A young British girl born and raised in India loses her neglectful parents in an earthquake. She is returned to England to live at her uncle's estate. Her uncle is very distant due to the ... See full summary »
10-year-old Fiona is sent to live with her grandparents in a small fishing village in Donegal, Ireland. She soon learns the local legend that an ancestor of hers married a Selkie - a seal ... See full summary »
A little girl discovers dreams do come true if you really believe. Six-year-old Susan has doubts about childhood's most enduring miracle - Santa Claus. Her mother told her the "secret" ... See full summary »
A young British girl born and raised in India loses her neglectful parents in an earthquake. She is returned to England to live at her uncle's estate. Her uncle is very distant due to the loss of his wife ten years before. Neglected once again, she begins exploring the estate and discovers a garden that has been locked and neglected. Aided by one of the servants' brothers, she begins restoring the garden, and eventually discovers some other secrets of the manor. Written by
Ed Sutton <firstname.lastname@example.org>
The costume design is so detailed that the initials "M.L." (Mary Lennox) can be seen embroidered on Mary's stockings for the split second they appear on-screen, while Mary's Ayah is dressing her (at around 1 min), at the top of her thigh length white stockings. See more »
When Colin throws a temper tantrum after being exposed to an open window, the camera returns to focus on Colin for reaction shots several times during the argument. In some shots, he's dry and his face is pale; in others, he's flushed and sweaty. See more »
My name is Mary Lennox. I was born in India. It was hot, and strange, and lonely in India. I didn't like it. Nobody by my servant, my ayah, looked after me. My parents didn't want me. My mother cared only to go to parties. And my father was busy with his military duties. I was never allowed to go to the parties. I watched them from my mother's bedroom window. I was angry, but I never cried. I didn't know how to cry.
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Right from the beginning, you sympathize with this neglected yet spoiled little girl. Normally I adore Maggie Smith, but here the director is so astute, Maggie becomes Medlock and makes your blood boil with her officiousness and her thin-lipped inability to see or feel for the children. Luckily they all fend for themselves and create a world both unbelievable and wholly needed in our dry and hurried lives. It is for films like these that I go to the theater. It is because of stories like these that my sleep is peopled with gorgeous landscapes and interesting remarks.
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