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Short Cuts (1993)

 -  Comedy | Drama  -  1 October 1993 (Italy)
7.7
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Ratings: 7.7/10 from 31,701 users   Metascore: 79/100
Reviews: 129 user | 70 critic | 22 from Metacritic.com

The day-to-day lives of a number of suburban Los Angeles residents.

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Title: Short Cuts (1993)

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Nominated for 1 Oscar. Another 24 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Ann Finnigan
...
Howard Finnigan
...
Zane Cassidy ...
Casey Finnigan
...
...
Dr. Ralph Wyman
...
...
...
Lois Kaiser
...
Joseph C. Hopkins ...
Joe Kaiser
Josette Maccario ...
Josette Kaiser
...
Honey Bush
...
Bill Bush
...
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Storyline

While helicopters overhead spray against a Medfly infestation a group of Los Angeles lives intersect, some casually, some to more lasting effect. Whilst they go out to concerts and jazz clubs and even have their pools cleaned, they also lie, drink, and cheat. Death itself seems never to be far away, even on a fishing trip. Written by Jeremy Perkins {J-26}

Plot Summary | Plot Synopsis

Plot Keywords:

medfly | lie | drink | concert | jazz | See All (235) »

Taglines:

From two American masters comes a movie like no other See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for graphic sexual language, and for nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 October 1993 (Italy)  »

Also Known As:

Vidas cruzadas  »

Box Office

Gross:

$6,110,979 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(as Dolby Stereo)| (70 mm prints)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The notorious bottom nude scene ultimately played by Julianne Moore deterred a lot of other actresses, including Madeleine Stowe, who switched roles in the film. Ironically, Stowe's new part required nudity too, though it was topless, rather than bottomless. See more »

Goofs

Gene Shepard throws a rock through his mistress's living room window while she's away on vacation. Yet when she comes back, the window is unbroken. See more »

Quotes

Earl Piggot: You know, I don't know who you think would wanna look at your sad,middle aged ass anymore!
Doreen Piggot: Don't talk to me like that and don't you come back here! I'm not taking you back no more understand? No more I'm not taking you back!
Earl Piggot: I'm not COMING back!
Doreen Piggot: Slobbering over Honey like that it was so embarrassing...
Earl Piggot: I never touched Honey!
Doreen Piggot: I didn't say you touched her I said you slobbered on her!
See more »

Connections

Referenced in Magnolia (1999) See more »

Soundtracks

Imitation of a Kiss
Composed by Roy Nathanson (as Nathanson), David Cale (as Cale), Marc Ribot (as Ribot)
Performed by The Low Note Quintet
See more »

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User Reviews

Six degrees of separation
18 May 2002 | by (Flagstaff, AZ) – See all my reviews

In front of a group of fishermen, a waitress bends over for a slab of butter. They take in the image like hungry wolves gulping meat, as her skirt rises high, revealing everything. They like what they see, so they ask her, `Can we have more butter, please?' The double meaning is obvious.

In a nightclub, a singer languishes over a sultry little song about `a good, punishing kiss.' The conversation in the foreground -- ex-cons relating cruel, violent stories from prison -- moves to the rhythm of the jazz saxophone, a dissonant snare-drum-prose accompaniment to the song. It's a deliberate ambiguity that binds the viewer in the scene's artistic tension.

In an upscale home with a breathtaking view of the city of angels, a struggling artist is being questioned about her relationship with another artist. She's naked from the waist down, suggesting both sexual aggressiveness, and vulnerability, simultaneously. She's seductively defiant with her husband. She confesses to an affair; but she does so angrily, indignant for being asked. It's sweet and sour, light and dark, truthful but deceptive, all at once. More double entendres.

Robert Altman's Short Cuts weaves all these disconnected scenes together like common strands of rope. It's the interplay of opposites that firmly holds them all together. The title itself, `Short Cuts,' has dual meaning: it's an interconnected mixture of `short cuts,' as in `off the cutting room floor' or `film clips;' and, it's an unmistakable reference to the web of human life, the social short cuts between ourselves and everyone else, as in the famous `six degrees of separation,' which tells us that we are only six personal relationships away from everyone else in the world. Set in LA, this idea makes for a lovely irony: although the main characters are completely absorbed in their individual worlds, they are intimately connected to each other. They just don't know it.

Short Cuts is one of Altman's masterpieces. See it if you can.


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