| Perry King | ... | Toby Temple | |
| Lori Loughlin | ... | Jill Castle | |
| Geordie Johnson | ... | David Kenyon | |
| Juliet Mills | ... | Alice Tanner | |
| Christopher Plummer | ... | Clifton Lawrence | |
| Paula Shaw | ... | Mrs. Czinski | |
| Janie Woods-Morris | ... | Mrs. Kenyon | |
| George Touliatos | ... | Sam Winters | |
| Robert Clothier | ... | Dr. Eli Kaplan | |
| Terence Kelly | ... | Eddie Barrigan | |
| Phil Peters | ... | Gus | |
| Kymberly Sheppard | ... | Midge | |
| Suki Kaiser | ... | Cissy | |
| Eli Gabay | ... | Koko / Young Man 1 | |
| Lochlyn Munro | ... | Alan Preston | |
| Brent Stait | ... | Peter Terriglio | |
| Rachel Hayward | ... | Harriett | |
| Leslie Carlson | ... | Harry Durkin | |
| Walter Marsh | ... | Walter the Butler | |
| Sheelah Megill | ... | Nurse Gallagher | |
| rest of cast listed alphabetically: | |||
| Dennis Farina | |||
| Richard Liss | ... | Ship's Projectionist | |
| Don MacKay | ... | Mike (uncredited) | |
| Blu Mankuma | ... | Kenyon's Butler (uncredited) | |
Directed by | |||
| Charles Jarrott | |||
Writing credits(WGA) | ||
| Sidney Sheldon | (novel) | |
| Stirling Silliphant | (teleplay) | |
Produced by | |||
| Aaron Spelling | .... | executive producer | |
| E. Duke Vincent | .... | executive producer | |
Original Music by | |||
| Amin Bhatia | |||
Cinematography by | |||
| Hugh K. Gagnier | |||
Film Editing by | |||
| Stephen Lawrence | |||
Production Design by | |||
| Paul Joyal | |||
| Trevor Williams | |||
Art Direction by | |||
| Randy Chodak | |||
Set Decoration by | |||
| Paul Joyal | |||
Costume Design by | |||
| Aleida MacDonald | |||
Makeup Department | |||
| Irma Parkkonen | .... | key makeup artist | |
| Divyo Rae Putney | .... | key hair stylist | |
Production Management | |||
| Philip Stilman | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Mark D. Currie | .... | trainee assistant director | |
| Kathy Gilroy | .... | second assistant director (as Kathy Gilroy-Sereda) | |
| Vladimir Stefoff | .... | first assistant director | |
Art Department | |||
| Dan Bezaire | .... | property master | |
| Gerhard Gehrmann | .... | carpenter | |
| Frank Haddad | .... | head greensman | |
| Hugh Shankland | .... | construction coordinator | |
Sound Department | |||
| Terry Burke | .... | foley artist | |
| Steve Foster | .... | sound re-recording engineer | |
| Terry Gordica | .... | sound supervisor | |
| Peter Harper | .... | foley recordist | |
| Joe Mancuso | .... | dialogue editor | |
| James Porteous | .... | sound re-recording engineer | |
| Dan Sexton | .... | sound effects editor | |
| Michael T. Williamson | .... | sound recordist | |
Special Effects by | |||
| Tibor Farkas | .... | special effects makeup | |
| Gary Paller | .... | special effects coordinator | |
Stunts | |||
| Marny Eng | .... | stunt double: Lori Loughlin | |
| David Jacox | .... | stunts | |
| Donna Keegan | .... | stunts | |
| Jacob Rupp | .... | stunt coordinator | |
| Jacob Rupp | .... | stunts | |
Casting Department | |||
| Diane Dimeo | .... | casting: Los Angeles | |
Editorial Department | |||
| Wendy Hallam Martin | .... | assistant editor | |
Music Department | |||
| David Greene | .... | music supervisor | |
Transportation Department | |||
| Don Dykens | .... | transportation | |
| Paul Irvine | .... | driver | |
| David Schwanke | .... | transportation | |
Other crew | |||
| Charlotte Chandler | .... | executive consultant | |
| Nancy Eagles | .... | script supervisor | |
| Betty Michalyshyn | .... | publicist | |
| Barbara Ann Schoemaker | .... | location manager | |
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| Showgirls | Dangerous Liaisons | The Last Seduction | The Mambo Kings | Norma Jean & Marilyn |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb USA section |
I have a girlfriend who likes Sidney Sheldon stuff and she forced me to sit through it. She'd also forced me to sit through Poor Little Rich Girl, which wasn't that bad, and since this had the same director and screenwriter I thought I could make it through it. Boy, was I wrong. Lori Loughlin's character gets raped in a porno film, and then never does anything about it. Why? Doesn't this film want conflict? Instead it focuses on Loughlin's conflict with her husband's agent, Christopher Plummer, who is so eager to ooze spite that it actually does seem to come out of his ears. Loughlin's hubby, years after her porno rape, is a rich comedian played by Perry King. I don't know what Perry King was thinking, but his facial contortions in attempting to convey his character's suffering from his stroke had to be intentionally hilarious - perhaps a message to his agent who got him into this thing and anyone dumb enough to be watching it. One of the characters, Loughlin's rich former fiancee, is as clueless as any man ever portrayed on screen in any film. Ever.
Any man who is ever told by a woman that T&A films are idiotic and demeaning can source this as proof that there is something beneath them made especially for women.