This historical drama is an account of the early life of the future British Prime Minister Winston Churchill (Simon Ward), including his childhood, his time as a war correspondent in South ... See full summary »
Chekov's Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquility of a country house is disturbed by the arrival of the estate's tyrannical owner and his ... See full summary »
A young engineer is sent to post-WWII Berlin to help the Americans in spying on the Russians. In a time and place where discretion is still a man's best friend, he falls in love with a ... See full summary »
Reporter Ernest Hemingway is an ambulance driver in Italy during World War I. While bravely risking his life in the line of duty, he is injured and ends up in the hospital, where he falls ... See full summary »
Joseph K. awakes one morning, to find two strange men in his room, telling him he has been arrested. Joseph is not told what he is charged with, and despite being "arrested," is allowed to ... See full summary »
David Hugh Jones
A movie about the First World War based on a stage musical of the same name, portraying the "Game of War" and focusing mainly on the members of the Smith family who go off to war. Much of ... See full summary »
C.S. Lewis is the author of the "Chronicles of Narnia" books. Known as Jack, he teaches at Oxford during the 1950s. An American fan, Joy Gresham, arrives to meet him for tea in Oxford. It is the beginning of a love affair. Tragically, Joy becomes terminally ill and their lives become complicated. Written by
Matthew Stanfield <email@example.com>
Many of the students and staff of Magdalen College, Oxford objected to the restrictions imposed on their movement on the grounds during April/ May 1993 especially as it coincided with end of year exams. To prevent a student-led halt in production a Q and A evening was held in the College bar with Richard Attenborough, Anthony Hopkins and Michael Denison. See more »
Joy Gresham had two sons, David and Douglas, but only one son, Douglas is depicted in the film. See more »
We can't have the happiness of yesterday without the pain of today. That's the deal.
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Many people seeing this film who are familiar with CS Lewis' writings will be tempted to be disappointed.
They should not be. In defense of this film and the method used to get the results, I have two things to say.
The first, and by far the most important, is that spiritual films are very difficult to make -- especially if one is speaking about something above one's head. That's why the life of Jesus is such a difficult subject and has met with so little success, at least from an artistic point of view.
Even Mel Gibson's Passion suffers from this to some extent. I would say his representation of the Passion reflect more of our times and what we consider to be important than on the ministry of Jesus. I may be wrong; I am not a believer so my opinion may not matter. But what is true is that no matter what your belief, spiritual man (Jesus, Mohammed, Buddha and others) are very hard to make biographies of. In my opinion what they represented survived not because we have understanding, but because our instincts tell us they are what we should be. It is not a mind thing at all. AND FILMS REQUIRE OUR MINDS, at least to make them. It would take a soul equal to that of Christ to make a film about Christ.
To a far lesser extent, that is true of CS Lewis. His was a very complex theology dressed in wonderful parables. He had a great understanding of the parables and used the same technique. It does little good to discuss his theology in a film that is about 2 hours long. In fact, the viewer is sort of expected to know something about his writings and theology.
Which brings me to my second point. Perhaps it is because I am over 60 and not been brought up on Romances that I find this one so appealing. Here was a man that had lived his entire life one way, mostly in his mind, when he was confronted with feelings that demanded he reinterpret everything he believed. How many of us at his age could do what CS Lewis did?
Here was a man that thought one way and was forced to live another. What the mind is a very poor substitute for what our emotions understand. CS Lewis was very quick, I think, to recognize this and embraced it completely once he found it out.
Douglas Davidman Gresham (Joy Gresham's son), has said that the film is perhaps not completely factually correct, but the emotion representation is "spot on".
For me, no truer words could be spoken. What does it matter what details are missing, or changed because we have only 2 hours to tell a story? What matters is that we see the humanity of the man and his wonderful ability to embrace openly his new found emotions are what matters. And to put this into his spiritual structure was even more remarkable.
It's a good film. Enjoy it and pay attention. It requires an open heart and an open mind. Give it both.
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