New Yorkers Ouisa and Flan Kittredge are upper class private art dealers, pretentious but compassionate. Their prized possession is a double sided Kandinsky, one side that represents control, the other side chaos. They relay a story to their friends and acquaintances that over time becomes legendary. It is their encounter with a young black man who they had never met or heard of but who comes stumbling upon their front door one evening as they are courting an important investor, Geoffrey Miller, who could make them wealthy beyond what they could have dreamed. That black man is Paul Poitier, who has just arrived in the city, was just mugged outside their building and is sporting a minor knife wound to the abdomen. He is a friend of the Kittredge's children, who are attending Harvard, but more importantly is the son of actor/director Sidney Poitier. Tomorrow, Paul is meeting up with his father who is in town directing a movie of "Cats". Beyond the attraction of talking Paul into getting... Written by
Will Smith's character in the film passes himself off as Sidney Poitier's son. In real life, when Smith met Poitier for the first time, the veteran actor said "Well, you're almost handsome enough to be my son". See more »
When Flan is pretending to pray next to Ouisa, the boom mic and operator are reflected in the large window behind them. See more »
Is anything gone?
How can I look, I'm shaking!
I want to know if anything's gone!
We could have been killed! Oh, my God! The Kandinsky!
It's gone, oh my God! Call the police!
Oh, no, there it is. Oh! The silver Victorian inkwell!
[...] See more »
A writer at the centre of one of the most elegant, entertaining, thoughtful and soulful tales to come out of Hollywood in a long, long time. John Guare's children are based , it seems, in real life people. How lucky for Guare to have found the great Fred Schepsi as their perfect foster father. Will Smith plays a man without identity, choosing one for himself, with such care, with such gusto that everyone remains enthralled, first of all us, the audience. Stockard Channing's Ouisa discovers a new side to her own self in front of our eyes. It is a performance of guts and beauty. Donald Sutherland's Flan is a first for the movies, we've never met a character like him on the screen. The scene in which he listens to Will Smith's Paul explain his thesis is a triumph. We see Flan falling in love. It is chillingly beautiful. Then, of course, the aforementioned Will Smith, he moves with a borrowed self confidence, like his character and it's impossible not to love him. He has the elegance of a Cary Grant and the charisma that we all now associate with Will Smith. I only regret that he didn't go for the kiss. That would have completed the shocking sum of all his parts. I love this film. I love John Guare for writing it. I love Schepsi (he's an old love of mine "Cry in Dark" "Plenty") The superb editing, the wonderful tangoish score and the work of the production and costume designers makes "Six Degrees of Separation" one of the most rewarding movie experiences. On this terrible summer of World at Wars, New Batmans and some other horrors, do yourself a favour. Rent the DVD and stay for dinner at home with the Kittredges.
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