| Photos (See all 34 | slideshow) | Videos (see all 2) |
| Kate Maberly | ... | Mary Lennox | |
| Heydon Prowse | ... | Colin Craven | |
| Andrew Knott | ... | Dickon | |
| Maggie Smith | ... | Mrs. Medlock | |
| Laura Crossley | ... | Martha | |
| John Lynch | ... | Lord Archibald Craven | |
| Walter Sparrow | ... | Ben Weatherstaff | |
| Irène Jacob | ... | Mary's Mother / Lilias Craven (as Irene Jacob) | |
| Frank Baker | ... | Government Official | |
| Valerie Hill | ... | Cook | |
| Andrea Pickering | ... | Betty Butterworth | |
| Peter Moreton | ... | Will | |
| Arthur Spreckley | ... | John | |
| Colin Bruce | ... | Major Lennox | |
| Parsan Singh | ... | Ayah | |
| Eileen Page | ... | Grandmother at Dock | |
| David Stoll | ... | Grandfather at Dock | |
| Tabatha Allen | ... | Girl at Dock | |
| rest of cast listed alphabetically: | |||
| Corrie Greenop | ... | Dickon's Brother (uncredited) | |
Directed by | |||
| Agnieszka Holland | |||
Writing credits(WGA) | ||
| Frances Hodgson Burnett | (book) | |
| Caroline Thompson | (screenplay) | |
Produced by | |||
| Francis Ford Coppola | .... | executive producer | |
| Fred Fuchs | .... | producer | |
| Tom Luddy | .... | producer | |
| Fred Roos | .... | producer | |
| Caroline Thompson | .... | associate producer | |
Original Music by | |||
| Zbigniew Preisner | |||
Cinematography by | |||
| Roger Deakins | |||
Film Editing by | |||
| Isabelle Lorente | |||
Production Design by | |||
| Stuart Craig | |||
Art Direction by | |||
| John King | (supervising art director) | ||
| Peter Russell | |||
Set Decoration by | |||
| Stephenie McMillan | |||
Costume Design by | |||
| Marit Allen | |||
Makeup Department | |||
| Robert McCann | .... | makeup artist | |
| Jenny Shircore | .... | chief hair stylist | |
| Jenny Shircore | .... | chief makeup artist | |
Production Management | |||
| Roy Button | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| David Brown | .... | first assistant director | |
| Peter Heslop | .... | second assistant director | |
| Geoff Dibben | .... | third assistant director: dailies (uncredited) | |
Art Department | |||
| Alan Brooks | .... | hod carpenter | |
| Kavin Hall | .... | hod painter | |
| Peter Hancock | .... | property master | |
| Dave Midson | .... | chargehand dressing prop | |
| Jim Morahan | .... | assistant art director | |
| Michael Redding | .... | construction coordinator | |
| Don Taylor | .... | hod plasterer | |
| Peter Voysey | .... | head sculptor | |
| Lawrie Ayres | .... | dressing props (uncredited) | |
| Will Ayres | .... | props (uncredited) | |
| Peter Dorme | .... | junior draughtsman (uncredited) | |
| Richard Lyon | .... | construction storeman (uncredited) | |
| Adam O'Neill | .... | art department assistant (uncredited) | |
Sound Department | |||
| Laurie Bernard | .... | sound effects editor | |
| Karen Brocco | .... | assistant dialogue editor | |
| Malcolm Fife | .... | foley editor | |
| Roy Finch | .... | assistant sound effects editor | |
| David Frederick | .... | assistant dialogue editor (as Dave Frederick) | |
| Lora Hirschberg | .... | sound re-recording mixer | |
| Pat Jackson | .... | dialogue editor | |
| Drew Kunin | .... | sound mixer | |
| Kyrsten Mate | .... | assistant sound effects editor | |
| Marilyn McCoppen | .... | adr editor | |
| Anne McGlynn | .... | first assistant dialogue editor | |
| Jim McKee | .... | sound effects editor | |
| Jennifer Myers | .... | foley artist | |
| Margie O'Malley | .... | foley artist | |
| E. Jeane Putnam | .... | dialogue editor | |
| Michael Semanick | .... | foley mixer | |
| Leslie Shatz | .... | sound re-recording mixer | |
| David Sutton | .... | boom operator | |
| Jennifer L. Ware | .... | supervising sound editor (as Jennifer Lee Ware) | |
| Sandy Buchanan | .... | post-production sound assistant (uncredited) | |
| Andy Newell | .... | sound effects editor (uncredited) | |
| Philip Rogers | .... | sound recordist (uncredited) | |
| Bob Sarles | .... | temp mix sound editor (uncredited) | |
Special Effects by | |||
| Peter Dawson | .... | special effects foreman | |
| Michael Dunleavy | .... | senior special effects technician | |
| John Evans | .... | special effects supervisor | |
| Simon Hewitt | .... | special effects | |
| Digby Milner | .... | special effects | |
| Peter Pickering | .... | special effects | |
| Barry Whitrod | .... | senior special effects technician | |
| Terence J. Cox | .... | special effects technician (uncredited) | |
| Dave Crownshaw | .... | snow effects technician (uncredited) | |
Visual Effects by | |||
| Robin Browne | .... | visual effects consultant | |
| Nicholas Brooks | .... | visual effects artist (uncredited) | |
| Pete Hanson | .... | studio manager: CFC (uncredited) | |
| Mark Nelmes | .... | digital artist (uncredited) | |
Camera and Electrical Department | |||
| Andrew Anderson | .... | nature photographer | |
| Richard Broome | .... | camera grip | |
| Pete Cavaciuti | .... | Steadicam operator | |
| Murray Close | .... | still photographer | |
| Kevin Edland | .... | best boy | |
| John Higgins | .... | gaffer | |
| Mike House | .... | camera grip | |
| Bob Penn | .... | still photographer | |
| Dick Pope | .... | additional photographer | |
| Michael W. Richards | .... | nature photographer (as Mike Richards) | |
| Simon Richards | .... | focus puller | |
| Gary Turnbull | .... | focus puller | |
| Jerzy Zielinski | .... | additional photographer | |
