This historical drama is an account of the early life of British politician Winston Churchill (Simon Ward), including his childhood years, his time as a war correspondent in Africa, and ... See full summary »
A movie about the First World War based on a stage musical of the same name, portraying the "Game of War" and focusing mainly on the members of one family (last name Smith) who go off to ... See full summary »
CS Lewis is the author of the Narnia books - The Lion, The Witch, and the Wardrobe. Known as Jack, he teaches at an Oxford College, during the 1930's. An American fan, Joy Gresham, arrives to meet him for tea in Oxford. It is the beginning of a love affair. Tragically Joy becomes terminally unwell and their lives become complicated. Written by
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The scenes of the traditional Mayday celebrations in Oxford were filmed on the actual night/morning of April 30/ May 1 1993. On Magdalen Tower were the actual choristers of the College chapel but with restricted space due to the minimal crew and camera. Medium shots had been taken of dress-extras in punts on the river and the intention had been to take long-shots of the real-life crowd below. However an unusual thick low mist made much footage unusable, so the dress-extras were recalled a week later, with others to cover Magdalen Bridge. See more »
Jack never learnt to drive, despite numerous attempts at learning. See more »
Why love, if losing hurts so much? I have no answers anymore: only the life I have lived. Twice in that life I've been given the choice: as a boy and as a man. The boy chose safety, the man chooses suffering. The pain now is part of the happiness then. That's the deal.
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I probably watch this film every two years, yet like fine wine, it grows even better after time. This picture is a beautiful, thought provoking, and highly effective meditation on how love, death, god, joy, and pain all coexist in the strange universe that is life. With subject matter as complex as this, the viewer can see where one could easily become lost in C.S. Lewis's story, but "Shadowlands" never falters. The film remains quiet, simple, and highly effective through Attenborough's understated direction, and its cast's uniformly excellent performances.
However, what sits at the very core of "Shadowlands" beauty is its ultimate truth. There are moments in this film so full of genuine, unflynching emotion that its power practically hits the audience member in the gut. Yes, the film's magnificently depicted scenes of death and grieving never fail to jerk tears from my eyes, but Lewis's closing lines regarding the choices he made as a boy and a man make me sob.
"Shadowlands" is undoubtedly representative of filmaking at its very best. I recommend this film without reservation to anyone!
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