This historical drama is an account of the early life of the future British Prime Minister Winston Churchill (Simon Ward), including his childhood, his time as a war correspondent in South ... See full summary »
Reporter Ernest Hemingway is an ambulance driver in Italy during World War I. While bravely risking his life in the line of duty, he is injured and ends up in the hospital, where he falls ... See full summary »
A young engineer is sent to post-WWII Berlin to help the Americans in spying on the Russians. In a time and place where discretion is still a man's best friend, he falls in love with a ... See full summary »
C.S. Lewis is the author of the "Chronicles of Narnia" books. Known as Jack, he teaches at Oxford during the 1950s. An American fan, Joy Gresham, arrives to meet him for tea in Oxford. It is the beginning of a love affair. Tragically, Joy becomes terminally ill and their lives become complicated. Written by
Matthew Stanfield <firstname.lastname@example.org>
The scenes of the traditional Mayday celebrations in Oxford were filmed on the actual night/morning of April 30/ May 1 1993. On Magdalen Tower were the actual choristers of the College chapel but with restricted space due to the minimal crew and camera. Medium shots had been taken of dress-extras in punts on the river and the intention had been to take long-shots of the real-life crowd below. However an unusual thick low mist made much footage unusable, so the dress-extras were recalled a week later, with others to cover Magdalen Bridge. See more »
Joy actually broke her leg at Jack's home, The Kilns. See more »
The pain then is part of the happiness now. That's the deal.
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I probably watch this film every two years, yet like fine wine, it grows even better after time. This picture is a beautiful, thought provoking, and highly effective meditation on how love, death, god, joy, and pain all coexist in the strange universe that is life. With subject matter as complex as this, the viewer can see where one could easily become lost in C.S. Lewis's story, but "Shadowlands" never falters. The film remains quiet, simple, and highly effective through Attenborough's understated direction, and its cast's uniformly excellent performances.
However, what sits at the very core of "Shadowlands" beauty is its ultimate truth. There are moments in this film so full of genuine, unflynching emotion that its power practically hits the audience member in the gut. Yes, the film's magnificently depicted scenes of death and grieving never fail to jerk tears from my eyes, but Lewis's closing lines regarding the choices he made as a boy and a man make me sob.
"Shadowlands" is undoubtedly representative of filmaking at its very best. I recommend this film without reservation to anyone!
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