A mother tells her daughter a fable about the prince of the brumbies, brumby being a term for the feral horses of Australia, who must find its place among its kind, while one man makes it his mission to capture it and tame it.

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Cast

Cast overview, first billed only:
...
Elyne Mitchell
...
The Man
Amiel Daemion ...
Indi Mitchell (as Ami Daemion)
Johnny Raaen ...
Jock
Buddy Tyson ...
Darcy
Graeme Fullgrabe ...
Auctioneer
Gary Amos ...
Rider
Murray Chesson ...
Rider
John Coles ...
Rider
Danny Cook ...
Rider
Peter Faithfull ...
Rider
Richard Faithfull ...
Rider
Charles A. Harris ...
Ride (as Charles Harris)
Cody Harris ...
Rider
Ken Mitchell ...
Rider
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Storyline

A mother tells her daughter a fable about the prince of the brumbies, brumby being a term for the feral horses of Australia, who must find its place among its kind, while one man makes it his mission to capture it and tame it.

Plot Summary | Add Synopsis

Taglines:

The magic of the mountain. The obsession of a man. The beauty of the Silver Brumby.

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Drama | Family

Certificate:

G | See all certifications »
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Release Date:

16 September 1993 (Australia)  »

Also Known As:

The Silver Stallion: King of the Wild Brumbies  »

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Film debut for Amiel Daemion See more »

Soundtracks

Two Day's Monday
Written by John Gorman, Roger McGough and Mike McGear (as Michael McCartney)
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User Reviews

A beautiful horse film
14 June 2000 | by (Texas) – See all my reviews

Well, in my continuing quest to see every movie Russell Crowe was ever in, I stumbled across this little film. (As long as I'm disclosing biases, I might as well mention that I have not read Elyne Mitchell's novel.)

It is a film for children--specifically, girls ages 8-12 or so who love horses. And they will love it. Younger children may be disturbed by some of the content; these are wild horses trying to survive in the wild, in all weather and situations.

It's framed as a fable, with Elyne Mitchell (Caroline Goodall) writing a story for her daughter Indi (Amiel Daemion) about Thowra, the great silver brumby, and the Man (Russell Crowe) who wants to tame him.

It's meant to be a fable, which explains how all these wild horses are so beautifully groomed. The horses also occasionally seem to be deaf, since they fail to react at all to sounds that any horse would prick its ears at.

As a horse film, it's highly successful. We see lots of lovely horses, doing fascinating horse things. The horse part of the movie is perfectly developed.

The humans are more troublesome. I suspect that Mrs. Mitchell and her daughter were not characters in the book; adding them causes a fundamental shift in the relationships between the characters. Instead of relationships between Thowra and other horses (especially the Brolga, his archrival) and between Thowra and the Man, the most important relationships are those between humans (between the two Mitchells, between Indi and the various men who catch and tame brumbies) and between humans and nature, with the relationships among the horses and of the humans to the horses receding into the background.

Instead of a simple pair of conflicts--between Thowra and the Brolga (the natural challenge); between Thowra and the Man (the unnatural challenge)--we get instead a large number of relationships, which changes the entire dynamic.

Despite these problems, the new concept could have worked, if simplified a bit. The basic point is that both Indi and the Man love Thowra, and for the same reasons: he is beautiful, strong, proud, and free. However, because Indi loves Thowra, she wants him to remain free; because the Man loves Thowra, he wants to own and tame the horse.

Such a conflict could have provided ample opportunity for lessons on "listening to the bush" and on the difference and inherent contradiction between love and possession (etc., etc.).

In the film, however, the Mitchells dominate. Elyne gives her daughter lessons on nature and life, with the help of an injured kangaroo they find, which serves to teach that wild things belong in the wild, that if you truly care about something you give it its freedom--all lessons that could have been communicated via the story of Thowra. (I loved the kangaroo, but it wasn't necessary.) Meanwhile, the Man is underdeveloped, and sometimes demonized--which runs entirely counter to the purpose of the film. The Man is not evil, just obsessed.

The filmmakers undoubtedly decided to focus on the girl and her mother because that's their audience. A reasonable decision, and yet one which weakens the film.

Overall, a nice, solid horse film which should be very popular with its target audience.


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