is intriguing and original and deserves to be watched. My vote is seven.
Title (Brazil): "Seis Graus de Separação" ("Six Degrees of Separation")
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