| Juliet Stevenson | ... | Isobel Coleridge | |
| Joanne Whalley | ... | Katherine Coleridge (as Joanne Whalley-Kilmer) | |
| Penelope Wilton | ... | Marion French | |
| Neil Pearson | ... | Patrick Steadman | |
| Alan Howard | ... | Tom French | |
| Robert Stephens | ... | Max Lopert | |
| Hilton McRae | ... | Norman | |
| Robert Glenister | ... | Jeremy | |
| Richard Long | ... | 3rd Businessman | |
| Finty Williams | ... | Greta | |
| Saira Todd | ... | Kiki | |
| Julia Lane | ... | June Allardyce | |
| Philip Voss | ... | Civil Servant | |
| Diane Fletcher | ... | Day Nurse | |
| Janet Steel | ... | Night Nurse | |
| Christopher Hadfield | ... | Young Robert | |
| Peter Whitaker | ... | Old Robert | |
| Miranda Burton | ... | Young Marion | |
| Florence Hoath | ... | Young Isobel | |
| David Houri | ... | Peter French | |
| Jocelyn Barker | ... | Sarah French |
Directed by | |||
| Howard Davies | |||
Writing credits(in alphabetical order) | ||
| David Hare | play | |
| David Hare | screenplay | |
Produced by | |||
| David Hare | .... | associate producer | |
| Simon Relph | .... | producer | |
Original Music by | |||
| Richard Hartley | |||
Cinematography by | |||
| Ian Wilson | |||
Film Editing by | |||
| George Akers | |||
Casting by | |||
| Janey Fothergill | |||
Production Design by | |||
| Barbara Gosnold | |||
Art Direction by | |||
| Fiona McNeil | |||
Costume Design by | |||
| Consolata Boyle | |||
Makeup Department | |||
| Jenny Shircore | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Karen Richards | .... | assistant director | |
| Francesca Robertson | .... | assistant director | |
| Alan J. Wands | .... | assistant director | |
Art Department | |||
| Ray Chan | .... | art department assistant | |
| Judy Ducker | .... | production buyer | |
| Mark Hedges | .... | dressing prop daily | |
| Graeme Purdy | .... | chargehand standby propman | |
Sound Department | |||
| Dean Humphreys | .... | sound re-recording mixer | |
| Stuart Wilson | .... | boom operator | |
Special Effects by | |||
| Richard Van Den Bergh | .... | special effects technician | |
Camera and Electrical Department | |||
| Kenny Byrne | .... | focus puller | |
| Alexander Reid | .... | second unit: second assistant camera | |
| Tony Rowland | .... | key grip | |
| Norman Smith | .... | gaffer | |
Costume and Wardrobe Department | |||
| Magdalen Rubalcava | .... | assistant costume designer | |
Editorial Department | |||
| Dennis McTaggart | .... | first assistant editor | |
Other crew | |||
| Mike Dempsey | .... | title designer | |
| Sarah Kaye | .... | assistant accountant: London | |
| Patric Scott | .... | unit publicist | |
|
|
|
|
|
| Kings & Queen | The Last Seduction | The Loss of Sexual Innocence | Bitter Moon | Lolita |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section |
Virtually unseen in this country, "The Secret Rapture" showcases the remarkable Juliet Stevenson in David Hare's drama concerning internal conflicts and unspoken hostilities which threaten a British family. She potrays a woman self-sacrificing to the point of destructiveness, a passive-aggressive sacrificial lamb who controls those around her through acts of self deprecation and kindness. She's nicely contrasted with Joanne Whalley's nasty-edged femme fatale who seals the family's doom, reminiscent of Gene Tierney's carnivorous soul-eater in "Leave Her to Heaven"... Should be seen by David Hare fans and those unacquainted with an excellent performer who also did spectacular work as the grieving widow in "Truly Madly Deeply".