(1993)

Critic Reviews

79

Metascore

Based on 22 critic reviews provided by Metacritic.com
100
Time
It is, finally, as a richly pulsating, hugely entertaining human comedy -- antic, wayward, glancing -- that Short Cuts bemuses, amuses and finally entrances us. [4 Oct 1993]
100
USA Today
This definitive "life goes on" movie does what Altman does best: juggle 22 characters, deftly switch moods, and offer a comlex warts-and-all characters whose lives seem to extend beyond the screen. Few movies attempt this; Fewer succeed. [1 Oct 1993]
100
Chicago Sun-Times
Los Angeles always seems to be waiting for something. Permanence seems out of reach; some great apocalyptic event is on the horizon, and people view the future tentatively. Robert Altman's Short Cuts captures that uneasiness perfectly.
100
The New York Times
It raises the spirits not by phony sentimentality but by the amplitude of its art. From time to time, it is also roaringly funny... A terrific movie. [1 Oct 1993, p.C1]
90
Variety
Exploding Raymond Carver's spare stories and minimally drawn characters onto the screen with startling imagination, Robert Altman has made his most complex and full-bodied human comedy since "Nashville."
89
Carver's stories are obviously inspiring for Altman, and that's the point, this movie is bursting at the seams with ideas and energy.
88
ReelViews
It's a genuine pleasure to find a movie with such a deep and intelligent portrayal of simple human lives, with all their minor triumphs and tragedies.
80
Film.com
Altman lucked out when he cast a singer, Ronee Blakley, in a major role in "Nashville," but he has not been as fortunate here with Annie Ross and Lyle Lovett, who lack Blakley's soulful dramatic presence.
63
Christian Science Monitor
A daring but flawed achievement, diluting its emotional power and satirical bite with a self-consciously jagged structure, and a calculating, sometimes chilly untertone. [1 Oct 1993]
50
The Globe and Mail (Toronto)
Altman shakes the camera like a two-bit horror director, and it seems a different sort of signature - less masterful than weary, less signed than resigned. Zero-sum, indeed.

More Critic Reviews

See all external reviews for Short Cuts (1993) »

See also

Awards | FAQ | User Reviews | User Ratings | External Reviews