| Simon Starling | .... | second assistant camera (uncredited) | |
| Chris Warren | .... | video operator (uncredited) | |
Casting Department | |||
| Karen Lindsay-Stewart | .... | casting | |
| Linda Phillips-Palo | .... | casting: USA | |
| Alyson Spiro | .... | casting assistant: U.K. | |
| Suzy Freeman | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Ken Crouch | .... | wardrobe supervisor (as Kenny Crouch) | |
| Jenny Hawkins | .... | wardrobe mistress | |
| Stewart Meachem | .... | wardrobe master (as Stewart Meacham) | |
| Emily Seresin | .... | assistant costume designer (uncredited) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Tullio Brunt | .... | second assistant editor | |
| Tina Fallani | .... | first assistant editor | |
| Tom Freeman | .... | first assistant editor | |
| Joanne S. Grant | .... | post-production coordinator (as Joanne Grant) | |
| Kevin Lane | .... | first assistant editor | |
| David Orr | .... | color timer | |
| Warren Paeff | .... | second assistant editor | |
| Nick Smith | .... | additional editor | |
| Santiago Thévenet | .... | second assistant editor (as Santiago Thevenet) | |
| Nickolas Perry | .... | post-production assistant (uncredited) | |
Music Department | |||
| Wojciech Michniewski | .... | conductor: Sinfonia Varsovia | |
| Rafal Paczkowski | .... | music recordist | |
| Curt Sobel | .... | music consultant | |
| Alex Stahl | .... | assistant music mixer | |
| Karen Tenkhoff | .... | assistant music editor | |
| Sinfonia Varsovia | .... | orchestra | |
Other crew | |||
| Kasia Adamik | .... | assistant: Agnieszka Holland (as Katarzyna Adamik) | |
| Brad Africano | .... | production aide | |
| Kim Aubry | .... | technical supervisor | |
| Linda Bowen | .... | assistant accountant | |
| Judi Bunn | .... | production coordinator | |
| Mel Churcher | .... | acting coach | |
| Susan d'Arcy | .... | unit publicist | |
| Nick Daubeny | .... | location manager | |
| Kevin De La Noy | .... | location manager | |
| Richard Edwards | .... | tutor | |
| James Ellis | .... | script supervisor | |
| Deborah E. Gollan | .... | production aide | |
| Gerry Gore | .... | location assistant: Yorkshire | |
| Louise Heren | .... | assistant: Fred Roos | |
| Nicholas Iacona | .... | production aide | |
| Anna Kaminska | .... | production aide | |
| Andrew MacDonald Brown | .... | location assistant: London (as Andrew MacDonald-Brown) | |
| Nancy Mannigham | .... | dialogue coach | |
| Jason Mendonca | .... | production runner | |
| Jim Montgomery | .... | production aide | |
| Matthew O'Toole | .... | production runner (as Matt O'Toole) | |
| Marek Pacholec | .... | assistant: Agnieszka Holland | |
| Helena Rothman | .... | production runner | |
| Nina Saxon | .... | title designer: main title | |
| Mike Smith | .... | financial controller | |
| Nick Smith | .... | montage sequence | |
| Meredith Stiehm | .... | assistant: Freed Roos | |
| Steven Weisman | .... | assistant: Fred Fuchs | |
| Torbin Xan Bullock | .... | MRO/transfer department (uncredited) | |
| Bill Daly | .... | post-production accountant (uncredited) | |
| Gary Nixon | .... | assistant accountant (uncredited) | |
|
|
|
|
|
| The Secret Garden | Creation | Atonement | Oblomov | Gone with the Wind |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
The Secret Garden is a rare treat where in the screenwriter and director actually understand their source, The Secret Garden by Frances Hogsden Burnett, and make a translation to the screen that not only captures the essence of the book but enhances the story as well. Too often directors spoil the story with their own self-interested spin (Little Big Man and Chocolat come immediately to mind)but here is a jewel that leaves the viewer saying "That was as good as the book." A genuine triumph.
The cast is outstanding, the children in particular, Kate Maberly as Mary Lennox above all. Even to the most minor extra everyone brings a smooth and compelling reality to the story.
However, the real star is director Agnieszka Holland. Against a challenging climate ( a rainy location) she manages to create a movie with a touching commentary on how children can literally change the world. Her insightful grasp of the themes of isolation, growth and rejuvenation, the need for a balance between nurture and allowable risk are all managed through the controlling metaphor of a garden. The artful rendering of these literary themes are what many directors apparently find most challenging ( I'm looking at you Arthur Penn)and generally blissfully ignore them compensating by glib insertions, extra action or clumsy sentiment. Not so here.
Not only is her focus exemplary but the photography is amazing. The interplay of light and dark, the time elapse photos of clouds rolling and flowers emerging all set to beautiful music captivate the viewer. The rainy weather was not shunned but used to fullest effect. I can only imagine the discipline it must have taken to wait for the sun to peep out from the clouds and then roll film hoping that the cast can pull off the shot before the light changed and a second take became a long wait. Fortunately all are up to the task and the film, the final scene in particular, results in a brilliant piece of motion picture art.
The 1993 version of The Secret Garden is a must for every family film collection, one the parents and kids can enjoy for its sophistication or simply for the great way in which this timeless classic is retold.